Black Student Protest at the University of Oregon: Fifty Years in the Making

Presenter(s): Desirae Brown—Sociology

Faculty Mentor(s): Debra Thompson

Session 5.5: McNair Scholars Presentations

In 2015, colleges and universities across the United States saw an uprising of student protests followed by student demands . These demands were made primarily by African American and other student of color unions . Students rallied to challenge the history and culture of racism on their campuses, primarily on Predominately White Institutions . They did so by demanding their universities to actively commit to updating, changing and enacting a multitude of diversity initiatives that include but are not limited to, the hiring of more Black faculty, the opening of Black cultural centers, and increasing Black student enrollment and retention . This research will be a comparative analysis of student protest and demands of the University of Oregon; focusing on the 1967-68 and 2015-16 academic years . It will begin by studying the racial histories of Eugene, OR which will provide the framework for the continued and current racial climate in the area that has launched social activism . With this framework, this research will examine the UO Black Student Union’s Demands of 1968, as well as the climate and outcomes after such grievances were issued to the University . The study will move forward, examining the 2015-era of student protest . This research will explore the rise of Black student protest in Eugene, again in 2015; using the UO Black Student Task Force Demands to President Michael Schill, to study the similar grievances placed by Black Students nearly 50 years after the original demands . The research will study the social and institutional outcomes of each era of protest, and efforts made to move forward .

To Whomever Wants to Write this Novel: Towards a Hypertextual Approximation of Museo de la Novela de la Eterna by Macedonio Fernández

Presenter(s): Val Arbonias Flores (University of Puerto Rico, Rio Piedras Campus)—History of the Americas

Faculty Mentor(s): Elidio La Torre Lagares (Comparative Literature)

Session 5.5: McNair Scholars Presentations

“The porteño writer Macedonio Fernández (1874-1952) prefigures in Latin American literature as one of the precursors of the fragmented novel in Argentina . His novel Museo de la Novela de la Eterna is a clear example of this with his 58 prologues, which represent an endless beginning . But in this fragmentation we discover as its readers one of its complications; its “unreadability” . By taking a digital humanities approach, this project focuses on converting selected chapters of the printed text of Museo to a hybrid hypertext (a printed text that also counts with digital elements like QR codes or hyperlinks) in hopes of increasing the readability of it . Through this process I hope to answer the following questions: Does Museo’s unreadability complication lie in its medium? What if by changing the medium we can better understand the aesthetics behind Macedenio’s work? What can this case study teach us about how to properly approach literary works that are deemed by many readers, not just scholars, as unreadable?