IX. Bibliography

Carroll, N. (2002). Why Horror?. In Neill, A. & Riley, A. (eds.) Arguing About Art: Contemporary Philosophical Debates (2nd ed., Chap. 17). New York, NY: Routledge.

Dissanayake, E. (1991). What is art for? In K. C. Caroll (Ed.). Keynote adresses 1991 (NAEA Convention), (pp.15-26). Reston, VA: National Art Education Association.

“Gaming Can Make a Better World.” Jane McGonigal:. N.p., n.d. Web. 02 Mar. 2015. <http://www.ted.com/talks/jane_mcgonigal_gaming_can_make_a_better_world?language=en>.

Grey, A. (2001). Art as Spiritual Practice. The Mission of Art (1st ed., pp. 205-233). Boston & London: Shambhala.

Jones, B. J. (1990). Computer Graphics: Effects of Origins. LEONARDO: Digital Image – Digital Cinema Supplemental Issue, pp. 21-30.

Lessig, L. (2008). Comparing Cultures. Remix: Making Art and Commerce Thrive in the Hybrid Economy (pp. 84-116). New York: Penguin Press HC, The.

“Phantasmagoria : The Dark Side of the Light.” YouTube. YouTube, n.d. Web. 18 Mar. 2015. <https://www.youtube.com/watch?v=c526W9YONdQ&t=277>.

Sanders, C. R. (1989). Introduction: Body Alteration, Artistic Production, and the Social World of Tattooing. In Customizing the Body (Chap. 1). Philadelphia, PA: Temple University Press.

Saito, Yuriko. “Everyday Aesthetics.” Project MUSE – Everyday Aesthetics. The Johns Hopkins University Press, Oct. 2014. Web. 05 Feb. 2015. <http://muse.jhu.edu/journals/phl/summary/v025/25.1saito.html>.

Tefler, E. (2002). Food as Art. In Neill, A. & Riley, A. (eds.) Arguing About Art: Contemporary Philosophical Debates (2nd ed., Chap. 2). New York, NY: Routledge.

PREVIOUS <BIBLIOGRAPHY>