Presenter: Maggie Witt (English, Art History)
Mentor: Louise Bishop
Oral Presentation
Panel B: “Character Creation” Oak Room
Concurrent Session 1: 9:00-10:15am
Facilitator: Matt Nelson
Art historians often write off Elizabethan art as a less advanced technical school that suffered from its severed contact with continental Europe after the 1530s. What so few of them stop to examine is the purposeful archaism embedded in the Elizabethan stylistic mode. Rather than attempting to emulate Italian Renaissance naturalism and dramatic shadows, Elizabeth I promoted during her reign an artistic style that reminded the viewer of England’s glorious chivalric past. By presenting herself as both a native English version of the Virgin Queen and the medieval mistress to whom all Elizabethan knights owed allegiance and devotion, Elizabeth reversed the active masculine iconography developed by her father, demonstrating visually the symbiosis of her position as woman and monarch. In this way, she not only reinforced her political might, but also recreated England medieval iconography in a secular rather than Catholic medium–reinforcing England’s independence from European religious influence while simultaneously stressing its artistic singularity. This study examines the commemorative and miniature portraits of Elizabeth I in their historical and artistic contexts in order to demonstrate their use of chivalric modes as visual legitimizations of female royal power.