Field school progress…

At this point, we are more than halfway through our Beijing-based, ChinaVine-driven field school, and everything is moving along according to—and in many ways, exceeding—our plans. As co-directors, we spent many hours planning and imagining the experience we’d like students to have in Beijing, the whole time realizing that, ultimately, much of the experience would be in their hands. And, luckily, they have taken that responsibility on and have worked with us to successfully conduct rewarding fieldwork and engage the tasks of documentation and interpretation with an enthusiasm that has made our jobs easy.

The results of their work will be visible on VineOnline (and our course site) toward the middle of August 2011. Each team of student field workers has been tasked with producing two posts for VineOnline—one for each site we’ve visited during our time in Beijing. The first site was Jiangou, a village to the north west of Beijing where we focused on cultural tourism (including “red” tourism efforts that explore the history of Communism), pilgrimage traditions, and rose cultivation. The second site was Songzhuang, to the east of Beijing. As an “artists’ village,” Songzhuang has grown in the past twenty-five years from a place where a handful of artistic pioneers sought affordable work space distanced from the urban renewal of Beijing to a home for over five thousand artists and the site of a “cultural and creative cluster” promoted heavily by regional government. In each site, the students have listened, interviewed, photographed, and otherwise documented the cultural practices and traditions we have encountered. They’ve also eaten, and the image at the top of this post represents a meal cooked for us by artist that ChinaVine has worked with for the past three years: Mr. Her Xue-Sheng. He graciously hosted us during our time in Songzhuang, preparing fresh noodles in the style of his home in the Ningxia region.

So, in the coming weeks be sure to check the VineOnline site in order to follow up on the work produced by the field school students. Their posts will be rich, multimedia explorations of the artists, places, and cultural practices that pull together documentation and interpretation in a manner that extends the mission of ChinaVine. In the meantime, be sure to poke around in this Flickr set highlighting some of the sights from our weeks in Beijing.

of museums and spaces for interpretation…

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Shot in the “museum” or interpretive center at the temple complex on top of Miaofengshan (outside Beijing by about 40km), this picture from our fieldwork illustrates the flexibility of spaces used to make sense of culture and heritage. Filled with historic photos that help carry the narrative of the temples in conjunction with Mr. Wang’s stories and explanations, it also houses a ping pong table. While this may seem incongruous from some perspectives, it’s perfectly reasonable from others. And that’s the trick of interpretation: the space in play is more than an institution (i.e museum), but also more than a concept (i.e. truth or authenticity). This space is flexible and multimodal, allowing for visitors, culture workers, and other participants to engage in meaning-making.

On the topic of interpretation, here are links to two different articles. The first is about a museum in Fangshang County (west of Beijing) dedicated to the important revolutionary song, “Without the Communist Party, There Would Be No New China.” This piece was written in 2009, but recently revisited in another recent post here.

The second article tracks the history of the pipa in terms of its iconic role of “national instrument.” Adapted from a conference paper, it’s somewhat long but worth reading.

With both of these pieces, we should consider the question/issues of interpretation. What meanings emerge in each article? What are the perspectives of each author? What are the goals of interpretation? Many more questions likely linger, so have a look at these and consider the spaces for interpretation generated by ChinaVine and our field school.

a few snaps from Wednesday's Beijing tour…

I’ve pulled these from a Flickr stream I started. They represent scenes from our first full day in Beijing, during which we visited Tian’an men Square and the Forbidden City in the hot mugginess of a July afternoon. Plenty of other people were out along with us…

our coach

our ride around town, with Oscar the Guide

long view of Tian'an men Square (south to north)

looking down Tian’an men Square, from the south to the north

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the Square is dressed up for the 90th Anniversary of the CCP (which happened on July 1, 2011)

portable photo studio
in Tian'an men Square

two shots from our portable photo studio session; top is the studio in action and bottom is a recreation of the photo he printed for us!

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crowd entering the Forbidden City (south gate)

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somewhere near the middle of the Forbidden City

beware

leaving the Forbidden City (north gate)

China Today – 2 Contextual Questions

1. One of the sections that I found most interesting in Wasserman’s book is the one in which he discusses the similarities between China and the United States despite our general criticism of the country. In it he points out that China is developing in a way similar to the way the U.S. was developing in the late 1800’s and  early 1900’s. What similarities do you see between the United States and China? Do you think that we can look at China as a sort of time bubble to help us better examine the developmental history of the United States?

2. Mao’s rule was one of mistakes and pronounced hypocrisy, and many view him in a negative light. Despite the horrible events of the Great Leap Forward and the culturally destructive aftermath of The Cultural Revolution, do you think that China would be in the power position it is in today without these missteps and experimentation with culture, politics and global participation?