ARCH-222s20_EXCERSISE-1.1_Riley_Greenheck

ARCH-222s20_EXCERSISE-1.1_Riley_Greenheck

In part 0.3 ‘Walking Out of Cubism,’ it is said that minimalism has created a shift that changes the way you view a space. The new way of viewing space is by creating spaces for things such as art that make it a “specific object.” The minimalistic principles are creating a structurally sound design that is represented through a visual which allows the viewer to understand how it was constructed. Minimalist is constrained as they have rules and guidelines to their design, then postminimalism is created which creates a much more definitive design. The two are committed to similar things but on different spectrums, as postminimalism remains “committed to tangible things and visibility where the minimalists are concerned with underlying structures and ideas.”

 

In part 0.6 ‘Distributed Institutions’ the rules of classical architecture such as precise rules of axiality, symmetry, and formal hierarchy, which fully regulated designs still continue. Specific buildings such as institutions, government buildings, and museums contain some form of classical architecture as they need to represent being a durable institution. Even in new styles, there has been a “history of permuting relationships around the general premise that relationships should remain critical.” This continuation of a style begins to fade as there is a change within groups as media is influencing people to fade from such places as a library. The designs need to change to bring people to an understanding that such locations as a library have more accessible information than just looking for things online.

 

In part 0.1 ‘From Object to Field,’ it is said: “a field condition could be any formal or spatial matrix capable of unifying diverse elements while respecting the identity of each.” People have different ideas about field conditions. Some may view the field conditions as required pieces of design. These required pieces change with time as there are different influences from life determining the design layout.

 

In part 0.2 ‘Geometric vs. Algebraic Combination,’ the idea of organic geometric unity which is seen in classical architecture have a specific order. There is a wide variety of these rules but overall “beauty is the consonance of the parts such that nothing can be added or taken away.” There is a layout which stayed relatively consistent that designs need to be one unified thing. The new designs are turning into spaces that can be added to without having an identical structure and add beauty without changing anything substantial.

 

 

In part 0.5 ‘Flocks, Schools, Swarms, Crowds’ prove that things are fluid and need minor adjustments. In the 80s an artificial intelligence theorist name Craig Reynolds creating a programmed simulation of birds flying in groups with minor variables that did not determine that they would have to be in a flock. The flock was created even though restrictions on distancing between objects were given the objects needed to come close enough to form one unit. This observation of simulation gives a visual into a very important idea in architecture which is “variations and obstacles in the environment are accommodated by fluid adjustment. A small flock and a large flock display fundamentally the same structure.” No matter how big or small an architectural design is there will be a sense of unity as spaces created should form together.

 

 

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