Readings for more info

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Below, some resources for learning more about Latinx theatre, Latinx feminisms & the work of our esteemed scholars…

Anzaldúa, Gloria. Borderlands = La Frontera: The New Mestiza. San Francisco: Aunt Lute, 2007. Print.

Garcia, Alma M. ed. Chicana Feminist Thought: The Basic Historical Writings. New York: Routledge, 1997. Print.

—. “Introduction.” Garcia. 1 – 5.

García-Romero, Anne. “Latina/o Theatre Commons: Updating the US Narrative.” Weblog post. Howlround. Emerson College, 8 Aug. 2012. Web. (Needs date accessed.)

Grise, Virginia, Irma Mayorga, and Tiffany Ana Lopez. The Panza Monologues. Austin: U of Texas, 2014. Print.

Huerta, Jorge A. “Concerning Teatro Chicano.” Latin American Theatre Review 6.2 (1973): 13-20. Kansas University. Web.

—. “Encuentro 2014: Moving Forward, Never Forgetting the Past.” Web log post. Howlround. Emerson College, 2 Nov. 2014. Web.

Hurtado, Aída. The Color of Privilege: Three Blasphemies on Race and Feminism. Ann Arbor: U of Michigan, 1996. Print.

Marrero, M. Teresa. “From El Teatro Campesino to the Gay 1990s: Transformations and Fragments in the Evolution in Chicano/a to Latino/a Theater and Performance Art.” The State of Latino Theater in the United States Hybridity, Transculturation, and Identity. Ed. Luis A. Ramos-García. New York: Routledge, 2002. 39-66. Print.

Marrero, Maria Teresa. “Latina Playwrights, Directors, and Entrepreneurs: An Historical Perspective.” Latinas on Stage. Ed. Alicia Arrizón and Lillian Manzor. Berkeley: Third Woman, 2000. 264-85. Print. Chicana Latina Studies.

Mayorga, Irma. “Invisibility’s Contusions: Violence in Cherríe Moraga’s Heroes and Saints and The Hungry Woman and Luis Valdez’s Zoot Suit.” Ed. Bernardo Muñoz Martínez and Alfonso Ceballos Muñoz. Violence in American Drama: Essays on Its Staging, Meanings, and Effects. Ed. Ramón Espejo Moreno. Jefferson, NC: McFarland, 2011. 157-71. Print.
Rizk, Beatriz J. “Latino Theater in the United States: ‘The Importance of Being the Other’” The State of Latino Theater in the United States Hybridity, Transculturation, and Identity. Vol. 29. New York: Routledge, 2002. 1-14. Print.
Rodríguez, Chantal. Bringing Teatro to the Taper: Center Theatre Group’s Latino Theatre Initiative, 1992–2005. 2011. MS Volume 4, The Chicano Archives. UCLA Chicano Studies Research Center, Los Angeles.