Welcome to the Post-Residency

"Preface to the Poems Composed at the Orc...

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On August 1 we begin the post-residency and final portion of our field school. This portion will end August 15. Based on the presentations you gave in Beijing, a draft of the final assignment is due to be posted on the course blog on August 7. Unless we are notified we will assume that it will be posted on or before that date. We will have comments back to you on August 10. This post should be finalized on or before August 15.

For this portion of the field school, participants, working in teams, will be responsible for (at minimum):

* 2 postings for the course blog – one associated with each of the two fieldwork sites; categorize these as “field report” so that they are also posted to Vine Online!

To review, each post will include:

* interpretive text (formatted according to VineOnline standards; 750-1000wds)

* image gallery (7-10) AND/OR edited video (>5min) depicting one of the following and or a combination of the two:

– work/context of an artist interviewed (INDIVIDUAL FOCUS)
– work/context for an discrete aspect of cultural/artistic production (HERITAGE FOCUS)
– work/context for a geographic area/setting (PLACE FOCUS)

Full guidelines can be found here.

In support of your posts to the course blog, each team will create postings on the social media sites connected to ChinaVine (English & Chinese language) that points to their course blog content. This can include a tweet using the field school hashtag (#CVFS), a Facebook post on ChinaVine wall, etc.

Each team should create drafts of their planned posts on the field school website for comments by Doug, John, and other field school participants by August 7. These comments can be transmitted via email, or embedded in the draft itself (using brackets or some other easily identifiable format). It will be important to have some idea of where the video/photo editing process and text creation stands at that time so that teams can move ahead with finalizing their posts.

All final posts should be completed by August 15. Doug and John should be notified of how the links to the posts occurred through social media.

During these last two weeks of the field school you should feel free to consult with us at any time regarding the final assignment and/or any aspect of the field school.

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dispersal

We’ve finished the fieldwork/residency phase of the field school, and rather successfully at that! Now we move on to various locations: Shanghai, Tsingtao, other parts of Beijing, or all the way back to Oregon. We will reconvene at the beginning of August—from wherever we all are—in order to process fieldwork materials into ChinaVine content (initially available via Vine Online). Continue checking this site for updates from the teams and ongoing conversations about culture, heritage, fieldwork, and interpretation. Great job and happy travels, everyone!

listening to Beijing…

Image representing RjDj as depicted in CrunchBase

Image via CrunchBase

On Monday, July 18, World Listening Day is upon us. Sponsored by the World Listening Project, this day is focused on the sounds that surround us and the ways in which they weave natural, cultural, and social webs of experience. The field work we have done so far has emphasized documentation of cultural practices and contexts in a mostly visual manner—largely because people tend to focus on what they can see, while what they can hear tends to take a back seat. In the spirit of World Listening Day, however, we’d like to suggest that all of us involved in the field school turn our attention toward sounds as we continue to think about interpreting the cultural heritage and practices we are encountering in Beijing.

I’ve been making some field recordings with my iPhone during the last week or so, using both the RJDJ app and the FiRe app. Both apps draw on the audio capabilities of the iPhone, with RJDJ adding sound manipulation into the mix (FiRe produces straight or dry recordings…). In either case, the emphasis is on sound and listening; here are a few examples:

You need to have Flash installed to listen directly on the site. Install Flash or you can download the recording instead

walking down Great Wall Jul 12, 2011 11:05 AM” by John Fenn

Echolon by Gunter Geiger Recorded from Echolon. Check out more recordings from Echolon…

You need to have Flash installed to listen directly on the site. Install Flash or you can download the recording instead

flea market in Beijing Jul 16, 2011 11:37 AM” by John Fenn

Echolon by Gunter Geiger Recorded from Echolon. Check out more recordings from Echolon…

798 insects by johnfenn3

Across these three recordings, what kinds of representation occur? What are the perspectives that come across aurally? Think about these questions, as well as others that come to mind as our time in Beijing draws to a close. One thing we might think about doing during our last few days here is to develop a soundwalk during a group outing. What do the sounds around you allow you to communicate, understand, or interpret about your surroundings?

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Field school progress…

At this point, we are more than halfway through our Beijing-based, ChinaVine-driven field school, and everything is moving along according to—and in many ways, exceeding—our plans. As co-directors, we spent many hours planning and imagining the experience we’d like students to have in Beijing, the whole time realizing that, ultimately, much of the experience would be in their hands. And, luckily, they have taken that responsibility on and have worked with us to successfully conduct rewarding fieldwork and engage the tasks of documentation and interpretation with an enthusiasm that has made our jobs easy.

