Food as Art Essay

Art can be defined as many different things.  But would food fit into any of those definitions? Fabio Parasecoli presents his interesting opinions on the subject in his article, “ Is Food Art?”. Parasecoli is neither the first nor the only to debate or address the concept as he highlights that as food becomes more prominent so does it place as a topic of scholarly conversation.  The author presents the two aspects that could connect food and art together.  He first illustrates that innovation and creativity are attributes that chefs bring to the world of art, and second, is that these chefs within the media are described as “avant-garde”.  Within the article, Parasecoli describes the further risk and reward to this new art form, food.  To help further the career or new artist, in this case chefs, they rely on donors and more importantly investors.

Rather than painting on a canvas or sculpting a structure, a chef creates art via food instead.  To be a successful food artist, you need originality and innovation, something that hasn’t been done before.  A chef goes beyond a simple cook by handcrafting exquisite dishes to fulfill the haute cuisine régime. These high-class chefs are “expected to offer patrons (and critics) dishes and menus that stimulate and surprise”. To remain within the public eye, they must keep innovating new recipes, experimenting successfully with new flavors and organizing new designs.  By creating new cutting edge dishes, not following others, they become a true artist.  The dedication and work it took to become a chef of this caliber should be appreciated. Just as other sorts of artists, a chef sets out to appeal to his audiences’ aesthetic reaction, particularly smell and taste.  To consider whether or not these haute cuisine chefs create distinguished works of art, Telfer defines a work of art as “a thing intended or used wholly or largely for aesthetic consideration” (Telfer, 14).  This higher-class food, cuisine rather, is meant to be appreciated and thought about before eaten.  This classifies this type of food a work of art, but not all food.  Not all food is meant to be savored in this way.  Comparing Telfer’s idea to Parasecoli’s, it seems they both agree that food can be art, and chefs are indeed artists.  One caveat that Telfer explains goes further than Parasecolis classifications of artist, “ art is original creation, whereas craft is carrying out an instruction” (Telfer, 15). Extra clarification, a chef who creates his own new and innovative meal is indeed an artist not just a craftsman.

Parasecolis second approach to food as art is in regards to the term avant-garde. “An intelligentsia that develops new or experimental concepts esp. in the arts” can explain the term avant-garde. By this definition, a chef who is an artist by description above is also an avant-garde in the media.  Food as an art is a relatively new and controversial topic. Although Telfer agrees that food can be art, she struggles with dishes of food being works of art. Perhaps in this aspect, Parasecoli and Telfer disagree.  “How can there be works of art which are destroyed by the very activity, eating, which is necessary for contemplating them?” (Telfer, 17).  Parasecoli can defend and say the chefs are appealing to the aesthetic appeal of their people and are embarking on a new journey, to make food a work of art.  This is an experimental concept as of yet.  According to Parasecoli, chefs actually make it a point to tell the world their intention is to become an artist, to be avant-garde.  They post to websites, interviews, and write there own story via cookbooks to compare to previous declarations of avant-garde.  The idea of haute cuisine is comparable to previous movements of the past that are already “ historically affirmed”.

In conclusion, Parasecoli explains bluntly that “young gifted chefs are often not too worried whether “narrow-minded customers” appreciate their work.”  In other words, they know what they are setting out to do and don’t necessarily care if every person accepts their journey.  Perhaps the only people they do care about, are the investors who help fund their dream. You can say this about any type of new artist, actor, vocalist etc. It is a risk to create new art forms, but Telfer and Parasecoli are both believers in the concept of food as art.  Parasecoli’s article to exclaim food is an art form, takes an approach more towards the innovation and creativity behind it to define the artist whereas Telfer approaches it is as the finished product can be the art form. Regardless, these two authors agree generally that yes, food is potentially art.

Parasecoli, F. (2013, August 29). Is Food Art? Chefs, Creativity, and the Restaurant Business? Huffington Post. Retrieved April 26, 2014 from http://www.huffingtonpost.com/fabio-parasecoli/food-art_b_3830791.html

Telfer, E. (2002). Food as art. In Neill, A. & Ridley, A (Eds.), Arguing About Art: Contemporary Philosophical Debates (2 ed., pp. 9-27). New York: Routledge.

Food Art

Elizabeth Telfer’s addresses the seemingly controversial topic about whether or not food is or can be an art form.  In our discussions about art so far, it has never crossed my mind that food would be a topic tied to art.  It is an interesting and intriguing concept and I certainly think it should be considered.  The issue about dishes as works of art that the author brings up grabbed my attention most.  She presented the idea with the complex issue “because people have to eat them to appreciate them” (Telfer, 17).  I can’t say that I agree with this statement.  In my opinion the aesthetics of art comes from viewing or hearing it.  Food can be an art from purely based on its arrangement on the plate, the use of color, the display and so on, not because of the taste. However, according to the definition of aesthetics in this article, “ our reaction is aesthetic, in many simple cases, if it is based solely on how the object appears to the sense”, all of them, including taste (Telfer, 9).  Retracting my previous thoughts, taste appeals to one of the sense, therefore can be a means for evaluating art.  Just like any of the other senses, the interpretation is individualized and particular to each person. Perhaps the big issue of food as art, is if taste is the concern, then in order for more than one person so enjoy the same work of art, they would have to eat different portions of the dish, and “no two people can appreciate the same one” (Telfer, 17). After the dish is eaten and/or shared, then it can be difficult for the chef or creator to recreate the exact same dish for someone else to possibly enjoy the exact same experience.

From Ellen Dissanayake’s lecture, my take on food as art is from the modernist theory. I believe it is most related based on how she defines aesthetics “ a concern with elucidating principles such as taste and beauty that govern all arts” (Dissanayake, 17). With all of the cooking shows, specifically dessert shows, on television now I think it is safe to say that people do find food as an art form.  Popular broadcasts are “Cake Boss” and “Cupcake Wars” which both involve amazingly cool dessert structures, which absolutely appeal to me aesthetically.

Referenced Text: Dissanayake, E. (1991). What is art for? In K. C. Caroll (Ed.). Keynote addresses 1991 (NAEA Convention), (pp.15-26). Reston, VA: National Art Education Association.

Telfer, E. (2002). Food as Art. In Neill, A. & Riley, A. (eds.) Arguing About Art: Contemporary Philosophical Debates (2nd ed., Chap. 2). New York, NY: Routledge.