2017 Association of Western States Folklorists Society’s Annual Meeting

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Brad McMullen

From April 20th-22nd, the Oregon Folklife Network hosted the annual Association of Western States Folklorists meeting. This gathering brings together public folklorists throughout the American West to discuss their current work and learn new skills. This year was especially exciting because the Western States Folklore Society (WSFS) also had its annual conference in Eugene, a planned convergence that encouraged public and academic folklorists to come together and share ideas.

AWSF kicked off with a cultural heritage tour of Eugene’s Whiteaker neighborhood. The tour was loosely organized around the impacts of gentrification for community arts and craft businesses and residents. At Falling Sky Delicatessen, the group enjoyed generous and delicious tastes of and tips about fermented foods. Chair of the Whiteaker Community Council, Sam Hahn, led folks on walking tour of the neighborhood and visit to Blairally Vintage Arcade, where our visiting folklorists learned about pinball culture and the restoration of old pinball machines. Next, the group popped in to Thinking Tree Spirits, a newly opened distillery where a tour of the distillation facilities and samples of craft vodka and gin cocktails were on the menu. A visit with Equiano Coffee’s owner/coffee roaster, Okon Udosenata, provided an insider’s view of artisanal coffee roasting plus some aromatic sips Chris Paulson’s fused glass studio entranced everyone with its beautiful displays and Paulson’s stories about his work. Our final stop was at Ninkasi Brewing, where the group learned about the “brewshed” and Ninkasi’s history in the Whiteaker neighborhood.

Our joint AWSF and WSFS conferences came together at the start with a memorial screening of Carol Spellman’s For the Love of the Tune: Irish Women and Traditional Music and moving tributes to Carol and her work. Next on the agenda was a joint session on the Future of Folklore, which OFN executive director, Riki Saltzman, facilitated. With speakers from as far as American Folklife Center in Washington D.C., and as local as Native storyteller Patricia Whereat Phillips, the panel discussed where the field of folklore is going and how to best prepare folklorists for the future. After lunch, a panel of alumni from the University of Oregon’s Folklore graduate program shared ways in which they applied their folklore skills in a variety of workplace settings. Attendees were happy to see how people are both engaging with and expanding the field of folklore. UO librarian Nathan Georgitis provided an overview of best practices and a rundown of useful tools for managing a folklore archive.

Highlights from the final day of the conference included Shirod Younker (Coquille/Miluk Coos), who provided an in-depth and engaging presentation on Native perspectives on and contemporary programming in traditional arts. Younker also shared some of his own art and spoke about his involvement with the A. Susana Santos’ Journeys in Creativity Program at Oregon College of Art and Craft. In another session, OFN’s Lyle Murphy and Indiana University’s Kelly Totten discussed their work with incarcerated populations. AWSF closed with Bodeene Amyot’s workshop on photographic skills, which was filled with great examples and tips for how to best use your camera to take fantastic photographs. Amyot is a gifted photographer and visual storyteller.

The meeting created critical time for folklorists to engage with each other on projects and issues all share in common and to strategize about growth and sustainability in our field. OFN is grateful for funding from UO’s Academic Affairs and the UO Folklore Program as well as the American Folklore Society’s Professional Award.

Books! Books! OFN New Releases

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Alina Mansfield

We are pleased to announce the release of Oregon Folklife Network’s first publication: Culture Keepers of Eastern Oregon. In the Spring of 2016, Folklorists Douglas Manger and Joseph O’Connell visited communities throughout the Eastern Oregon region and interviewed cowboys, ranchers, quilters, water witchers, stone masons, old time musicians, community poets, fly tiers, fishing guides and more. This folklife survey into the “deep west” of Eastern Oregon, was made possible thanks to generous funding from the National Endowment for the Arts, Art Works, and the Oregon Historical Society.

Culture Keepers of Eastern Oregon features over 40 photographs and biographies of traditional artists throughout the Eastern Oregon counties of Baker, Crook, Deschutes, Grant, Union, Wallowa, and Wheeler. Douglas Manger explains, “Our effort was to record unique culture keepers at their home place, particularly those held in close esteem for the craft they are upholding, their striving for excellence, their giving back while teaching others.” Joseph O’Connell notes, “Our conversations explored how broad traditions, like rodeo sports or cowboy poetry, take on new dimensions in local places.”

