#GivingTuesday

Dear Oregon Folklife Supporter,

Today is #GivingTuesday—a global day dedicated to giving back to your favorite nonprofits and causes. #GivingTuesdaykicks off the Oregon Folklife Network’s year-end fundraising campaign.

To participate: Make an end-of-the-year tax-deductible gift to the Oregon Folklife Network Fund.  Be a part of OFN’s ongoing story from Culture Fest to our Traditional Arts Apprenticeship Program. Our programs showcase exemplary culture keepers in Oregon’s communities and Tribes.

Your donations enable OFN to

When you give to OFN, remember to make a matching donation to the Oregon Cultural Trust, which will credit its portion back to you as an Oregon state tax credit.  “Donate+Match = Get the Whole Match Back!”

When you donate today you’ll be joining thousands of other Oregonians in a statewide celebration of #GivingTuesday as part of the NonProfit Association of Oregon’s #CareLikeAnOregonian campaign.

 

OFN connects!  From culture keepers in Tribes and communities, to local and statewide programs and agencies, we make Oregon’s traditional arts thrive. To continue this work, we need your help. We hope you’ll be a part of our efforts to nurture Oregon’s diverse cultural heritage.

Thanks so much for your support!

Riki Saltzman, Executive Director
Oregon Folklife Network
http://ofn.uoregon.edu

Treaty of 1855 Conference, Museum at Warm Springs, Oct 25-27, 2018

Upon returning to work after attending the Middle Oregon Treaty of 1855 Conference, I am newly aware that I am returning to America after visiting the Warm Springs Nation; a sovereign nation that pre-existed the establishment of the United States, with inherent rights to their lands – including access to millions of acres ceded to the US through the Treaty for usual and customary practices like hunting and gathering. These rights are not only acknowledged, but protected by the Treaty, a nation-to-nation agreement with the same legally and ethically binding strength and significance as other international treaties.

Photo by Edward Curtis

The original document resides in a climate-controlled vault in the National Archives in Washington DC, however it is temporarily on display at the Museum at Warm Springs through Nov 3, 2018. This unique access to the Treaty parallels the Museum’s celebration of its 25th Anniversary, and spurred tribal leadership to coordinate the Treaty Conference from Oct 25-27. Many Native and non-native allies came together to better understand the historical context that established the Treaty; to reflect on the renewed growth and development of tribal governance despite the overwhelming loss of language, cultural practices, lands and people; and to imagine and plan for a future beyond indigenous survival, to one of thriving.

Warm Springs Tribal Council member, Valerie Switzler (Director of Cultural and Heritage Language Programs), invited Oregon Folklife Network to interview participants and document their reflections and reactions. Of high importance to her was engaging tribal youth in the process. OFN was honored by the invitation and donated our time in sponsorship of the event. With the help of superintendent Ken Parshall, we reached out to OFN’s Fieldschool alumni, and Warm Springs sophomores Dylan Heath, Taya Holiday, and Kathryce Danuka attended on Friday and took leadership roles in running the video camera, asking thoughtful questions, and ensuring that release forms were returned. They showed great respect and professionalism, though I was delighted to see them relax into some light-hearted teenager fun after their work was through.

With their help, OFN gathered interviews spanning a variety of perspectives, from NARF lawyer (and former UO Duck) Charles Wilkinson, to elder and language teacher Arlita Rhoan. The multi-talented incoming Executive Director of the Museum at Warm Springs (and former Poet Laureate) Elizabeth Woody expertly coordinated this important event, and graciously provided her reflections for this record, all of which is going back to the Tribal Archives. The thoughts they all shared co-mingle with my own reflections, even as the days between me and the event grow. I yearn for more time to steep in my feelings and better understand and act on my sense of urgency to respond. But I am back in America now. Although their prayer songs fade in my ears, the people of the Confederated Tribes of Warm Springs, and those from the 500+ sovereign nations who uphold their agreement to permit US activities on lands that have been theirs since time immemorial, sing often and sing strong.

A trip to the Museum today will offer you a once in a lifetime opportunity to view six original pages of the handwritten 1855 Treaty, and the lifelong gift of a deeper understanding of an historical agreement between nations that continues to be of great significance today and always.

