Special Collections and University Archives has recently acquired a collection of handwritten musical scores for The Revelers, an American quintet composed of four male vocalists and a pianist popular on record and radio between 1925-1940.
This collection includes approximately 500 original vocal arrangements from The Revelers’ catalog of works performed in 1921-1939, including individual charts for each vocalist and master vocal scores. The arrangements are the work of two pianist-arrangers that worked with The Revelers: Ed Smalle (1887-1968) and Frank Black (1898-1969), with the latter forming the bulk of the collection. The scores include hand-written lyrics added by each vocalist for their part, as well as additional notes and annotations made by the arranger. Continue reading →
In honor of Women’s History Month, Special Collections and University Archives is highlighting the Oregon Women’s Political History Collection.
The Oregon Women’s Political History Collection comprises over a dozen individual manuscript collections. These collections constitute over 200 linear feet of manuscript material and represent women’s political and activist work in Oregon in the latter half of the twentieth century. The collection was started in the 1990s as a collaborative collection development effort among UO Libraries, the Center for the Study of Women in Society (CSWS), and the Friends of the Oregon Women’s Political History Collection.
The collections include:
Anderson, Jean Fuller Papers (Coll 312) 1978-1990, Finding aid
The activist women represented in these collections worked to increase women’s political engagement in Oregon and empower women to fully participate in elective politics and government agencies at the local, county, and state levels. The story of women’s political work in Oregon in the mid-to-late twentieth century has not been fully told; these primary documents–the sources necessary for the writing of history–are essential to that process. Through support by LSTA funding administered by the Oregon State Library, grant project staff were able to process, catalog, and publish finding aids for these collections and provide access to these collections.
Researchers can find out more about related SCUA collections documenting Women, Gender, and Sexuality in our research guides.
Special Collections and University Archives is currently processing and writing a finding aid for the Quincy Scott collection of twentieth century political cartoons (GA Sc 85). This project was generously supported through an LSTA grant and will also include digitization of a selection of cartoons through the assistance of UO Libraries’ Digital Scholarship Services. This archival and digital collection will provide access to Oregonian political and social perspectives during the Great Depression and World War II through the humor and wit of political caricature. A future blog post will announce when the collection is fully processed and available to the public.
Portland resident Quincy Scott (1882-1965) was the editorial cartoonist for The Oregonian from 1931-1949 and this collection includes original artwork produced during his tenure at the newspaper, comprised of over 4,600 almost daily political cartoons. Scott was a faithful member of the Republican Party and his cartoons strongly reflect his personal stance on local, national, and international political topics, though Scott’s son/biographer notes that these opinions did not always fully align with those of the newspaper’s general editorial team. These cartoons illustrate early twentieth century life and politics in Oregon and will be particularly of interest to those researching the history of critical or conservative receptions of Depression-era legislation. Some of Scott’s frequently illustrated subjects will be highlighted in this post.
Special Collections and University Archives is pleased to announce accessions of new poetical works in the Cameron La Follette papers. The finding aid for this collection (Coll 432) is available here.
Cameron La Follette is a graduate of the University of Oregon in 1984 and received a J.D. in Law from Columbia and a M.S. in Psychology from New York University. La Follette is a notable environmental activist in the state of Oregon who currently works as the Executive Director for the Oregon Coast Alliance. Her efforts in coastline preservation have also included work for the Coastal Futures Project for 1000 Friends of Oregon and the Oregon Shores Conservation Coalition.
La Follette is also a prolific poet whose work is intertwined with her environmental activism. La Follette has had one book of poetry published, in 2006, entitled Anamchara, of which SCUA has a copy. SCUA also holds a complete archive of La Follette’s poetry, which includes many hundreds of pieces. The collection includes original manuscript drafts, notebooks and typescripts of her poetry on the subjects of spirit, myth, and nature. La Follette also leads a Classical Poetry Group in her home of Salem, Oregon. This collection showcases an Oregonian environmental perspective in professional and creative works, both of which uniquely inspire and inform the other.
Special Collections and University Archives has recently added to its collections a manumission written in 1801 by Moses Hall of Nicholas County, Kentucky. This manuscript document is a contract stating that Hall will free Dinah, a black female slave, when she reaches her 23rd birthday in five months (March 10, 1802).
Manumission was the act of freeing a slave by a slave owner, through a deed or will. This act of an individual contrasts with a governmental directive to free slaves, such as the Emancipation Proclamation issued by President Lincoln in 1863. Manumission in the United States was done for a variety of reasons, ranging from a sentimental gesture to a method of incentivizing obedience at the prospect of eventual freedom. However, the practice became increasingly regulated in order to limit the population of freed black residents in the colonies starting in Virginia in 1691 when a law was passed that required freed slaves to leave the colony within six months and for the previous slave owner to pay for the trip.