Welcome to the Post-Residency

"Preface to the Poems Composed at the Orc...

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On August 1 we begin the post-residency and final portion of our field school. This portion will end August 15. Based on the presentations you gave in Beijing, a draft of the final assignment is due to be posted on the course blog on August 7. Unless we are notified we will assume that it will be posted on or before that date. We will have comments back to you on August 10. This post should be finalized on or before August 15.

For this portion of the field school, participants, working in teams, will be responsible for (at minimum):

* 2 postings for the course blog – one associated with each of the two fieldwork sites; categorize these as “field report” so that they are also posted to Vine Online!

To review, each post will include:

* interpretive text (formatted according to VineOnline standards; 750-1000wds)

* image gallery (7-10) AND/OR edited video (>5min) depicting one of the following and or a combination of the two:

– work/context of an artist interviewed (INDIVIDUAL FOCUS)
– work/context for an discrete aspect of cultural/artistic production (HERITAGE FOCUS)
– work/context for a geographic area/setting (PLACE FOCUS)

Full guidelines can be found here.

In support of your posts to the course blog, each team will create postings on the social media sites connected to ChinaVine (English & Chinese language) that points to their course blog content. This can include a tweet using the field school hashtag (#CVFS), a Facebook post on ChinaVine wall, etc.

Each team should create drafts of their planned posts on the field school website for comments by Doug, John, and other field school participants by August 7. These comments can be transmitted via email, or embedded in the draft itself (using brackets or some other easily identifiable format). It will be important to have some idea of where the video/photo editing process and text creation stands at that time so that teams can move ahead with finalizing their posts.

All final posts should be completed by August 15. Doug and John should be notified of how the links to the posts occurred through social media.

During these last two weeks of the field school you should feel free to consult with us at any time regarding the final assignment and/or any aspect of the field school.

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listening to Beijing…

Image representing RjDj as depicted in CrunchBase

Image via CrunchBase

On Monday, July 18, World Listening Day is upon us. Sponsored by the World Listening Project, this day is focused on the sounds that surround us and the ways in which they weave natural, cultural, and social webs of experience. The field work we have done so far has emphasized documentation of cultural practices and contexts in a mostly visual manner—largely because people tend to focus on what they can see, while what they can hear tends to take a back seat. In the spirit of World Listening Day, however, we’d like to suggest that all of us involved in the field school turn our attention toward sounds as we continue to think about interpreting the cultural heritage and practices we are encountering in Beijing.

I’ve been making some field recordings with my iPhone during the last week or so, using both the RJDJ app and the FiRe app. Both apps draw on the audio capabilities of the iPhone, with RJDJ adding sound manipulation into the mix (FiRe produces straight or dry recordings…). In either case, the emphasis is on sound and listening; here are a few examples:

You need to have Flash installed to listen directly on the site. Install Flash or you can download the recording instead

walking down Great Wall Jul 12, 2011 11:05 AM” by John Fenn

Echolon by Gunter Geiger Recorded from Echolon. Check out more recordings from Echolon…

You need to have Flash installed to listen directly on the site. Install Flash or you can download the recording instead

flea market in Beijing Jul 16, 2011 11:37 AM” by John Fenn

Echolon by Gunter Geiger Recorded from Echolon. Check out more recordings from Echolon…

798 insects by johnfenn3

Across these three recordings, what kinds of representation occur? What are the perspectives that come across aurally? Think about these questions, as well as others that come to mind as our time in Beijing draws to a close. One thing we might think about doing during our last few days here is to develop a soundwalk during a group outing. What do the sounds around you allow you to communicate, understand, or interpret about your surroundings?

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Field school progress…

At this point, we are more than halfway through our Beijing-based, ChinaVine-driven field school, and everything is moving along according to—and in many ways, exceeding—our plans. As co-directors, we spent many hours planning and imagining the experience we’d like students to have in Beijing, the whole time realizing that, ultimately, much of the experience would be in their hands. And, luckily, they have taken that responsibility on and have worked with us to successfully conduct rewarding fieldwork and engage the tasks of documentation and interpretation with an enthusiasm that has made our jobs easy.

The results of their work will be visible on VineOnline (and our course site) toward the middle of August 2011. Each team of student field workers has been tasked with producing two posts for VineOnline—one for each site we’ve visited during our time in Beijing. The first site was Jiangou, a village to the north west of Beijing where we focused on cultural tourism (including “red” tourism efforts that explore the history of Communism), pilgrimage traditions, and rose cultivation. The second site was Songzhuang, to the east of Beijing. As an “artists’ village,” Songzhuang has grown in the past twenty-five years from a place where a handful of artistic pioneers sought affordable work space distanced from the urban renewal of Beijing to a home for over five thousand artists and the site of a “cultural and creative cluster” promoted heavily by regional government. In each site, the students have listened, interviewed, photographed, and otherwise documented the cultural practices and traditions we have encountered. They’ve also eaten, and the image at the top of this post represents a meal cooked for us by artist that ChinaVine has worked with for the past three years: Mr. Her Xue-Sheng. He graciously hosted us during our time in Songzhuang, preparing fresh noodles in the style of his home in the Ningxia region.

So, in the coming weeks be sure to check the VineOnline site in order to follow up on the work produced by the field school students. Their posts will be rich, multimedia explorations of the artists, places, and cultural practices that pull together documentation and interpretation in a manner that extends the mission of ChinaVine. In the meantime, be sure to poke around in this Flickr set highlighting some of the sights from our weeks in Beijing.

a few snaps from Wednesday's Beijing tour…

I’ve pulled these from a Flickr stream I started. They represent scenes from our first full day in Beijing, during which we visited Tian’an men Square and the Forbidden City in the hot mugginess of a July afternoon. Plenty of other people were out along with us…

our coach

our ride around town, with Oscar the Guide

long view of Tian'an men Square (south to north)

looking down Tian’an men Square, from the south to the north

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the Square is dressed up for the 90th Anniversary of the CCP (which happened on July 1, 2011)

portable photo studio
in Tian'an men Square

two shots from our portable photo studio session; top is the studio in action and bottom is a recreation of the photo he printed for us!

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crowd entering the Forbidden City (south gate)

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somewhere near the middle of the Forbidden City

beware

leaving the Forbidden City (north gate)