Keep an eye out this summer for our upcoming publication, Oregon Traditional Arts Apprenticeship Master Artists: 2012-2016, which will highlight the 23 master artist teams who received TAAP awards from 2012-2016. This photo essay provides a tantalizing glimpse into Oregon’s cultural traditions and the artists who make them thrive.

 

Remembering Carol Spellman

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With deep sadness, we mourn the passing of dear friend and colleague Carol Spellman, 1951-2017. Carol was a folklorist’s folklorist. The Oregon Folklife Network, the state of Oregon, and the entire field of folklore would be the poorer without Carol’s impressive body of work for the Oregon Folklife Program.

“All who knew Carol are invited by her family to honor her memory at a Celebration of Life/Irish Wake at The Evergreen, 618 SE Alder St, Portland on March 8 from 5 to 8 p.m.”

The UO Folklore community is very grateful for the Spellman family’s very generous designation of UO’s Folklore Program to receive donations in Carol’s memory.

“The Folklore Program at U of O has established a fund in Carol’s name to assist graduate students to work in the field that she loved so much. Donations may be made to the Carol B. Spellman Public Folklore Fund, Attn: Beth Magee, Folklore Program, 1287 University of Oregon, Eugene, Oregon 97403.”

“Carol Beth Spellman passed away peacefully with her family by her side on January 26, 2017 due to complications from treatment for leukemia.

Born October 19, 1951 in Oakland, California to Edmund and Helen (Heber) Stone, Carol lived her early years in Hayward before the family moved to San Leandro. Continue reading

FisherPoets Gathering featured in American Airlines Waves Magazine

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The Oregon Folklife Network is a proud partner of the FisherPoets Gathering. Each year we journey to Astoria at the end of February to bask in the reflected glory of these commercial fishermen (and women!) who celebrate their occupational tradition in poetry, prose, and song as well as visual art. OFN interviews several fisherpoets each year in order to volunteer at and document this special event, which bills itself as “for commercial fishermen, by commercial fishermen.” We are so pleased to share this lovely article, which features several of those we’ve come to know. Congratulations, FPG!

https://americanwaymagazine.com/ask-waves

New Exhibit: Gorgeous Sounds: Music Along the Columbia River

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With great pleasure, we announce the opening of our newest exhibit, Gorgeous Sounds: Music Along the Columbia River, in the Window Gallery of our Knight Library office at the University of Oregon, Eugene Campus. Gorgeous Sounds celebrates several of the musicians that fieldworkers Nancy Nusz and Deborah Fant documented during the 2015 Folklife Survey of the Columbia Gorge region. The six featured artists represent traditions from gospel to mariachi. As diverse as the styles may be, the music they play has a similar effect of bringing people together to celebrate, worship, and share traditional knowledge. The multimedia exhibit includes a sampling of the musicians’ work. If you cannot come by to see it in the next few months, watch for the online version coming soon to our website.

Oregon at the 33rd Annual National Cowboy Gathering

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From February 2-4, the 33rd annual National Cowboy Poetry Gathering (Elko, NV) hosted over fifty poets and musicians, plus vendors and folklorists, and the works of dozens of traditional artists. The event celebrates the living heritage of working ranchers, cowboys, and cowgirls.  Morning to night, songs and stories spilled out from the Elko Convention Center. Audiences browsed blankets, hats, and leather-tooled treasures at the Western Mercantile in the new Conference Center. Continue reading

Portland Metro Fieldwork Survey Reflections

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The 2016 Portland Metro Folklife Survey is the fourth in a series of OFN’s regional surveys to identify and document folk and traditional artists in Oregon. We are grateful for funding from a Folk & Traditional Arts Art Works grant from the National Endowment for the Arts as well as for additional support from the Oregon Historical Society. Click on the links below to read reflection essays by folklorists Nancy Nusz, Douglas Manger, and Makaela Kroin.

