OFN Practicum: Postcard 2

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Justine (Tina) D. Aguilar

Wasco Traditional Artist

Warm Springs, OR

“It is an art that the young ladies need to get back to before the tradition gets lost.”

Growing up on the Warm Springs reservation, Tina saw mothers craft cradle boards to carry their babies.  At 5 years old, Tina’s grandmother handed her a board to hold her doll. Wasco cradle boards consist of a wooden panel, fabric sides, hood and a bow that can act like a mobile. Tina began making cradle boards at age 14, but since she doesn’t like to follow patterns, her signature style ventures away from “traditional” forms as she innovates with new materials and interests. Her aim is to make each cradle board unique through decorations like velvet, beads, paint and crocheted fabric. To Tina, a cradle board is a child’s house: “like somebody is hugging and holding them all the time.”

Tina also makes wapas or corn husk bags used for collecting and storing roots or berries. Wapas are a symbol of honor in Wasco tradition and are often given as gifts during cultural events or memorials. She leaned to make these bags in her late 30s as an apprentice through the Oregon’s Traditional Arts Apprenticeship Program. She has since become well known for the lapel pins she makes to put on wapas. Her hope is to pass on this tradition to the next generation and “have them feel confident enough to venture out and teach others.”

Justine (Tina) D. Aguilar was an apprentice for Traditional Arts Apprenticeship Program in 91-92 and 96-97 and a Master Artist awardee for 98-99. For more information about traditional arts in Oregon, visit the Oregon Folklife Network at ofn.uoregon.edu.

Oregon Folklife Network:

Making a meaningful difference in Oregon communities by empowering our tradition-keepers to pass on their skills and knowledge.

 

OFN Practicum: Postcard 1

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Alex Llumiquinga Perez

Andean Instrument Maker

Otter Rock, OR

“It was just a hobby when I started… I never thought I’d do this as a career.”

Alex is a master artist of crafting and playing Andean folk instruments. Growing up in Ecuador, Alex was surrounded by music and remembers his grandfather plucking leaves from trees and using them as instruments. He received his first flute at the age of 11 and his first charango (ten-stringed guitar) at the age of 12. Traditionally made from armadillo shells, Alex fondly recalls that his first charango had a panther carved into it.

Through performance, Alex immediately fell in love with Andean folk music. He formed a 5 piece band called Chayag and landed his first professional music performance at the age of 17. The band soon started spreading his love for Latin American folk music by touring the world. As he grew older, he became interested in learning how to craft Andean instruments himself, like the charango, bamboo flutes and river cane flutes. Over the last decade, Alex has developed his instrument-making techniques and now owns his own workshop. He loves teaching instrument-making skills to children, but when it comes to his own children, Alex says “I’m waiting for them to tell me they want to learn.”

Alex Llumiguinga Perez earned Oregon’s Traditional Arts Apprenticeship Program award in 2012. For more information about traditional arts in Oregon, visit the Oregon Folklife Network at ofn.uoregon.edu.

Oregon Folklife Network:

Making a meaningful difference in Oregon communities by empowering our tradition-keepers to pass on their skills and knowledge.

For more information about the artist and his craft, visit www.andeanmusic.org