Update from Four Rivers Cultural Center

Josh Chrysler, Four Rivers Cultural Center Staff Folklorist

from left: Emily West Hartlerode, Bradford McMullen, Josh Chrysler, Riki Saltzman, and Steven Hatcher festival hosting, 4Rivers Cultural Center, June 23, 2018.

 

I had a busy winter and spring as the contract staff folklorist for the Four Rivers Cultural Center in Ontario, Oregon. Through funding from the National Endowment for the Arts, I have been able to continue my work to develop programs celebrating and supporting folklife and traditional culture in eastern Oregon.  This past year, I developed both an exhibit on regional folklife and a day-long folklife festival.

The exhibit, Buckaroo and Ranching Folklife of the Four Rivers Region, features traditional arts and skills associated with buckaroos and the ranching world. Crafts such as silversmithing, rawhide braiding, and saddle making each have qualities specific to this corner of the world. This exhibit was based on my own fieldwork, previous OFN fieldwork, and a smaller Buckaroo exhibit that Adrienne Decker developed during her Summer Folklife Fellowship at OFN. At this writing, the exhibit is on view at the Four Rivers Cultural Center. In the future, Four Rivers plans to travel the exhibit to other local and regional museums, libraries, and schools.

Following the theme of regional culture, I also developed a day-long Tradition Keeper’s Folklife Festival, held Saturday, June 23rdat the Four Rivers Cultural Center. This extremely rural region nourishes an incredible diversity of folklife, which we worked to represent in our programming. The festival brought in many of the buckaroo artists featured in the exhibit to demonstrate their various traditions, which ranged from Western saddle making and Paiute basketry to foodways from Japanese mochi and to Basque paella. Meanwhile, multiple performance areas featured traditional artists and their verbal or musical traditions including cowboy poetry, Mexican dance, Japanese Taiko drumming, and Paiute storytelling. Thanks to these culture keepers, the Four Rivers staff, OFN staff, and folklorist Steven Hatcher of the Idaho Commission on the Arts—

all of whom helped facilitate the event—400-500 visitors interacted with and learned from community members and neighbors who practice traditional arts and skills.

Fortunately, we have secured funding from the NEA to continue this project, and planning for a Tradition Keepers Folklife Festival (Saturday, June 29, 2019) is underway. I am heading back to eastern Oregon to continue fieldwork and to identify additional traditional artists to feature at next year’s Festival. Stay tuned for more information as this project continues to develop!

OFN at the 2018 FisherPoets Gathering

Cloudy weather couldn’t dim our enjoyment of the FisherPoets Gathering

Every year, the FisherPoets Gathering brings together fishermen from around the world to Astoria, OR during the last weekend in February to share their poetry, prose, and song and to celebrate the commercial fishing industry. This year’s FisherPoets Gathering featured over 100 performers at 8 different venues, workshops, a poetry slam, and the ever-popular Saturday night poetry contest. For the 5th year running, Oregon Folklife Network staff, students, and volunteers were all there to help document the weekend.

OFN Executive Director Riki Saltzman, Graduate Assistant Brad McMullen, OFN Program Manager Alina Mansfield, students Brandie Roberts and Kayleigh Graham, and volunteer folklorist Tiffany Purn spent the weekend experiencing the events and interviewing fisherpoets, documenting their poetry and their commercial fishing heritage. We got to see a number of fantastic performances from fisherpoets like Harlan Bailey, Rich Bard, Moe Bowstern, Meezie Hermansen, Tom Hilton, Cary Jones, Rob Seitz, and Cowboy Poet-in-Residence Ron McDaniel.

One event that stood out for first-timer Kayleigh Graham was the Strength of the Tides workshop, which focused on empowering women fishermen (their gender-preferred term) and other women who work in maritime industries. Strength of the Tides was well supported outside of its workshop too, with the movement getting shout-outs at performances throughout the weekend and lots of sightings of the new t-shirt.

For graduate student Brandie Roberts, another first-timer who described it as a weekend of “heartfelt expression,” what really stood out was her interview with fisherpoet Harlan Bailey. She writes, “For [Harlan], as with many others, gathering as the collective Fisherpoets means creating a space that staves off alienation and allows transformation – from the quotidian to the symbolic, and the mundane to the meaningful. Harlan Bailey will be back next year, and I’ll be in the audience to cheer him on.

