Come Join Us to Celebrate our Oregon Culture Nights with Some of our TAAP 2023 Awardees

Come join us for our Oregon Culture Nights series highlighting our current year’s Traditional Apprenticeship Artists Program awardees. The Traditional Arts Apprenticeship Program is a yearly program that offers a $3,500 stipend to traditional master artists and culture keepers to aid in the teaching of their traditional arts to an apprentice from their same community. Each year, a select few are given this funding to pass on their traditions to others, at the end of the program the artists are required to showcase the work they have been doing with their apprentice. The Oregon Folklife Network offers them a spot in our Oregon Culture Nights where we can showcase their work to our community.

August 10th Sreevidhya Chandramouli:

The series will begin in August where we will start off the event with Sreevidhya Chandramouli who is a tenth-generation descendant from the illustrious Karaikudi Vina Tradition of South India. The Vina is a traditional Indian stringed instrument. Sreevidhya’s apprentice this year is Nidhi Yadalam who has been working with Sreevidhya for a few five years. They will be giving a performance and Q&A on Thursday, August 10th at 6:00 pm.

August 17th Antonio Huerta:

Please join us to welcome back Antonio Huerta, who will perform the following week, the week of August 17th, where he will perform traditional charrería, a traditional skill in horsemanship, cattle work, and sophisticated rope work. Antonio grew up in Jalisco Mexico where his family made their living farming and raising cattle, horses, donkeys, pigs, and chickens. He learned charrería and his horsemanship skills from his father and grandfather and hopes to pass on these traditions to others. His apprentice this year is Miguel Ruiz Topete, Jr. a young Charro from Corvallis, Oregon. Miguel learned from his father, who trained horses and inspired his passion for riding, roping, and cattle work. Antonio will be showcasing his rope skills during his performance and giving a demonstration on charrería, before opening the floor for a quick Q&A.

August 24th Kumu Hula Andrea Luchese:

Next up in the series on Thursday August 24th, is Kuma Hula (Master teacher) Andrea Luchese, the founder and teacher for for Hālau Hula Ka Pi’o O Ke Ānuenue “the arch of the rainbow,”, a Hawaiian cultural dance school. She learned under the teachings of Kumu Hula Raylene Haʻaleleʻa Kawaiaeʻa and Kumu Hula Keala Ching in the hula traditions of Halau ʻO Haʻaleleʻa and Na Wai ʻIwi Ola. Her apprentice is Tia ‘Ohi’a Lehua Kumakua ‘Ahihi McLean, born and raised in Maui. She began her schooling in Hula at age five, reignited her passion for it as an adult, and began learning from Kuma Hula Andrea in 2010. Please join us to hear Kuma Hula Andrea and her apprentice Tia for their performance and Q&A.

Each Performance will start at 6:00 and last the full hour, with a fifteen-minute Q&A.

Oregon Folklife Network receives $20,000 from the Oregon Arts Commission, Develops Strategic Plan

After years of ups and downs in funding, the Oregon Folklife Network is pleased to announce it has been awarded $20,000 from the Oregon Arts Commission. This grant is designated to assist OFN in reaching its goal of financial stability after significant, campus-wide funding cuts in 2018.

Major revisions to the University of Oregon’s budget model at that time reduced the Oregon Folklife Network’s annual budget by $100,000. This revision was fortunately not based on OFN’s performance. Nevertheless, the drastic reduction in funding meant that OFN had to look elsewhere for support. Despite the massive disruption of the COVID-19 pandemic, the federal rescue funds allowed some much-needed, yet temporary stability for the last few years.

With those rescue funds coming to an end, OFN had to make a choice: reduce the scope of its programs and focus more closely on a narrow set of goals, or commit to building back up its annual budget to support a wider range of traditional arts- and culture- based programming for the state of Oregon.

The Oregon Arts Commission, a longtime partner of OFN, granted this $20,000 to help create a strategic financial plan, which will allow OFN to continue offering and refining a variety of cultural events. It has decided to use this grant to hire Kelley Nonprofit Consulting to provide a comprehensive strategic plan. Kelley has a reputation for guiding cultural agencies serving underserved communities. OFN acting director, Emily Hartlerode, is confident that their assistance will be a great benefit: “I feel like we’re in good hands, working with people who are compassionate about the kind of work we do, and conversant with the kinds of funders that support the work that we do.”

