ANALOG PARAMETRIC DESIGN:
Quantitative to Qualitative Affect
Figure 1: Starlings in Rome
Patterning and tiling while left as a 2D graphic tool alone would only capture a small degree of its value. The idea introduced earlier of a system as a unit, organization over variation may be considered in a two dimensional information, as well as a three dimensional graphic information but we may also transform this geometric information to cause a sensory affect that is a new degree of information- qualitative.
NED KAHN
Figure 2: Articulated Cloud: Ned Kahn: YouTubeVideo
Figure 3: Articulated Cloud: Ned Kahn: Perspective
Figure 4: Articulated Cloud: Ned Kahn: Diagram
Figure 5: Articulated Cloud: Ned Kahn: Section Prototype
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TADAO ANDO
Figure 6: Kidosaki House: Tadao Ando: Interior Rendering
Figure 7: Kidosaki House: Tadao Ando: Biographical Photo
Figure 8: Kidosaki House: Tadao Ando: Aerial
Figure 9: Kidosaki House: Tadao Ando: Elevation
Figure 10: Kidosaki House: Tadao Ando: Interior Perspective
Figure 11: Church of Light: Tadao Ando: Interior Perspective
Figure 12: Church of Light: Tadao Ando: Cross Perspective
Figure 13: Water Temple: Tadao Ando: Interior Perspective
Figure 14: Church of Light: Tadao Ando: Plan
Figure 16: Church of Light: Tadao Ando: Perspective
Figure 17: Church of Light: Tadao Ando: Perspective
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Steve Holl
JEAN NOUVEL
Figure 18: Louvre Abu Dhabi: Jean Nouvel: Perspective
Figure 19: Louvre Abu Dhabi: Jean Nouvel: Interior Perspectives
Figure 20: Louvre Abu Dhabi: Jean Nouvel: Interior Perspectives
Figure 21: Louvre Abu Dhabi: Jean Nouvel: Model Renderings
Figure 22: Torre Agbar: Jean Nouvel: YouTube Video
Figure 23: Torre Agbar: Jean Nouvel: Interior Perspective
Figure 24: Torre Agbar: Jean Nouvel: Color Diagram
Figure 25: Jean Nouvel: Louvres and Drawing
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SOLID OBJECTIVES
Figure 26: Solid Objectives: Nursery School
Figure 27: Solid Objectives: Sunny Side Up
Figure 28: Solid Objectives: Smoke and Mirrors
SPERANZA ARCHITECTURE
Slide 48: Speranza Architecture: Perspective Rendering
Slide 49: Speranza Architecture: Structural Model
Slide 50: Speranza Architecture: Ventilation Diagram and Plan
Slide 51: Speranza Architecture: Digital Model Roof
Slide 52: Speranza Architecture: Digital Model Roof
Slide 53: Speranza Architecture: Digital Model Roof
Slide 54: Speranza Architecture: Digital Model Roof
Slide 55: Speranza Architecture: Digital Model Roof
Slide 56: Speranza Architecture: Digital Model Roof
Slide 57: Speranza Architecture: Digital Model Roof
Slide 58: Speranza Architecture: Digital Model Roof
Slide 59: Speranza Architecture: Digital Model Roof
Slide 60: Speranza Architecture: Digital Model Roof
Slide 61: Speranza Architecture: Digital Model Roof
Slide 62: Speranza Architecture: Digital Model Roof
Slide 63: Speranza Architecture: Digital Model Roof
Slide 64: Speranza Architecture: Digital Model Roof
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HADID AND SCHUMACKER
Slide 65: Zaha Hadid and Patrick Schumacker
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MARBLE FAIRBANKS
Slide 66: Marble Fairbanks
Slide 67: Marble Fairbanks
Slide 68: Marble Fairbanks
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SOL LEWITT
Slide 69: Sol Lewitt
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JACKSON POLLOCK
Slide 70: Jackson Pollock
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CATALOGING AND NAMING CONDITIONS OF AFFECT
Slide 71: Cataloging and Naming Conditions of Affect
Slide 72: Student Work Example: Jasmine Alcaide
Slide 73: Karen McClosky Studio: UPenn Rendering
Slide 74: Elena Manferdini: SCI-Arc Institute Installation
Slide 75: Weathering Time
STUDENT WORK EXAMPLES
Slide 76: ARCH 610 Examples
Slide 77: Gretchen Leary: Luminosity
Slide 78: Adam Oswald: Light Contours: Analog
Slide 79: Adam Oswald: Light Contours: Digital
Slide 80: Alyssa Phanitdasack: XOXO
Slide 81: Eli Rosenwasser: Sparkle
