Presenter: Madeline Salzman
Faculty Mentor: Dianne Dugaw, Maile Hutterer
Presentation Type: Oral
Primary Research Area: Humanities
Major: English Literature, Art History
St. Michael the Archangel occupies a unique place in early Christian art and literature, especially when compared with the other angels present in biblical material. Due to his specialized role in these narratives, St. Michael represents a powerfully-syncretic link for early Christian communities, where local traditions were adapted to new Christians ones, as well as a protector and advocate for new followers of a mysterious God. By analyzing his characteristics with those of other angels, such as St. Gabriel’s, we see with greater clarity St. Michael’s dynamic role as warrior, judicator, and protector, and how early Christians further developed and expanded his role in their faith and beliefs. Through this, we can see the creation and adaptation of legends tied to physical locations, such as the legend surrounding Mont St. Michel. His popularity spans much of the former Roman Empire, and he often seen as a figure that substitutes for God and Heaven in Byzantine art. By analyzing biblical sources, legendary materials, and art historical examples, we recognize the evolution of St. Michael’s iconography and impact, and the far-reaching effects of his role in shaping early Christian art and literature.