(From L to R) Brandie Roberts, Brad McMullen, ED Riki Saltzman, Kayleigh Graham, & Tiffany Purn

As always, the FisherPoets Gathering is a great chance for fishermen to celebrate their industry and the art that they create in isolation and share as a community. The OFN is proud to attend every year and help document the stories of the men and women of the commercial fishing fleet, and we’re already looking forward to next year’s gathering!

Former OFN Staff Member Makaela Kroin Gets Job with Washington State Parks & Recreation Commission

It is with great excitement that we announce that Makaela Kroin, a graduate of the University of Oregon’s Folklore Program and the former program manager at the Oregon Folklife Network, has accepted a position as a public folklorist with the Washington State Parks & Recreation Commission.

Washington State Parks & Recreation Commission hired Kroin as the manager of the Folk & Traditional Arts Program. Founded in 2004 by public folklorist, Dr. Jens Lund, the Folk & Traditional Arts Program planted deep roots in state parks across Washington. Kroin, who started in January 2018, Makaela replaces Deborah Fant (one of OFN’s former contract folklorists), who retired in September 2017. Ryan Karlson, Parks’ Director of Interpretive Services, says “We are quite excited to have Makaela Kroin coming to Washington State Parks to lead our Folk & Traditional Arts Program. We look forward to building new partnerships and the reach of Folk & Traditional Arts programming within our diverse state park system.”

Kroin has a Bachelor’s Degree in Portuguese and Brazilian Studies from Smith College, a Master’s Degree in Information and Communication Science from Ball State University, and a Master’s Degree in Public Folklore from the University of Oregon. During her time as Oregon Folklife Network’s Summer Folklore Fellow (2016) and Program Manager, Kroin conducted fieldwork, produced exhibits, coordinated public programs, wrote grants, and did extensive community outreach.

Kroin credits her mentors at the University of Oregon and the OFN for her success, “I am incredibly grateful to have had the opportunity to work with world class scholars in the Folklore Program at the University of Oregon as well as the dedicated staff and interns at the OFN. It was the practical experience that I gained through internships and fellowships at the OFN that gave me the professional skills, the extensive network, and the confidence to flourish in the field of Public Folklore.”

At Washington State Parks, Kroin is responsible for coordinating the statewide Folk and Traditional Arts program and related community partnership development efforts. In 2018, she will oversee a packed schedule including annual events and festivals such as the Salish Sea Native American Cultural Celebration, Cambodian Cultural Celebration, and the American Roots Concert Series, as well as a collaboration with New Old Time Chautauqua to tour Washington State Parks and small towns in the North Central and North regions of Washington as well as the Confederated Tribes of Colville Reservation.

NEA Funding for OFN—Willamette Valley Folklife Survey, Spring 2018!

The National Endowment for the Arts has awarded the Oregon Folklife Network funding to conduct folklife field surveys and documentation of traditions in the Willamette Valley. We are pleased to announce that folklorists Amy Howard, Alina Mansfield, and Thomas Richardson will be conducting this fieldwork with the Confederated Tribes of Grand Ronde and in the counties of Polk and Benton as well as the portions of Marion, Linn, and Lane counties in the Willamette Valley.

OFN, Oregon’s Folk & Traditional Arts Program, is in search of excellent folk artists and culture keepers. We’ll include the best of those documented in our Culture Keepers Roster, an online curated resource for local festivals, parks, school, and library programs looking to hire performers, demonstrators, and speakers. We are also looking for master artists to serve as mentors for the Traditional Arts Apprenticeship Program.

OFN will be working with a range of cultural partners such as Lane Arts Council, Lane County Historical Museum, Salem Arts Association, Corvallis Arts Center, County Cultural Coalitions, Independence Heritage Museum, da Vinci Days, Corvallis Multicultural Literacy Center, CAPACES Leadership Institute (Latino workers), and Confederated Tribes of Grand Ronde, and our operational partners (Oregon Historical Society, Oregon Arts Commission, Oregon Cultural Trust). We’ll be partnering with some of those organizations to create public programs with traditional artists in the region.

