Special Collections is pleased to announce the acquisition of Ars Magna Lucis et Umbrae (Great Art of Light and Shadow), one of the key scientific works, and possibly the rarest, by the German Jesuit scholar Athanasius Kircher (1602-1680). This acquisition was made possible by the generous donation of the Albertsen family.
A prolific scholar with a thirst for questioning and experimentation, Athanasius Kircher wrote on a wide range of subjects including Egyptology, theology, geology, technology, and medicine. He took a syncretic approach to scientific research, drawing on the mysteries of natural laws and forces as well as directly observable and measurable phenomena. For instance, his treatise on magnetism (Magnes sive de arte magnetica) covered the gravitational pull of the planets’ orbits, but also touched on love and the use of the tarantella as “musical magnetism” that would draw the toxins of a tarantula’s bite out of the human body.[i]
In the fall of 1977, John Landis and his Universal Pictures production crew came to Eugene, Oregon, to begin filming their college comedy Animal House on the campus of the University of Oregon. They recruited dozens of UO students as extras, and used many well-known campus buildings and landmarks as locations. The video above is a compilation of behind-the-scenes footage shot by local TV news crews, including the iconic parade scene shot in Cottage Grove, Oregon, as well as the demolition of the Delta house in the early 1980s. The news footage all comes from the KEZI-TV/Chambers Communications Corp. records (Coll 427), and the still images come from University Archives Photographs (UA Ref 3) in Special Collections & University Archives (SCUA).
Some of this same footage, plus additional clips and images from SCUA, is also available in a related video produced by the University of Oregon’s Communications & Marketing department to commemorate the 40th anniversary of the the film’s release. An article in the summer 2018 issue of the Oregon Quarterly explores the film’s local history and its ongoing impact as a cult favorite.
Both videos demonstrate how archival footage can be combined in different ways and recontextualized to tell new stories about history.
As a student delving into this archival collection of behind-the-scenes footage and outtakes, this project felt transportive as I immersed myself in images from the past forty years. It was also a learning experience in the context of the culture of UO, as well as the evolution of what we deem as socially responsible in relation to comedy. Archival video footage and images are unique in their ability to present the viewer with a view of the world as it used to be, which can lead to greater understanding of how the past influenced the present.
You don’t need to be a student at the University of Oregon to find something in KEZI-TV news collection to connect with. Parents, alumni, faculty members, fans of the movie, and all types of Eugenians will come across familiar sites as they stood forty years ago. From downtown Cottage Grove run amok to John Belushi finagling a horse through Johnson Hall, this collection provides us with a vision of our campus and the surrounding area through a retro, Hollywood lens.
For me, the image of Belushi playing his guitar in a booth at the EMU fishbowl resonates strongly. To see a Hollywood star sitting by the same windows many of us have gazed through while working on a project or getting lunch with friends makes the connection between then and now all the more palpable.
Of course, the film isn’t without certain problematic tendencies. While I’m not excusing the myriad punchlines that come at the expense of a variety of social communities, I will say that this archive is a fun look into the loose atmosphere of the film set. Furthermore, this film still serves as the largest vehicle for the city of Eugene’s representation in Hollywood lore, as it grossed over $140 million and spawned an entire generation of knock-offs. Because of this, our archival collections serve as an important look into the creation of Eugene and the University of Oregon’s Hollywood immortality.
Special Collections and University Archives is pleased to announce a newly updated finding aid published for the George Alan Connor Esperanto collection (Bx 178). The finding aid is available on Archives West.
The George Alan Connor Esperanto collection was compiled by American Esperantist George Alan Connor and includes his collection of books, serials and periodicals, personal papers, and artifacts related to Esperanto. The collection includes publications in English on the topic of Esperanto, as well as pamphlets, advertisements, and artifacts published in Esperanto and braille Esperanto.
Ever since the annual Oregon Country Fair commenced in 1969, it has remained a communal space for self-expression, environmentalism, food, music, art and all other forms of creativity imaginable. SCUA’s KEZI-TV/Chambers Communication collection is home to outtakes, B-roll, and news segments of the fair dating back to the 1970’s. Held in Veneta, Oregon just outside of Eugene, this is an event which strongly embodies the spirit of the region. Examining this collection has taught me how unique and deeply-rooted western Oregon’s multifaceted brand of forward-thinking truly is.
Oregon Digital has recently added 740 new photographs from the University of Oregon Libraries’ Angelus Studio Photographs collection (PH037). These photographs are now available to browse in our digital collections.
The Angelus Studio was a professional photographic company located in Portland, Oregon that operated between 1880s-1940s. The collection provides documentation of Oregon including the city of Portland, events and landmarks, construction projects such as the Columbia River Highway, and commercial operations and industry.