The horror genre for movies and television has definitely shown to be one of the more dominant genres throughout the years. It continues to be a popular genre for movie producers as more and more new horror films come out each year. I personally do not mind horror films, but do not typically watch them as my first choice when finding something to watch. However, many people seem to find some sort of satisfaction and appealing nation to this category of horror. In this week’s reading titled Why Horror? by Noel Carroll, the question of what draws individuals to the aesthetics of horror is examined in detail. While it is kind of mind boggling to me, how something that can be so grotesque or disgust can appeal to one’s sensations, Carroll on the other hand provides supporting reason when she states, “It is not that we crave disgust, but that disgust is a predictable concomitant of disclosing the unknown, whose disclosure is a desire the narrative instills in the audience and then goes on to gladden” (p. 284). Carroll’s reasoning demonstrates the fact that we as human beings have a natural tendency to question the “unknown” and therefore explore it into further detail in hopes of finding disclosure. She also goes on to describe the paradox of horror as “that of explaining the way in which the artistic presentation of normally aversive events and objects can give rise to pleasure or can compel our interests” (Carroll, p. 276). Horror can be shown in an artistic manner that can be appealing and interesting to one owns perception of it. I can see how this can stand true for a lot of people in the sense that many get a feeling of satisfaction or pleasure when confronted with an abnormal or unfamiliar situation in the presence of horror.
In another article that I found titled Why Are Some People More Attracted to Scary Movies Than Others Are? by Stuart Fischoff, many similar points are made regarding why some individuals prefer the aesthetics of horror over others. Like Carroll, Fischoff brings up a solid reason why people constantly watch horror films when he states that, “We consciously and deliberately outgrow the fears of childhood as we acquire knowledge and strengthen the ability to temper runaway fears with rational self-talk and fulfill the adult expectations of our peers… Movies and movie monsters allow us to revisit those fears, from a safe remove” (Fischoff, p.1). Part of the reason why we seek out the aesthetics of horror in the form of watch a movie is because we know that we can feel certain emotions without the situation actually being real. He also goes on to describe how these movie monsters can help provide us with an opportunity to visually see and learn strategies of coping with real-life monsters (or scary scenarios) if we were to ever encounter them. In the end, Fischoff suggests that the major factors relating to the appeal of horror movies are: lifestyle, age, gender, personality, heredity, and physiology.
After continuing my research, I stumbled upon another article also demonstrating very similar conclusions as those made by both Fischoff and Carroll. In the article titled Understanding the Popular Appeal of Horror Cinema: An Integrated-Interactive Model by Glenn D. Walters, Walters attempts to find reasoning in how we find these aesthetics of horror film comforting in such a unique way. He then explains that, “an integrated-interactive theory is advanced in an effort to explain the allure of horror movies, with control-related fears at the core and belief systems that derive from a person’s efforts to cope with the arousing and terrifying stimuli found in horror films at the periphery” (Walters, p.1). This in a sense relates back to Fischoff’s views in which watching a horror film can cause an arousing or even terrifying sensation within without actually putting yourself in harms-way or in an actual terrifying scenario. Walters continues on to describe “horror film appeal as consisting of three principal factors: tension, relevance, and unrealism”, and how these factors provide as a direct function to the viewer enjoyment of horror films. However, he does state that these factors do not explain why horror films continue to attract audiences. In his opinion the answer to that question relies within fear and belief systems in the sense that, “horror films are popular because they speak to the basic human condition, to existential fear, and to people’s attempts to overcome their fear belief systems” (Walters, p.1).
After comparing and contrasting various readings on this topic, it seems that these three authors share very similar views on what it is that brings us to the aesthetics of horror film. Although I do not typically watch horror films, the next time that I do I will try to pay more attention to my personal feelings and emotions that are conveyed and observe why it is that I feel that way.
Bibliography:
Carroll, N. (2002). Why Horror?. In Neill, A. & Riley, A. (eds.) Arguing About Art: Contemporary Philosophical Debates (2nd ed., Chap. 17). New York, NY: Routledge.
Fischoff, Stuart. “Why Are Some People More Attracted to Scary Movies Than Others Are?” Science and Religion Today RSS. N.p., 28 Oct. 2011. Web. 11 May 2015.
Walters, Glenn D. “Understanding The Popular Appeal of Horror Cinema: An Integrated-Interactive Model.” Journal of Media Psychology. N.p., 13 May 2004. Web. 11 May 2015.