Lecture 2.2a: Simulation, Lighting

Patterning and tiling while left as a 2D graphic tool alone would only capture a small degree of its value.  The idea introduced earlier of a system as a unit, organization over variation may be considered in a two dimensional information, as well as a three dimensional graphic information but  we may also transform this geometric information to cause a sensory affect that is a new degree of information- qualitative.

Lecture 05a_2.2 Analog Parametrics_Material Affect

INTRO

Slide 01: Systems

Slide 02: Analog Parametrics

Slide 03: Diagramming

Slide 04: Time-Based Diagrams

Slide 05: Time-Based Diagrams

Slide 06: Generative Diagrams + Precedents

Slide 07: Generative Diagrams + Precedents

Slide 08: 2D Tiling

Slide 09: 3D Tiling

Slide 10: Lighting and Mapping

Slide 11: Parametric Material Experience

Slide 12: Parametric Material Experience

Slide 13: Final Studio Presentation

Slide 14: Media Event

Slide 15: Media Event

Slide 16: Blank

Slide 17: Analog Parametrics: 3D Tiling from Geometry to Material Affect

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ANALOG PARAMETRICS

Figure 1: Starlings in Rome

1. http://www.youtube.com/watch?v=V-mCuFYfJdI

NED KAHN

Figure 2: Articulated Cloud: Ned Kahn: YouTubeVideo

1. http://nedkahn.com/portfolio/articulated-cloud/

Figure 3: Articulated Cloud: Ned Kahn: Perspective

Figure 4: Articulated Cloud: Ned Kahn: Diagram

Figure 5: Articulated Cloud: Ned Kahn: Section Prototype

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TADAO ANDO

Figure 6: Kidosaki House: Tadao Ando: Interior Rendering

Figure 7: Kidosaki House: Tadao Ando: Biographical Photo

Figure 8: Kidosaki House: Tadao Ando: Aerial

Figure 9: Kidosaki House: Tadao Ando: Elevation

Figure 10: Kidosaki House: Tadao Ando: Interior Perspective

Figure 11: Church of Light: Tadao Ando: Interior Perspective

1. http://www.archdaily.com/101260/

Figure 12: Church of Light: Tadao Ando: Cross Perspective

Figure 13: Water Temple: Tadao Ando: Interior Perspective

1. http://www.archdaily.com/97455/ad-classics-church-on-the-water-tadao-ando/

Figure 14: Church of Light: Tadao Ando: Plan

Figure 16: Church of Light: Tadao Ando: Perspective

Figure 17: Church of Light: Tadao Ando: Perspective

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JEAN NOUVEL

Figure 18: Louvre Abu Dhabi: Jean Nouvel: Perspective

1. http://www.archdaily.com/298058/

Figure 19: Louvre Abu Dhabi: Jean Nouvel: Interior Perspectives

Figure 20: Louvre Abu Dhabi: Jean Nouvel: Interior Perspectives

 

Figure 21: Louvre Abu Dhabi: Jean Nouvel: Model Renderings

Figure 22: Torre Agbar: Jean Nouvel: YouTube Video

1. http://www.youtube.com/watch?v=6z9ir9cqVcE

Figure 23: Torre Agbar: Jean Nouvel: Interior Perspective

Figure 24: Torre Agbar: Jean Nouvel: Color Diagram

Figure 25: Jean Nouvel: Louvres and Drawing

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SOLID OBJECTIVES

Figure 26: Solid Objectives: Nursery School

1. http://so-il.org/artifact/165

Figure 27: Solid Objectives: Sunny Side Up

1. http://so-il.org/artifact/143

Figure 28: Solid Objectives: Smoke and Mirrors

1. http://so-il.org/artifact/26

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SPERANZA ARCHITECTURE

1. http://speranzaarchitecture.wordpress.com/2013/01/29/la-limonera/

Slide 48: Speranza Architecture: Perspective Rendering

Slide 49: Speranza Architecture: Structural Model

Slide 50: Speranza Architecture: Ventilation Diagram and Plan

Slide 51: Speranza Architecture: Digital Model Roof

Slide 52: Speranza Architecture: Digital Model Roof

Slide 53: Speranza Architecture: Digital Model Roof

Slide 54: Speranza Architecture: Digital Model Roof

Slide 55: Speranza Architecture: Digital Model Roof

Slide 56: Speranza Architecture: Digital Model Roof

Slide 57: Speranza Architecture: Digital Model Roof

Slide 58: Speranza Architecture: Digital Model Roof

Slide 59: Speranza Architecture: Digital Model Roof

Slide 60: Speranza Architecture: Digital Model Roof

Slide 61: Speranza Architecture: Digital Model Roof

Slide 62: Speranza Architecture: Digital Model Roof

Slide 63: Speranza Architecture: Digital Model Roof

Slide 64: Speranza Architecture: Digital Model Roof

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HADID AND SCHUMACKER

Slide 65: Zaha Hadid and Patrick Schumacker

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MARBLE FAIRBANKS

Slide 66: Marble Fairbanks

1. http://marblefairbanks.com/edu/columbia-journalism-school/

Slide 67: Marble Fairbanks

  

  

Slide 68: Marble Fairbanks

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SOL LEWITT

 

Slide 69: Sol Lewitt

1. http://www.massmoca.org/lewitt/walldrawing.php?id=305

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JACKSON POLLOCK

Slide 70: Jackson Pollock

1. http://en.wikipedia.org/wiki/Jackson_Pollock

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CATALOGING AND NAMING CONDITIONS OF AFFECT

Slide 71: Cataloging and Naming Conditions of Affect

Slide 72: Student Work Example: Jasmine Alcaide

Slide 73: Karen McClosky Studio: UPenn Rendering

Slide 74: Elena Manferdini: SCI-Arc Institute Installation

1. http://www.ateliermanferdini.com/

Slide 75: Weathering Time

STUDENT WORK EXAMPLES

Slide 76: ARCH 610 Examples

Slide 77: Gretchen Leary: Luminosity

Slide 78: Adam Oswald: Light Contours: Analog

Slide 79: Adam Oswald: Light Contours: Digital

Slide 80: Alyssa Phanitdasack: XOXO

Slide 81: Eli Rosenwasser: Sparkle