Please put us in touch with the traditional musicians, dancers, quilters, embroiderers, storytellers, fly-tiers, cooks, artisans, and others in your part of the Willamette Valley. We very much want to hear from the range of the region’s communities— regional, ethnic, and occupational folklore, including but not limited to Asian and Pacific Islanders (Asian Indian, Chinese, Filipino, Hawai’ian, Japanese, Korean, Lao, Vietnamese), Latino (Mexican, Cuban, Puerto Rican), Native American (Confederated Tribes of Grand Ronde), and European (Dutch, English, French, German, Irish, Italian, Norwegian, Polish, Russian, Scotch-Irish, Scottish, Swedish) as well as logging, hunting, railroad, sheep and dairy farming, orchards, viticulture, brewing, hops growing, fishing and fishing guides, boat building and other waterways traditions along with foodways, music, storytelling, and other relevant traditional expressions.

Contact information for Project folklorists:

OFN preserves this documentation at the University of Oregon, Special Collections and University Archives.

To provide OFN with contact information for tradition keepers, contact Riki Saltzman, riki@uoregon.edu; Alina Mansfield, alinam@uoregon.edu; or phone 541-346-3820.

OFN is a University of Oregon administered program with operational support from the Oregon Arts Commission, Oregon Historical Society, and Oregon Cultural Trust.

OFN at 2018 National Cowboy Poetry Gathering

Every year, folklorists from across the western states reunite at the National Cowboy Poetry Gathering in Elko, Nevada.  OFN Associate Director, Emily Hartlerode, joined colleagues to staff the festival as stage manager and host to cowboy musicians and poets Feb 1-3. This year’s 34th annual festival theme, “Basques & Buckaroos: Herding Cultures of Basin, Range and Beyond,” made the beret, or Basque txapela, as common as the ten-gallon hat. A rich assortment of Basque music, dance, language, and rhymes came gathering from near as Elko and far as Spain’s Basque Country. Oregonians performing at the Gathering included photographer Mary Williams Hyde (Klamath Falls), poet Annie Mackenzie (Jordan Valley), and musicians Caleb Klauder Country Band (Portland) who played the famous Saturday Night Dance.

Mary Williams Hyde, whose family has been ranching in Klamath Falls since 1911, shared an hour of her photo slides in a collection called “Images of the Buckaroo: On the Ranch and in the Arena.” Her documentation of this culture specializes in the rare million+ acre ranch of the Great Basin, like Oregon’s ZX Ranch in Paisley.

Annie Mackenzie was a fresh new voice in Elko, attending her first Gathering as a recipient of the Rod McQueary & Sue Wallis Scholarship. This fund, established by an anonymous donor in memory of two of the Gathering’s earliest poets, brings emerging poets, writers and reciters to the Gathering. OFN looks forward to adding to our artist roster Ms. Mackenzie, who writes thoughtful and humorist poetry of her experiences on her family’s fourth-generation ranch in southeast Oregon.

Interested in performing or exhibiting at the National Cowboy Poetry Gathering?  Get in touch with OFN, or watch the NCPG website where applications for 2019 will be posted soon!

Communities Connecting Heritage

 

World Learning is administering an exciting initiative on behalf of the U.S. Department of State called Communities Connecting Heritage.

The initiative will connect US-based organizations with like-minded organizations abroad to work on a collaborative cultural heritage project, culminating in a public exhibition and reciprocal exchange program to each other’s countries.

If your organization would like to receive the application, please fill out this five-question Inquiry Form. Kindly pass this along to other individuals or organizations whom you think may have an interest in this opportunity. Thank you.

Regards,

Nicolette Regis

Program Officer, Global Exchange

World Learning
1015 15th Street NW | 7th Floor | Washington, DC 20005

T: 202.355.6466 | C: 202.413.5140

Two contract folklore positions! RFP: Due Nov 15, 2017 

Oregon Folklife Network RFP: Due Nov 15, 2017 
Folklore Fieldworkers for Willamette Valley
January – August 2018
 
The Oregon Folklife Network seeks to hire one early career (1-3 years’ experience in public folklore i.e., non-degree focusedfolklife fieldwork) AND one mid-career folklorist (at least 3-7 years’ experience in public folklore) to conduct folklife field surveys and documentation of cultural, occupational, regional, and religious traditions in the Willamette Valley counties of Polk and Benton and much of Marion, Linn, and Lane counties, including the Confederated Tribes of Grand Ronde (fieldwork regions will be divvied up based on the experience and backgrounds of those selected). OFN Executive Director, Riki Saltzman, will supervise this project; Saltzman and the mid-career folklorist will mentor the early career folklorist as well as an emerging folklorist during fieldwork and for presentations. This project is supported in part by a grant from the National Endowment for the Arts, Art Works.
 