Multnomah County Survey Reflections

Traditional Weavers in Clackamas and Yamhill County

Washington and Columbia Counties Survey Reflections 

“Folkcraft embodies shared knowledge, passed from the wellspring on to succeeding generations. As experience is gained the emerging folk artist becomes ever more adept at accomplishing the intricacies of the work. What sets folk artists apart? In my experience their “gentle fervor” is the distinguishing factor. How many times have I left an interview deeply moved, newly enlightened, or utterly transformed. With the emphasis on excellence, adherence to form (with room to grow), and honoring those who came before them, a model for universal living is at hand for all to benefit. It is these noble attributes that allow folkways to sustain from one generation to the next. Perhaps it is for these reasons, as well, that OFN’s Folklife Surveys have brought such a positive public response.”

–Douglas Manger

 

We are currently accepting TAAP applications, due March 1.

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We are currently accepting applications from master artists and their apprentices for our Traditional Arts Apprenticeship Program (TAAP). One of the Oregon Folklife Network’s cornerstone programs, TAAP assists master artists to teach and pass on their living traditions to promising apprentices from the same cultural background. Master artists receive stipends to cover costs of focused, individualized training and a final public presentation. OFN hosts a biannual awards ceremony in Salem where legislators and government officials recognize master artists.

Download the application on our website and submit by March 1st.

Artists from a number of different traditions have participated in TAAP over the years. For a full list of participants, check out our new Oregon Culture Keepers Roster – just type “TAAP” into the keyword search to see the full list. 2016 recipients are tazhib artist Marjan Anvari, rawhide braider Jack Armstrong, charro Antonio Huerta, dentallium shell piece expert Roberta Kirk, bharathanatyam dancer Anita Menon, and santoor player Hossein Salehi.

OFN is honored to support these master artists in their efforts to keep and pass on their cultural traditions to the next generation. Keep your eye on our Vimeo and YouTube pages for upcoming interviews with these artists – and be sure to check out the interviews with some of our previous master artists while you wait!

Funding for TAAP comes from the National Endowment for the Arts Folk & Traditional Arts discipline and Oregon Arts Commission. The Oregon Community Foundation’s Fred W. Fields Fund provided further funding for our 2016-17 awardees. Additional support from the Oregon Historical Society and the University of Oregon makes this program possible.

Announcing the 2016 TAAP Awardees

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By Brad McMullen

The Oregon Folklife Network is proud to announce six new 2016 Traditional Arts Apprenticeship Program (TAAP) awardees! These extraordinary master traditional artists and culture keepers exhibit excellence in their abilities, and a passion to pass on their knowledge, skills, and expertise. TAAP provides a stipend to these master artists to teach a promising apprentice from their own community, Tribe, or cultural, religious, or occupational group.

This year’s TAAP teams will be working a range of traditional skills, from traditional rawhide braiding to dentalium shell piecework to Tazhib.

1g6a1773Marjan Anvari (Lake Oswego, OR) is a master of traditional Tazhib (gilding), Persian illumination patterns. She will be teaching her apprentice the finer points of this ancient cultural art, which involves adorning the margins of books with beautiful patterns of plants or geometrical shapes with gold as well as colors like azure, blue, green, vermilion, and turquoise.

 

 

 

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Jack Armstrong (Lakeview, OR) is a cowboy and master rawhide braider. Armstrong will be working with his apprentice to create tightly and evenly braided gear and a variety of decorative “buttons.”

 

 

 

Jose Antonio Huertahuerta_jose_antonio_artist (Springfield, OR) is a master of Mexican cowboy (charro) horseback rope work. This is his second TAAP award for which he will once again be teaching charrería (rope work and riding).

 

 

 

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Roberta Kirk (Warm Springs, OR) is a master shell dress maker of the Confederated Tribes of the Warm Springs Reservation. For this second TAAP award, Kirk will be teaching her apprentice the specifics of dentalium (shell) piecework.

 

anitamenon2016Anita Menon (Portland, OR), founder of the Anjali School of Dance, and master of Bharatanatyam will be teaching Nattuvangam, the art of playing cymbals during Indian classical dance.

 

 

 

hosseinsalehi2016Hossein Salehi (Beaverton, OR), founder of the ArtMax Academy, is a master musician who plays the Santoor (trapezoid-shaped hammered dulcimer-like string musical instrument). Salehi will will be helping his apprentice to refine his musical skills.