Presenter: Brandi Wilkens
Faculty Mentor: Akiko Walley
Presentation Type: Oral
Primary Research Area: Humanities
Major: Art History
Funding Source: HURF, UO, $2500
19th century Japan was a time of momentous changes. The Edo period ended shortly after the country was opened to the West. The Meiji period, beginning in 1868, shows a society grappling with many changes. By examining
19th century woodblock prints and souvenir photography, I will examine Japanese courtesans, their reinvention in the 1870s as geisha, and their influence over art exportation. I will argue that these women were far more than common prostitutes, by exploring their rigorous training, and indicating in what ways they used their minds and business acumen to further their careers. These women were linked with Europeans due to their relationships with Dutch traders since the 16th century; courtesans provided the buffer between foreigners and the native Japanese population. Due to these close associations, courtesans were able to influence Japanese art exportation, both through woodblock prints and later through souvenir photography.
The complications of time period differences, and the difficulties in acquiring the necessary language skills (both Japanese and European languages are required), has created an unfortunate lack of scholarship on this vibrant time of change and cultural exchange between Japan and the West. It is my goal to shed more light on the changing dynamics of these tumultuous interactions, while bringing these marginalized women to the forefront, where there is evidence of their involvement with Westerners.