The Willamette Valley stretches along 100 miles of the Willamette River, from just south of Portland in the north to Eugene in the south; it covers all of Polk and Benton and much of Marion, Linn, and Lane counties, including the Confederated Tribes of Grand Ronde. This region includes about 45% of Oregon’s population and is bordered by the Cascade Range (east), the Coast Range (west), and the Calapooya Mountains (south). Formed by the Ice Age Missoula Floods, this highly fertile region is known for its wineries (19,000 acres of vineyards and over 500 wineries), microbreweries, hop yards, orchards, farms, rivers, and fishing.
 
The Willamette Valley includes three major cities—Salem (capital), Eugene (University of Oregon), and Corvallis (Oregon State University)—plus small towns, rural areas, several rivers, and populations from a diverse range of ethnic and regional backgrounds, including a large settlement of Russian Old Believers. This project will cover regional, ethnic, and occupational folklore, including but not limited to Asian and Pacific Islanders (Asian Indian, Chinese, Filipino, Hawai’ian, Japanese, Korean, Lao, Vietnamese), Latino (Mexican, Cuban, Puerto Rican), Native American (Confederated Tribes of Grand Ronde), and European (Dutch, English, French, German, Irish, Italian, Norwegian, Polish, Russian, Scotch-Irish, Scottish, Swedish) as well as logging, hunting, railroad, sheep and dairy farming, orchards, viticulture, brewing, hops growing, fishing and fishing guides, boat building and other waterways traditions along with foodways, music, storytelling, and other relevant traditional expressions.
 
Documentation will include a needs assessment for regional folk arts, recommendations for OFN’s roster, a list of potential partner organizations, and programming suggestions, thus providing direction for OFN’s network function. Folklorists will also provide public programs for each county and Grand Ronde; those presentations palpably demonstrate the value of traditional arts and result in further connections and feedback.
In addition to fieldwork, each contract folklorist will also be responsible for presenting two 1-hour public programs featuring 2 documented artists in counties where the research has occurred (OFN provides assistance).
 
The fieldwork portion of this work should take place any time from January – May 2018, though April – May would be preferable; public programs (see above) must occur no later than July 2018. Pre-fieldwork contacting of culture keepers and others may begin any time after December 15, 2018. All paperwork must be completed and turned in by August 31, 2017. Fieldwork days need not be consecutive, but fieldwork times must be coordinated with Saltzman.
 
The successful applicant should have at least an MA in folklore or related discipline, such as cultural anthropology or ethnomusicology. Early career applicants should have at least 1-3 years’ professional experience in public folklore and/or folklife documentation; mid-career should have at least 3-7 years’ professional experience in public folklore and/or folklife documentation. Please note that this does NOT include work conducted as part of a degree program. 
 
Qualified applicants must have access to, experience with, and technical competence with digital equipment (camera, audio recorder, computer/laptop) and their own transportation. OFN will not cover transportation to/from Oregon.  
 
Required RFP materials:
a cover letter detailing qualifications and relevant experience as well as how the applicant will conduct the work for this projectc.v.3 relevant reference letters (no exceptions)representative work samples (please submit only digital and/or online work samples) to include recorded audio interviews (1-2 excerpts of no more than 3 minutes each). Note: interviews should be in English and on topics relevant to folk and traditional artsa self-recording (audio) with applicant’s personal introduction along with a summary of qualifications (no more than 3-4 minutes)photography (10-20 images, jpg format, with metadata: subject, date, place, purpose of original photo). Note: we are looking for ethnographic/fieldwork type photographs with contextual information as part of the photo. Simple portraits and landscapes do not qualify, and we cannot accept video. fieldnotes (5 pp max)1 published professional writing sample (festival catalogue pieces are more than fine).
 
Applications submitted without these items will be deemed incomplete and will not be considered.
 
