Doss was considering how public art controversy can be seen as a way to enhances “community awareness and civic life” (Doss, p1). There is an example which can reflect this statement, the Berlin wall is now an public art in Germany, today, the existing of it is not only public art, it is meaningful Historic Landmark and National Monument. It tells the history of Germany and how the German people used to fight for freedom. The distortion of the Berlin wall show the community awareness. However, this maybe an special example because Berlin wall wasn’t public art when it was built. Not like Berlin wall, most of the public art, such as sculptures and murals, which are big projects in city area and can play the part of beauty aesthetic are usually built with fundings that raised by government or organizations. For example, as the article mentions, the first example of NEA-funded public art in America happened in 1960s, It raised $85,000 in private funds and received $45,000 from the NEA to pay for the “Grand Rapids, MI, dedicated La Grande Vitesse” (Doss, p4). The public art was a way to decorate the city and cheer up people. However, what pubic art could bring to people are not only one aspect, “public art is as diverse as the people who view it”(Doss, P2). Public art diversity speaks to America’s diversity—and to the increasing number of Americans who want to see their cultural interests represented in the public sphere.
There are many issues can be analyzed about these murals, I will focus on “Spirit of a place” and my personal opinion about public art. The knight library designed to have the “modernized Lombardy and Greco-Roman” elements. It was also added public art, such as the fifteen stone heads by Edna Dunberg and Louise Utter Pritchard, carved wooden panels by Arthur Clough and the two murals by the Rundquist brothers. When I first saw the murals in library, I didn’t relize it as public art, I consider it as art work; one of the collection of University of Oregon. However, it located on the wall of public building but not in a museum, therefore, these murals are actually public art. Doss has mentioned in his article:”Public art discourse, like all conversations, can lead to a larger examination and questioning of assumptions, ideas, and concepts.” Referring to the two murals in Knight library, which is public art that hang inside of library in college, it is exactully true. These murals are portray the evolution of arts and sciencesIn Knight library,which suits the topic”knowledge”. It meets the same spirit of the place that they located, which is a library. Secondly, In Grey’s article “Art as Spiritual Practice”, He said: When our attention is arrested by an art work, we see both the shape and the meaning of it (Grey, P72). In this case, when students see one of the mural on the wall when they walked in library, they are more likely to be attracted by the content of the painting: the knowledge tree and the leaning process of different subjects. They will then understand why this mural are hang in the wall of this library, it will help the students to produce solemn silence and curiousness about knowledge. This is also a process of inspiring people who walk in this library, to inspire them to give respect to knowledge.
I have seen many public art in the cities in America. For example, the cloud gate in Chicago, one of the most poplar one, it has became the landmark of Chicago. It was designed by Indian artist. The reflecting element and the lovely overall shape have express the message of a “fun and creative” city for Chicago. I think a great public art can get the massive attention and the show the relationship between a city’s characteristic and the regional culture detailedly.
Work Cited
Grey, A. (2001). Art as Spiritual Practice. The Mission of Art (1st ed., pp. 205-233). Boston & London: Shambhala.
Maruska, B. (2013). A response to the runquist murals. Retrieved fromhttp://blogs.uoregon.edu/runquistmurals/