This much-needed operational assistance will help OFN achieve its goals for stability, hiring new staff, and supporting existing and new statewide folklife programs. Thank you again to the Oregon Arts Commission and Kelley Nonprofit Consulting.

Written by Jessica Oravetz

2023 Staff updates

We thank these Winter and Spring Graduate Employees for your service and say goodbye to Program Coordinator, Tim Herrera, who moved on to a teaching position at UO’s Department of Anthropology, and Fullbright Fellow, Iryna Stavynska (Ukraine), who spent a full year supporting OFN. Interested in joining the team? Contact us for short-term opportunities, or watch for the Program Coordinator position opening in late summer!

Jessica Oravetz is a first-year M.A. student in Folklore and Public Culture. She earned her B.A. in History and German with a minor in Honors Interdisciplinary Studies from Western Washington University. She was deeply inspired by her mentors and professors at WWU to pursue teaching and interdisciplinary, humanities-focused studies at the graduate level. Her primary interests lie in asking what it means to live well. She hopes to explore the emotional experience as a part of the human experience, and how people have turned to folklore in order to navigate those waters. Her other interests include dipping chocolate truffles, fostering kittens for the local humane society, and playing the harp. 

Oravetz assisted OFN with coordinating its Culture Fest program, which connects Oregon arts institutions with OFN’s Culture Keepers Roster to lead events. 

Headshot of woman with short curly hair, and glasses. Wearing a white button up shirt and blue tie.Elise O’Brien is a graduate student in Folklore Studies and Landscape Architecture at University of Oregon.  She lives, works and plays in rural Lane County.  Her research is interdisciplinary and flows from the confluence of culture and design. Elise enjoys crossing the rural/urban divide, works with art supply access for the unhoused (might art supplies be considered a basic need?), leads guided meditations to envision design potentialities, and endlessly ponders utopian imaginaries. She asks: “Are there cultural solutions for design issues?” Are there spatial solutions for cultural problems?” Elise is on the local planning committee for American Folklore Society in Portland Nov 1-4, 2023 and also works for the APRU Sustainable Cities and Landscapes Hub. Her future work will be in climate resilience, and she is presently inspired by how folk life acts as resistance to imperial and colonial projects.

Summer staff include Yosser Saidane and CiCi Becker, plus interns Ariel Lutnesky and Cassie Hoglund.

Join the American Folklore Society conference in Portland!

The American Folklore Society invites you to submit a proposal for its 135th Annual Meeting to be held virtually October 11-12, 2023 and in Portland, Oregon, November 1-4. The theme of the conference is Roots, Rootlessness, and Uprooting. The proposal window is March 1-31.

The 2023 Annual Meeting of the American Folklore Society will bring hundreds of US and international specialists in folklore and folklife, folk narrative, popular culture, music, material culture, and related fields, to exchange work and ideas and to create and strengthen relationships and networks. Community participants are encouraged and welcomed!

AFS encourages participants, including community activists, allied professionals, and culture workers of all types to explore the full dimensions of their work. Prospective participants may submit proposals for papers, panels, forums, films, and diamond presentations, or propose new presentation formats. It is rare for this gathering to happen in Oregon, so please — JOIN US!

Oregon Folklife Network to Receive $45,000 Grant from the National Endowment for the Arts

Eugene—Oregon Folklife Network is pleased to announce it has been approved by the National Endowment for the Arts (NEA) to receive a Grants for Arts Projects award of $45,000. This grant will support Culture Fest 2023 in Southern Oregon, and support access to decolonization trainings by Live Oaks Consulting. This grant is one of 1,251 Grants for Arts Projects awards totaling nearly $28.8 million that were announced by the NEA as part of its first round of fiscal year 2023 grants.

“The National Endowment for the Arts is proud to support arts projects in communities nationwide,” said NEA Chair Maria Rosario Jackson, PhD. “Projects such as this one with Oregon Folklife Network strengthen arts and cultural ecosystems, provide equitable opportunities for arts participation and practice, and contribute to the health of our communities and our economy.”

“Oregon Folklife Network is thrilled to receive this support,” remarked OFN acting director, Emily West Hartlerode. “NEA funding is critical to our twofold mission—to help communities and Tribes sustain their cultural practices; and to create opportunities for Oregonians to celebrate our state’s many rich cultures.”

