Why I Write Cli-Fi

Check out this recent article, “What is cli-fi? And Why I Write It,” by children’s and young adult (YA) fiction writer Sarah Holding.  In it, Holding explains why she chooses to write in the cli-fi genre, and especially why she writes cli-fi for young people:

“I write cli-fi because it reconnects young readers with their environment, helping them to value it more, especially when today, a large amount of their time is spent in the virtual world. Cli-fi advocates restoring equilibrium to our physical environment, making it not just a setting or backdrop to a story, but a story’s primary purpose and emotional appeal. The characters in my writing are genuinely concerned about the environment and want to make a difference, which I hope is contagious and spreads to my readers too.”

Some of Holding’s ideas might be especially useful for those of you who are thinking of creating a work of cli-fi for the final project that is aimed at a younger audience.   Holding also speaks more generally about the importance of imagining different futures, of engaging in speculative practice (something we experimented with during class last Friday): “Cli-fi has allowed me to participate imaginatively in rewriting our future, a future on which we all depend… cli-fi makes young people realise that they too can rewrite our future.”

 

Who is Mitchell Zukor?

So… who is Mitchell Zukor, and what does our answers to that question say about how Nathaniel Rich chose to develop the protagonist in his novel Odds Against Tomorrow?  Based on the group activity we completed in class today, I put together a word cloud that tracks our class’s answers to the question, who is Mitchell Zukor? The larger the size of the word, the more often it appeared across different groups’ answers.

Picture 2

(Click on the image for a larger version)

I find it interesting to see Mitchell’s character visualized like this as it makes salient some of the patterns in who he is, as well as some of the contradictions in who he is (like his being both socially awkward and persuasive, both introverted and caring).

When thinking about your final projects and creating your own works of cli-fi, you might want to consider the complexities of your own story’s characters and how different kinds of characterization might allow you to investigate different aspects of climate change.  For instance, in Odds Against Tomorrow, Nathaniel Rich seems to have created a protagonist who is obsessed with disaster in part as a way to explore our own culture’s obsession with apocalypse, and yet he makes Mitchell likable enough that we as readers seem to really care about what happens to him.

Geoengineering in the News

A recent post on Andrew Revkin’s New York Times Dot Earth blog about climate change and geoengineering.   Those of you particularly interested in the short story “The Weatherman” might find the discussion particularly interesting.  Scientists do agree that no kind of “engineering” techno-fix can take the place of mitigation; note, however, that the discussion doesn’t focus much on the ethical dimensions of these ideas, nor is there much mention of the implications of geoengineering schemes on social justice.

Keystone XL pipeline resources

Here are some of the links about the Keystone XL pipeline that I showed in class today:

http://350.org/campaigns/stop-keystone-xl/

https://www.youtube.com/watch?v=20ulbWCwnoQ

Also, here’s a NYTimes website feature that provides the most recent updates on the U.S. legislative battles over the Keystone XL pipeline: http://topics.nytimes.com/top/reference/timestopics/subjects/k/keystone_pipeline/index.html?inline=nyt-classifier   

Cli-Fi Coverage in the Australian News

Check out this article on climate change and literature  that recently appeared in The Australian, a major online and print news outlet.  The writer addresses some of the questions that we have been discussing together so far this term and writing about on this blog, including whether “cli-fi” is its own genre, whether literary fiction can change minds and affect people’s choices, whether literature can help us “repossess” and think through the future.  This passage from the article stood out to me as particularly powerful:

“Genuine imaginative engagement with the meaning and effects of climate change demands writers do more than imagine devastated worlds and drowned cities. We need to find ways of representing not just the everyday weirdness of a world transformed by climate change, but also the weirdness of the everyday, to find ways of expressing the way climate affects not just the natural world but our own worlds, our own imaginations.”

Do you think any of the stories we have read so far have done a good job representing “not just the everyday weirdness of a world transformed by climate change, but also the weirdness of the everyday”?

Hello class!

Welcome to our course blog!  I’m Stephen Siperstein, the instructor of this course, and I am excited that we will be using a blog as a way to explore the topic of climate change fiction and to communicate with each other. One purpose of the blog is to widen our discussion beyond the classroom.  The realities of climate change confront us daily, and a blog will provide a forum for bringing the questions we discuss in class to bear on a wide range of media, texts, and other conversations that we all encounter outside of class.  We’ll also use the blog to seed our discussions in class, and to open new directions of inquiry that are not necessarily on the syllabus.

Here are a few examples of blogs from other environmental literature courses.  Before you write your first post, I would suggest taking a look at some of the posts on these sites to get an idea of the many possibilities for different kinds of blog posts (a blog post is its own kind of literary genre):

http://blogs.uoregon.edu/environmentalliterature230/ 

http://aml24101614.wordpress.com/

http://eng670.wordpress.com/

If you ever need help with technical questions relating to the blog, email me (siperste@uoregon.edu), or contact the Information Services Help Desk at 541-346-HELP or helpdesk@uoregon.edu.

Welcome to the course and looking forward to a great term.