In his hypothetical construction of a temple at Sunium, Mikalson attempts to address the various dimensions of Greek religious life and how they combine and converge at temple sites. In his step-by-step approach, Mikalson successfully explains which components of religious sites were most important, and those that followed once a cult had become popular enough to sustain a large temple. In his introductory chapter James Rives talks at length about the four dimensions of religious worship: cult, art, myth, and philosophy. In many ways cult, art, and myth converge during the production of a religious worship site like the one Mikalson constructed in his chapter. In the Greek religious landscape, the most important step to becoming a pious individual was to worship in the correct fashion, hence the importance of cult. This same reverence for cult drove the Greeks to place their worship sites in locations that were suitable for each individual god. Mikalson points out, for example, that mountaintops were often sacred for Zeus and the Site of Sunium was fitting for the god of the sea.  After choosing a proper location, nearly every aspect of the temples construction had a cult purpose, most notably the altar on which offerings would be made. The altar was the crucial aspect of cult, as the practice of sacrificial offerings was a fundamental part of their religious lives and a crucial aspect of remaining in good favor with the god. While myths of the deeds of gods and heroes likely served to reinforce the cult practices, they were not what modern Westerners would classify as a sacred religious text or tradition. Myths were often oral traditions that were used as symbolic representations of philosophical truths, according to Rives.  As it pertains to the temple at Sunium, there would have likely been tales of men lost at sea or killed in naval battles as a result of not providing the proper offering to Poseidon. So while myths might not have served a central role in religious life, it probably reinforced the central ideas and practices of cult. Besides just performing an offering before embarking on the sea, many worshippers would have brought dedications to the temple at Sunium in thanks to the god for fulfilling their requests. These dedications were often works of art such as small statuette or sculpted or painted plaques that would decorate the temple. In many ways, these works of art would be physical and tangible evidence that Poseidon had in fact helped dozens of sea merchants or sailors.

As I previously stated, the presence of myths was far more important to literature and art than it was cult. As Rives states, “…myth remained a fluid tradition, reworked and adapted to new contexts by successive generations…”
Cult worship was clearly the more important aspect of Greek religious life and was merely reinforced by myth and literature.

What I found most interesting about the overall “religiosity” of the Greeks was that they seemed to rely on the gods to help them with things that were out of their control. For example, a sailor would make an offering to Poseidon before setting sail because once they were on the water they were at the mercy of the elements. Greeks made offerings to Zeus because they could not control the climate and weather. So while they were ritualistic when they needed to be, more often than not they were able to complete tasks without invoking the gods.