The call is now open to established American Indian and Alaska Native artists to apply for a one-year NACF Mentor Artist Fellowship to mentor an emerging American Indian and Alaska Native artist apprentice. Established artists should have at least ten years of experience in the Traditional Arts or Contemporary Visual Arts fields. Applications will be… Continue reading
Alina Mansfield We are pleased to announce the release of Oregon Folklife Network’s latest publication: Oregon Traditional Arts Apprenticeship Master Artists: 2012-2016, featuring highly skilled traditional artists in Oregon. This publication and the Traditional Arts Apprenticeship Program in Oregon was made possible through grant funds, and so is not for sale. Instead, we share it… Continue reading
Josh Chrysler
As the contract staff folklorist for the Four Rivers Cultural Center in Ontario, Oregon, I’ve been busy this summer developing public programs celebrating the traditional culture and folklife of eastern Oregon. Although very rural, expansive country, there is an incredible diversity of folklife in the region. Native American, Basque, European, Hispanic, and Japanese represent a few of the constant flow of people of varied ancestries who have relied on the four rivers that converge in the western Treasure Valley—the Snake, Malheur, Owyhee and Payette – for which the Four Rivers Cultural Center is named. Each of these cultural groups have contributed their own folklife to the culture of the region.
National Endowment for the Arts is funding the partnership between Four Rivers Cultural Center and the Oregon Folklife Network to hire a staff folklorist dedicated to supporting the folklife and traditional culture of eastern Oregon. Back in March, I traveled across the 8 easternmost Oregon Counties, holding listening sessions with County Cultural Coalitions, museums, arts centers, and Tribes, to learn what kind of programs people would like to see.
Based on those meetings, I developed four programs collaborating with different host organizations and traditional artists spread across eastern Oregon in Ontario (Malheur County), Pendleton (Umatilla County), Frenchglen (Harney County), and Baker City (Baker County). Highlights from these programs include a community conversation with James Dionne (Chippewa and Cree), a Native powwow dancer and sweat lodge leader in Ontario; demonstrations with various traditional artists like rawhide braider Dan Fowler, cradleboard and basket maker Sara Barton (Mono Lake Paiute and Yosemite Miwuk) during the Frenchglen Jamboree; a performance and conversation in Baker City with Ontario’s traditional Japanese drumming group, Kawa Taiko, and a community conversation with Native bead worker Margaret Johnson (Crow/Chippewa/Cheyenne, whose children are enrolled Umatilla) in Pendleton. Read a first-hand account of these programs in Riki Saltman’s article below.
Sara Barton demonstrating willow preparation technique for use in a cradleboard in Frenchglen (Harney County), on August 5th, 2017.Next year, we plan to focus on buckaroo and ranching folklife, including functional traditional arts such as silversmithing, saddle making, twisting mecates, and more. Keep your eyes open for next year’s exhibit exploring these traditions, and an all-day celebration with demonstrations of traditional arts, alongside performances of cowboy poetry and music. Stay tuned for more information as this project develops!
Detail of a spur made by silversmith Forrest Fretwell of Jordan Valley, Oregon.Bruno Seraphin Portland-based Hip-Hop artist Mic Crenshaw and his apprentice Baqi Coles, recipients of a 2015-2016 Traditional Arts Apprenticeship Program award.
Riki Saltzman From August 4-7, 2017, I had the privilege of traveling about a thousand miles through eastern Oregon—to Burns, Frenchglen, Baker City, Pendleton, and back through the Gorge. I’m always struck by the vastness of our state, its overwhelming beauty, and the diversity of its terrain and eco-systems. In a few hundred miles, I… Continue reading
Each year, with funding from the University of Oregon’s academic Folklore Program, OFN employs a recent graduate of their masters degree program for one term, providing paid employment, job experience and resume enhancement while the emerging professional seeks permanent employment. OFN was pleased to retain former Graduate Employee, Alina Mansfield, as this Summer’s Graduate Folklore… Continue reading
In partnership with Oregon’s nine federally recognized Tribes and the Museum of Natural and Cultural History, OFN is producing a series of documentary shorts. We’re pleased to feature one of those videos, which provides a Native perspective on Oregon’s history and shows the ongoing work of cultural conservation and preservation.
Makaela Kroin OFN is pleased to share news about our 2017 Regional Collaborative Partnerships (RCPs). RCPs provide funding for local programs that bring together culture keepers and presenting organizations in regions where OFN has completed fieldwork for our multi-year statewide folklife survey. RCPs foster collaborations between folk and traditional artists and local organizations and also… Continue reading
Emily Hartlerode OFN welcomes four Spring interns and volunteers this term. Being situated at a University enables OFN to provide students with valuable professional experience in public folklife research methods and public programming. Please welcome: Folklore master’s candidate Sarah Fisher’s internship involves learning about event marketing. Fisher has a research interest in festival productions engineered by performing… Continue reading
Makaela Kroin On Tuesday, May 2nd, a crowd of people packed the Vernonia Public Library to join in a community conversation with retired timbermen Don Webb and Fred Heller. The event was one of a series of public presentations that wrapped up OFN’s folklife survey of the Portland Metro Area. Folklorist, Makaela Kroin, launched the… Continue reading
