Toys of War: How Symbolism Interplays With Story Structure
This story tells the experiences of civilian children who had to...
Author Archives: essin@uoregon.edu
The “Windows” to Subtle Reenactment: a Tension Building Tool
WINDOWS (Dir. Peter Greenaway, 1974) from CAJ on Vimeo. I watched...
Net Cafe Refugees: How To End a Piece With No Ending
Japan’s Disposal Workers: Net Cafe Refugees from MediaStorm on Vimeo. I...
Arnold World: Paper Sculptor
Arnold World: Paper Sculptor from Stephanie Essin on Vimeo. Last...
The Fabulous Lipitones: Timing and Reveal
I wanted to watch and discuss some work that is resembles...
How To Change Scenes Without Cutting: A Dissection of Motivated Camera Movements
Last night, I went to see Birdman at the Hollywood theater...
I Am Generation Image: Multimedia Advertising Campaign
Snowfall on NYT was at the epicenter of the “scrollytelling” phenomenon in online journalism. As I...
Q&A With Ryan Welch: Creative Director & Owner AO Films
Ryan Welch comes from a long line of journalists. His grandfather...
A Story Without Words: “Pass It On”
This would be a really cool example to show future students...
Something Called a “Protagonist”
Red Letter Media, a film production company, gained fame in 2009...