The results of their work will be visible on VineOnline (and our course site) toward the middle of August 2011. Each team of student field workers has been tasked with producing two posts for VineOnline—one for each site we’ve visited during our time in Beijing. The first site was Jiangou, a village to the north west of Beijing where we focused on cultural tourism (including “red” tourism efforts that explore the history of Communism), pilgrimage traditions, and rose cultivation. The second site was Songzhuang, to the east of Beijing. As an “artists’ village,” Songzhuang has grown in the past twenty-five years from a place where a handful of artistic pioneers sought affordable work space distanced from the urban renewal of Beijing to a home for over five thousand artists and the site of a “cultural and creative cluster” promoted heavily by regional government. In each site, the students have listened, interviewed, photographed, and otherwise documented the cultural practices and traditions we have encountered. They’ve also eaten, and the image at the top of this post represents a meal cooked for us by artist that ChinaVine has worked with for the past three years: Mr. Her Xue-Sheng. He graciously hosted us during our time in Songzhuang, preparing fresh noodles in the style of his home in the Ningxia region.

So, in the coming weeks be sure to check the VineOnline site in order to follow up on the work produced by the field school students. Their posts will be rich, multimedia explorations of the artists, places, and cultural practices that pull together documentation and interpretation in a manner that extends the mission of ChinaVine. In the meantime, be sure to poke around in this Flickr set highlighting some of the sights from our weeks in Beijing.

of museums and spaces for interpretation…

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Shot in the “museum” or interpretive center at the temple complex on top of Miaofengshan (outside Beijing by about 40km), this picture from our fieldwork illustrates the flexibility of spaces used to make sense of culture and heritage. Filled with historic photos that help carry the narrative of the temples in conjunction with Mr. Wang’s stories and explanations, it also houses a ping pong table. While this may seem incongruous from some perspectives, it’s perfectly reasonable from others. And that’s the trick of interpretation: the space in play is more than an institution (i.e museum), but also more than a concept (i.e. truth or authenticity). This space is flexible and multimodal, allowing for visitors, culture workers, and other participants to engage in meaning-making.

On the topic of interpretation, here are links to two different articles. The first is about a museum in Fangshang County (west of Beijing) dedicated to the important revolutionary song, “Without the Communist Party, There Would Be No New China.” This piece was written in 2009, but recently revisited in another recent post here.

The second article tracks the history of the pipa in terms of its iconic role of “national instrument.” Adapted from a conference paper, it’s somewhat long but worth reading.

With both of these pieces, we should consider the question/issues of interpretation. What meanings emerge in each article? What are the perspectives of each author? What are the goals of interpretation? Many more questions likely linger, so have a look at these and consider the spaces for interpretation generated by ChinaVine and our field school.

a few snaps from Wednesday's Beijing tour…

I’ve pulled these from a Flickr stream I started. They represent scenes from our first full day in Beijing, during which we visited Tian’an men Square and the Forbidden City in the hot mugginess of a July afternoon. Plenty of other people were out along with us…

our coach

our ride around town, with Oscar the Guide

long view of Tian'an men Square (south to north)

looking down Tian’an men Square, from the south to the north

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the Square is dressed up for the 90th Anniversary of the CCP (which happened on July 1, 2011)

portable photo studio
in Tian'an men Square

two shots from our portable photo studio session; top is the studio in action and bottom is a recreation of the photo he printed for us!

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crowd entering the Forbidden City (south gate)

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somewhere near the middle of the Forbidden City

beware

leaving the Forbidden City (north gate)

site updates and new information…

Quadrant Altazimuth in Beijing Ancient Observa...

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We’ve been completing work on the onsite residency and post-residency sections of the course site, so please thumb through these pages and sub-pages in order to get a sense of what’s next in the field school. We’ll have plenty of time while we are all in Beijing to discuss the details for assignments associated with these upcoming phases, but do formulate any questions and bring them along!

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"Old" sounds, "new" settings

List of Chinese musical instruments

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Just ran across this post on Danwei 2.0, which is a web magazine about China. Here is part of their mission statement:

Danwei is a web magazine about China, and a research company. We publish original writing, video, translations, photography and audio about China and the Chinese world.

All of the most recent posts from the current issue concern Chinese musical traditions and instruments; the one I’ve linked to emphasizes some examples of contemporary artists recontextualizing or even repurposing “traditional” instruments. Recent ChinaVine fieldwork has explored this realm of cultural production, and we have even interviewed one of the bands featured in the Danwei 2.0 post: Second Hand Rose. Check it out!

Great stuff so far on the course blog roll, both in terms of assignments and posts of more general interest. Keep it all coming…

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Interpretation in the public sphere…

Sea Island survey diagram 窥望海岛之图, first writte...

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This article ran recently on The China Beat, and is relevant to our interests in this field school for several reasons (at least). First, it recounts a panel on IT policy and technology in China called “Changing Social Configurations and New Media Technologies in China,” laying out some important issues for us to consider. Second, the article discusses a particular response to this panel by a scholar who appears to embrace the very perspective that the panel sought to subtly untangle, such that we get a glimpse into the complexity of the issues at play. Thirdly, and maybe most importantly for us, the author highlights how this all happens in the “public” of the blog environment, where interpretations by scholars are up for reinterpretation in dialogue with readers (whether those readers are other scholars or not). Well worth reading and thinking about as we prepare to talk about ChinaVine as an online interpretive project…

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