The University of Oregon’s EMU: Cultural Epicenter and Incubator for Oregon’s Film Industry (1967–77)

Presenter(s): Katherine Wilson—English

Faculty Mentor(s): Stephen Rust

Session 1: Flicks and Pics

This research project answers the questions relating to how the University of Oregon’s EMU helped create Oregon’s First Film Crew in the 70’s; how that in turn resulted in National Lampoon’s Animal House being filmed at the UO in 1977; and why significant events were held and filmed specifically in The EMU: A) How Animal House Came to the UO: https://vimeo .com/401518226/f72da257a4
B) The Casting Call: https://vimeo .com/400122172/8de7c92b45
C) The Food Fight: https://vimeo .com/399570228/6eab0a62f7

The EMU was considered one of the Nation’s cultural epicenters because of its programs supporting and housing new social, intellectual, political, artistic, journalistic, filmic and musical paradigms of the 60’s . Because of this, a group of Poetic Cinema filmmakers emerged from this cultural center in 1969 and became Oregon’s first film crew; not only helping create Oregon’s film industry, but stepping in to help save Animal House from being scrapped by a Hollywood studio . These filmmakers all met on July 8th, 1969 on the Free Speech Platform of the EMU while watching a Communist debate the ASUO Student Body President . From there they formed FWAPS to help Kesey edit his 1964 footage, participated in Jack Nicholson’s film Drive He Said (1970), Elliott Gould’s Getting Free (1971), the Grateful Dead’s Sunshine Daydream (1972), as well as supporting Paul Newman’s Sometimes A Great Notion and Michael Douglas’ One Flew Over the Cuckoo’s Nest (1975), before becoming key personnel on Animal House in 1977 .

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