OFN Practicum: Week 8 Log

This week Maya was out of town, so just Emily and I met. Emily did a more detailed edit of our first postcards and sent them to Riki for a final check. We spent most of the meeting editing, but we did discuss the plans for the last few weeks of the practicum. Since we haven’t posted our postcards yet, we think we may only finish 2 postcards this term. The priority is make sure the practicum is set up for the next person. We discussed creating official guidelines to be completed by week 10. However, we can’t finish the guidelines till we have experienced posting on Place Stories. We also discussed creating a list of potential artists (both TAAP and non TAAP) for future practicum students. Lastly, we decided that we should adjust the inventories for the artists boxes to include information for this project. These documents will allow the next to practicum to run more efficiently and hopefully generate more postcards rather than research.

I emailed Nathan and got his permission to adjust the inventories. I plan to go to Special Collections next week and look through Box 47 to check my notes before adjusting the inventory. I will also use that time to finalize my list of possible artists. I finished my draft of my 2nd postcard and sent it to Emily and Riki. I was going to post my 1st postcard this week, but Riki didn’t edit it in time. Hopefully that will happen next week. I plan to meet with Maya next week to discuss the inventories, guidelines and artist lists. This process has been somewhat slow moving especially for writing and editing. I think Maya and I should discuss a timeline for the guidelines that would work best for generating postcards including time needed for research, writing, editing and posting.

OFN Practicum: Week 7 Log

Emily, Maya and I met on Monday and we discussed our first postcards. Riki looked over them and suggested we edit the tone of the postcards to be more promotional and personal, instead of informational. If the idea of the map is to promote Oregon rural artists and the Oregon Folklife Network, we want the postcards to be a starting off point for more exploration. I had not thought of the postcards like this prior to this meeting, so I had to edit my postcard. I had written my postcard as more of a summary about an artist than a story with a hook. I’m still not sure if my edited postcard fits the tone Riki suggested, but I made an attempt. The revision of the 1st postcard is now posted and I’ve sent it to Emily and Riki to look over.

I also began work on my 2nd postcard this week. I called Tina and I got her permission to post about her on the map. I also told her I would email her the postcard once it is written. I started to write the postcard, but I decided not to finish it till I better understood the style OFN wanted me to use. Hopefully I will be able to finish it in week 8. Emily, Maya and I have agreed that we may not get to post 3 full postcards, but that posting the best model for future practicums is more important. We discussed the guidelines Maya and I wrote and Emily suggested that we write an official document as a resource for the next practicum. Emily also suggested that we make a list of possible artists (including non TAAP artists) for the rural map to be included in the document. I plan to email Nathan and see if we can add a rural category to the inventory. This will help us and future practicum students in the research process. Our hope is to lay the groundwork this term so that the process can be more streamlined in the future.

OFN Practicum: Week 5 Log

This week, Emily, Maya and I met on Monday and went over our first drafts of our postcards. Emily looked over both of our postcards and gave us some editing suggestions. Maya and I both agreed to start our postcards with a quote and a short description about the artist and his/her work. Emily agreed that we should mention that the artist is a TAAP awardee on the bottom, but that we she include the year he/she was awarded. We discussed whether or not we should contact artists and ask for their permission to post about them. Emily suggested that I contact my artist, Alex Llumiquinga Perez, and let him know we are going to post about him, but that we could remove his postcard upon request. On the other hand, Emily said in most cases (especially for Native American artists) we should ask permission beforehand. Emily also suggested that for older TAAP artists, we can either link to the artist’s individual website or direct them to the OFN website for more information about traditional arts in general. Emily and Riki will be discussing what the OFN tagline will be to include in the postcards. In the meantime, Maya and I will continue our research by looking through the archives. Riki and Nathan directed us towards 3 boxes (47-49) of artist files that will hopefully lead to some more possible postcards.

After meeting with Emily, I edited my postcard. I have yet to post it because Riki has not seen it. I also sent it to Maya for peer editing and she approved it. I went to special collections and put the artist boxes on hold. I then looked through all of box 47. Surprisingly, there were not that many artists in the box that lived in a rural area and are TAAP awarded. I did write down some artists from rural areas that are not TAAP awardees in case they could still be good candidates. Right now the best candidates are Tina Aguilar who lives in Warm Springs, OR and makes Indian cradle boards (baby boards) or Betty First Raised who lives in Burns, OR and does traditional bead work with leather. One interesting candidate, though not a TAAP artist, is DW Frommer who makes leather boots and lives in Redmond, OR. There is a lot of information about him in the archives and could be a good representation of rancher culture in Oregon. I will run this by OFN to see if he is appropriate. In the meantime, I plan to contact Tina Aguilar to see if I could use her for the map.