The Gift of Reciprocity

As we move into the Winter season with 2023 on the horizon, I want to wish everyone reading this joy and abundance as we move into the New Year. Please remember to take care of yourself, have a sip of water, go for a walk and enjoy the journey, be kind when you can, and always remember that everyone deserves love and joy. Even you. Especially you.

Remember, if you care for yourself, you’ll be able to care for others too. Reciprocity is a beautiful cycle of giving and receiving, and you, dear friends, are worthy of both.

So, if you’re looking to give a beautiful gift of knowledge this holiday season, try a copy of Braiding Sweetgrass. It’ll teach you far more about reciprocity, kindness, gift giving, and many other ways of knowing this holiday season then I possibly can. There’s a version for young adults and even an audio book too!

Remember: Give kindness. Receive kindness. Be kindness. Reciprocity.

 

Reading Digital Culture: Remembering Forgotten Playwrights

Understudy-ied Theatre History is a digital humanities project created by Dara Willmarth and Colleen Rooney dedicated to remembering playwrights lost to history. Both Willmarth and Rooney are recent graduates of the University of Oregon’s Theatre Department who share a love of delving into theatre history and spreading their wealth of knowledge with others. The project itself was created for Willmarth’s capstone project for her minor in Digital humanities and functions as a multimedia narrative, built using WiX. When you arrive on the homepage you’re met with vibrant bold font contrasted against a neutral background with sepia toned images, which pulls you in and forces you to focus on the content at hand. The site hosts two options for engaging with the content, a page dedicated to the podcast they’ve created and a blog section that provides additional background information on the playwright, as well as a transcript for each playwright’s corresponding podcast. There are bibliographies provided for the books used to create the blog post and podcast of each playwright, as well as music information provided from sound cloud and credits provided for the photos used, whether that be Getty Images, New York Public Library, or Wikimedia Commons. While the site is quite minimal, it functions well, and provides a clear understanding for the user, thus providing a lovely experience.

Back to the heart of the project, the playwrights. The women featured in this project are playwrights that Willmarth and Rooney believe to be significant, whose works deserve to be held in the same esteem, and as celebrated as playwrights that almost everyone in the theatre community would be aware of today. The goal of this project seems to be an attempt to expand the knowledge of anyone who enjoys theatre or engages with the theatre community. By creating this podcast and blog site, these creators are attempting to create equity in the history of playwrights, writing the wrongs of the theatre’s historical past. It’s a conversational call to action, to get these playwrights the recognition they deserve, and to add more diversity to the historical selection of plays that are almost always over performed. Again, while the site itself is simple, the focus is solely on the playwrights being remembered, as the creators want nothing to detract from their importance, their moment to shine.

I have never dissected or reverse engineered a project before, which made this lab a challenge. A welcome challenge, but a tough challenge. Perhaps it’s the English major in me, but I kept looking over the projects details, wanting to close read the entire site, never feeling satisfied with the description of my reverse engineering. I’m not certain that I’ve ever looked at a website so closely, thinking of how it functions and what the full purpose of it is, but not I’m not sure I can go forward in life without doing so. I’m so intrigued by this lab and how it opened my eyes, frustrated me, and pushed me to grow.

Questions I found important while looking at digital humanities projects:

  • Why should I care about this project?
  • How are you trying to convince me to care?

I’m left caring about this project because I’m someone who roots for those who’ve been left behind, whose time it is to rise and stand in the light they deserve. I delight in the stories of history, a people’s history. And while, yes, I am someone who loves theatre, what I love more are the people who create theatre, who relish in the history of theatre, who push against the norms and expectations, and reveal the gems who’ve gone unnoticed for far too long.

Reading Literature: An Otherworldly Experience

I’ve always loved reading. Always. Books create a sense of wonder, imagination, fulfillment and joy. They provided a well needed escape from a childhood that was far from pleasant, a safe haven for little me. While a sensitive subject now, Harry Potter and the Sorcerer’s Stone was one of the first books that made me feel like I wasn’t truly alone. I was lucky enough to be able to get a copy right when it was released in the United States in 1998. I was just about to turn 7 and had never read anything as otherworldly and escapist before. Like Harry, I had caretakers who didn’t care about me, though mine were my biological parents. Watching Harry journey into a world full of magic and adventure provided hope for a future where I might finally be able to be free, myself. As an adult, I have a better understanding and awareness of the series and the harmful stereotypes and tropes that are perpetuated in the novel, but as a child all I remember experiencing was a well needed escape from reality. Together, Harry, Ron, Hermione, and I, survived. Reading literature has remained as a means of survival for me and I still thoroughly enjoy books that are otherwordly. Whether it’s science fiction, fantasy, or horror — I love being taken on a journey beyond my experience and existence as a way to escape and explore. I believe that we can discover deeper understandings of ourselves through the literature we read.

While I’ve never been one for reading digital copies of texts, as reading on a screen for long periods of time can trigger migraines for me, I’ve discovered new screen protectors that help reduce these side effects and I’m excited to be able to give digital reading a try! After going through this week’s lab I’ve discovered that there are so many ways to access public domain literature. My absolute favorite was The Serial App — I love the concept of receiving short sections from a book that you choose off of the site, so that you get a treat of literature scheduled to be delivered to you. I think it’s a fun idea that can help keep you on a reading schedule, but also it adds an additional layer of anticipation to your reading because you can’t read past your scheduled section, so you have to wait for what comes next. I imagine this must have been a thrilling experience in the past when people read literature in a serial format. While I’m excited to try this out for myself in the future, for this term I’m going to be reading Carmilla by Joseph Sheridan Le Fanu that I downloaded from Project Gutenberg.

While I was able to locate Jane Eyre and A Lady’s Life In The Rocky Mountains on all three platforms, I found Project Gutenberg and Serial App to be the easiest to navigate. While HathiTrust provides a lot of scholarly research and public domain text, it took more effort to find what I was searching for. Perhaps this could be a result of user error, so I’ll try working with it a bit more in the future and see how it works out for me.

When searching for books, I split my time looking at Barnes and Noble and Powell’s. I was curious about the difference in recommendations supplied by each bookseller. What I immediately noticed about Barnes and Noble was the pushing of “best sellers” and “top books” of the month. They’re pushing books that are popular, ones that they believe will sell well and make them money. It’s based on a truly capitalistic view point without care for equity or diversity. That’s not to say that they don’t offer an LGBTQ+ section, but it still appears that white voices are prioritized over all others. Powell’s on the other hand sells both used and new books. Their recommendations come directly from staff who work at their stores. I quickly noted that Powell’s recommendations had more diverse options and a wider range of genres to choose from. While Powell’s wants to sell books, they also seem to care more people finding something good to read, as opposed what’s “popular.” I will say that white voices still dominated the lists at Powell’s as well, just not as significantly as Barnes and Noble.

I’ve learned a lot from this weeks readings and lab — I cannot wait to put this knowledge to future use and get started on my new book!

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