More Than $82 Million Awarded for Arts Projects Nationwide – Includes $80,000 awarded to the Oregon Folklife Network

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[Eugene]—National Endowment for the Arts Chairman Jane Chu has approved more than $82 million to fund local arts projects across the country in the NEA’s second major funding announcement for fiscal year 2017. Included in this announcement is an Art Works award of $80,000 to the Oregon Folklife Network to support Oregon’s folk and traditional arts programming and research. The NEA received 1,728 Art Works applications and will make 1,029 grants ranging from $10,000 to $100,000.

“The arts reflect the vision, energy, and talent of America’s artists and arts organizations,” said NEA Chairman Jane Chu. “The National Endowment for the Arts is proud to support organizations such as the Oregon Folklife Network in serving their communities by providing excellent and accessible arts experiences.”

“We are thrilled to have the NEA’s funding and endorsement of our efforts to engage with communities, organizations, and Tribes to document, preserve, and celebrate Oregon’s living cultural heritage,” commented Riki Saltzman, OFN’s executive director. “We are also pleased to have additional funding from the Oregon Arts Commission for this important cultural work.”

NEA and OAC funding supports OFN’s  Traditional Arts Apprenticeship Program, our statewide multi-year folklife survey, and our Regional Collaborative Partnerships. Since 2012, OFN has supported over 30 Traditional Arts Apprenticeship teams to teach and make public presentations. Master artists mentor apprentices from the same cultural community or Tribe in a chosen traditional art form such as rawhide braiding, Coos basket weaving, and Persian storytelling.

Our next and 5th region of our statewide folklife survey will be the Willamette Valley; during 2018 we’ll be out and about to interview river guides, musicians, storytellers, quilters, and more. Previous surveys have identified and documented hundreds of traditional artists in communities and Tribes in southern and eastern Oregon, the Gorge, and the Portland Metro.

Following each region’s folklife survey, OFN staff provides support to create or supplement projects that focus on and documented artists from that region. For 2017-18, we’ll be partnering with cultural organizations and Tribes in eastern Oregon for our next round of Regional Collaborative Partnerships.

Check out our ever-growing Culture Keepers Roster to discover and hire Oregon folk artists.  Many of those culture keepers have performed in Oregon parks, taken part in festivals, conducted public workshops, and been featured in exhibits.

To join the Twitter conversation about this announcement, please use #NEASpring17, #Oregonfolk, and #thisisculture. For more information on projects included in the NEA grant announcement, go to arts.gov.

Follow OFN on Twitter @OregonFolklife and follow us on Facebook at Oregon Folklife Network.

Categories: Newsletter Articles

riki

Rachelle H. (Riki) Saltzman, Ph.D., is a Lecturer in the University of Oregon’s Folklore & Public Culture program and a Fellow of the American Folklore Society. From 2012-2022, she served as OFN’s Executive Director and continued as a consultant for special projects through 2022. From 2020-22, she was also the staff folklorist for Bend, Oregon’s High Desert Museum where she conducted ethnographic fieldwork, coordinated public programs, and collaborated on a documentary short with indigenous food gatherers “First Foods: Roots and Berries with Warm Springs Traditional Gatherers” https://highdesertmuseum.org/food-sovereignty-educator-resource/. At OFN, she worked with communities, Tribes, and individuals to develop collaborative partnerships involving folk arts and artists. She oversaw the World Learning sponsored and US Dept of State funded international culture exchange project, Exploring Indigeneity, Place, Traditions, and Transmission; development of Oregon’s Culture Keepers Roster; coordination of Oregon Folk Arts in the Parks and a Folk Arts series at the High Desert Museum; and development of staff folklorist positions at 2 Oregon museums. She continues to mentor students and teach classes for UO’s Folklore and Public Culture program. Saltzman has served on Travel Oregon’s AgriTourism Leadership Working Group, the Century Farm and Ranch Board, and on the Oregon Encyclopedia Board. From 1995-2012, Saltzman was the Folklife Coordinator for the Iowa Arts Council, where she developed award-winning, online folklife curricula and co-produced Iowa Roots with Iowa Public Radio. Since 1982, Saltzman has worked at private non-profit and state agencies in 9 states to direct public programs, organize conferences, curate exhibits, and conduct research. She has been awarded grants from federal, state, and non-profit organizations. Saltzman, who obtained her Ph.D. in Anthropology (Folklore) from the University of Texas at Austin, has written numerous public folklore publications as well as peer-reviewed articles in professional journals and books. A Fellow of the American Folklore Society, she has served on the executive boards of the American Folklore Society and the Association for the Study of Food & Society. She is the author of A Lark for the Sake of Their Country: the 1926 General Strike volunteers in folklore and memory (2012, Manchester University Press), recipient of the 2012 Wayland D. Hand Prize (American Folklore Society) for Outstanding Book in Folklore and History. She is also the editor of Pussy Hats, Politics, and Public Protest (2020, University Press of Mississippi), recipient of the 2021 Elli Köngäs-Maranda Prize (American Folklore Society) for superior work on women’s traditional, vernacular, or local culture and/or feminist theory and folklore. Her most recent article, "Hey Folklorists!" FisherPoets and Public Folklorists—Practicing Partnership, appears in the Journal of Folklore and Education.

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