OFN will provide:
·       preliminary contact information/introductions for several communities, folk artists, and organizations in Oregon’s Willamette Valley;
·       digital folklife fieldwork forms (audio log, photo log, general release, artist data sheet, release for internet materials); funds for disks, memory cards, batteries, etc.; funds for travel (in Oregon only) at the state rate;
·       pre-selected organizations in each county for public programs;
·       Early career folklorist: contract and fee of $300/day plus in-state travel expenses (food, mileage, lodging at state rates) for total of $9,700; and
·       Mid-career folklorist: contract and fee of $400/day plus in-state travel expenses (food, mileage, lodging at state rates) for total of $11,500.
 
The results of this folklife field survey will expand the OFN’s Culture Keepers roster; provide 6 public programs in counties where fieldwork was conducted (including one at the Oregon Historical Society); and provide cultural information, including field reports, to local cultural and arts organizations towards the creation of future programs as well as to OFN’s operational partners, the Oregon Arts Commission, the Oregon Cultural Trust, the Oregon Historical Society, Humanities Oregon, the Oregon Heritage Commission, and the Oregon State Library. As with all folklife materials, fieldwork documentation will become part of the Oregon Folklife Collection at the University of Oregon Libraries’ Special Collections and University Archives.
 
Complete applications (including all reference letters) should be sent to: 
Oregon Folklife Survey, Oregon Folklife Network, 242 Knight Library, 6204 University of Oregon, Eugene, OR 97403-6204OR as a PDF email attachment to riki@uoregon.edu (please put FOLKLIFE SURVEY in the subject line).
 
Complete applications must be received at the OFN by November 15, 2017.
This is NOT a postmark deadline.
 
For further information, please contact Riki Saltzman or Emily West Hartlerode at 541/346-3820 or riki@uoregon.edu or eafanado@uoregon.edu. Riki will be at AFS if you have questions.​

Apply Now! Native American and Culture Foundation Mentor Artist Fellowships

The call is now open to established American Indian and Alaska Native artists to apply for a one-year NACF Mentor Artist Fellowship to mentor an emerging American Indian and Alaska Native artist apprentice. Established artists should have at least ten years of experience in the Traditional Arts or Contemporary Visual Arts fields.

Applications will be accepted until 5 p.m. Pacific Time, on Monday, November 6, 2017

Awarded Mentors will develop lesson plans intended to increase their apprentice’s skill level, and provide an experience of intergenerational exchange of cultural knowledge within the apprentice’s traditional arts or contemporary visual arts practice. To assist in developing lesson plans, awarded mentors and their apprentices are required to attend a training session before the mentorship begins. The training date will be announced upon notification of the awards.

This is a regional fellowship focusing in the Pacific Northwest, Southwest and Upper Midwest areas of the United States. Eligible applicants must be at least a five-year resident of, and enrolled in an American Indian tribe or Alaska Native corporation located in Alaska, Arizona, Minnesota, New Mexico, North Dakota, Oregon, South Dakota, Southern California (Imperial, Kern, Los Angeles, Orange, Riverside, San Bernardino, San Diego, San Luis Obispo, Santa Barbara and Ventura counties), Washington or Wisconsin. Submission of documentation of American Indian and Alaska Native heritage is part of the application process.

First year Mentor Artist Fellow Lani Hotch (Chilkat Indian Village) said of receiving her award, “I’ve tried to work with groups of weavers, and I’m excited to work one on one with somebody so they know all the steps. In the last few months we’ve lost two weavers (…).  I’m feeling a real compulsion to teach somebody.” Mentor Artist FellowShirod Younker (Coquille, Coos) said in response to the mentor training, “[A] good way to build focus [on] what we are doing and think about the macro vision of the projects in conjunction with each other.”

The Mentor Artist Fellowship is a monetary award of $30,000 — $20,000 to the mentor, $5,000 for the joint art project and $5,000 for the apprentice’s expenses — gas, supplies. Applications will undergo a selection process and fellowship awardees will be announced in the Spring of 2018. The mentoring period will be from July 1, 2018 through June 30, 2019. To demonstrate the experience and success of the mentoring, a completed joint mentor/apprentice art project is required at the Fellowship’s end.

For more information and to apply click here.

To learn more about previous NACF Mentor Artist Fellows, visit our website at http://www.nativeartsandcultures.org/mentor-fellowships.

The Mentor Artist Fellowship Program is generously supported by individual donors and regional funders committed to preserving and perpetuating Native arts and cultures. NACF is grateful to the James F. and Marion L. Miller Foundation for supporting an Oregon Mentor Fellow.