Pasting Senjafuda
Senjafuda have their roots in religious observance. The ja 社 in senjafuda 千社札 refers to Shintō shrines, and there’s historical evidence that senjafuda culture grew out of devotion to the god Inari, a harvest god worshipped at thousands of shrines throughout Japan. But Buddhism is just as important to senjafuda culture as Shintō: slips were and are also pasted at Buddhist temples, and many senjafuda include Buddhist motifs.
![](https://blogs.uoregon.edu/yokaisenjafuda/files/2020/05/PastSenj1.jpg)
![](https://blogs.uoregon.edu/yokaisenjafuda/files/2020/05/PastSenj2.jpg)
The first slip above relates to Inari worship, and therefore has Shintō connections. The most recognizable is the distinctive double-linteled torii gate seen before every Shrintō shrine (here we’re looking through several in a row). The slip on the right is a representation of the Buddhist conception of Hell, with King Enma judging newly-dead sinners. The swastika-like design on Enma’s desk is an ancient Buddhist symbol still widely used today (and should not be confused with the Nazi swastika)!