Funding will support OFN’s Culture Fest invitational, which awards artist sponsorships to select organizations hiring culture bearers into their public programs. Sponsored organizations also gain access to a toolkit of resources to support their success. NEA funding will improve the toolkit with decolonization trainings to facilitate cross-cultural sensitivity, especially for non-Native people reaching out to hire Indigenous artists. Culture Fest awards are regionally specific, and this year focus on Southern Oregon.

For more information on other projects included in the NEA’s grant announcement, visit arts.gov/news.

Gratitude To TAAP 2022-2023 Applicants

The call for applications for this year’s Traditional Arts Apprenticeship Program has closed on October 31st and we are happy to announce that we have received nine applications. We are very delighted to have a geographically and culturally rich cohort of candidates this year. It is always a delight to be able to assist Oregon culture bearers with sharing their narratives and highlighting their traditions. 

The program will offer four folk and traditional master artists and culture keepers a $3,500 stipend to teach their art form to apprentices from their same communities, Tribes, sacred or occupational groups. The stipend supports master artists in sharing their knowledge, skills, and expertise with apprentices of great promise, empowering them to carry on and strengthen Oregon’s living cultural traditions. Artists may make public presentations through the Museum of Natural and Cultural History at the University of Oregon. 

We look forward to announcing our 2023 TAAP awardees and to supporting and celebrating the work they do in transmitting and representing their craft and cultural traditions.  

Oregon Folklife Network encourages Oregonians practicing cultural traditions emerging from their heritage or Tribes to start considering taking part in our future TAAP cycle.  

To learn more about application procedures and eligibility or to recommend a TAAP applicant, visit mnch.uoregon.edu/OFN-Programs, email ofn@uoregon.edu, or call 541-346-3820. Oregon Folklife Network staff members are available to provide application advice, recommendations and feedback and will direct you to resources to help you with the application process prior to submission. 

Double your Donation to OFN with the Oregon Cultural Trust

Supporting Oregon Folklife Network with your donation, advocacy, and participation directly and positively impacts social cohesion in our state and is critically important to our world. Your support enables us to elevate Oregon’s diverse expressions of culture while amplifying our common drive to intimately know and practice our traditional roots. Donate, and double down your cultural support by leveraging a Cultural Trust tax credit. You will benefit your family, your friends, and your neighbors near and far.

If you total your annual donations to OFN, then give an equal gift to the Oregon Cultural Trust, you can report the OCT portion for a 100% tax credit on your State Tax Form.*

* Up to $500 for individuals, $1,000 for couples filing jointly and $2,500 for Class-C corporations

New to the Oregon Cultural Trust and the Cultural Tax Credit? Watch a 1-minute video about the Oregon Cultural Trust and the Cultural Tax Credit, narrated by Trust Manager, Aili Schreiner. It’s a win-win, and all it takes is for both gifts to be made before the end of the year. Take advantage of this powerful tool that doubles funding for Oregon’s cultural nonprofits without doubling the cost to you.

OFN Welcomes New Staff

Timothy Herrera is the new program coorStaff member standing outside of the Knight Library at the University of Oregondinator. Timothy recently graduated with a PhD in cultural anthropology at the University of Oregon and has previous experience as a program coordinator for Centro Latino Americano.  In addition to bringing deep skills for working reciprocally with communities, Timothy is a Spanish speaker. He will be the primary contact for the Traditional Arts and Apprenticeship Program (TAAP), the Cultural Keepers Roster, Culture Fest, and the Statewide Survey.

As the new program coordinator, Timothy has helped execute our Oregon Culture Night series in the month of August. He has help coordinate the translations of TAAP guidelines, did bilingual outreach for the 2023 call for applications, helped develop a newsletter specifically for the artists on our Cultural Keepers Roster, has conducted an interview in Spanish while simultaneously doing English interpretation for the statewide survey, is supervising student employees and interns, and is currently helping equity & inclusion initiatives with the public programs team at the Museum of Natural and Cultural History.

Timothy expressed: “I am grateful for this opportunity to serve the diverse communities of Oregon; to collaborate with state’s cultural keepers and helping address any needs they may have so that they can sustainably continue their traditions; to use the ethnographic skills that I have developed for public programming purposes; and to further develop OFN’s relationships with Oregon’s vast Spanish speaking communities”.

Iryna Stavynska is a Fulbright scholar from Ukraine, pursuing a master’s degree in Folklore at the UO. She spent her summer internship at OFN coordinating Oregon Culture Nights events and interviewing and documenting Ukrainian folk artists in Oregon – weavers, singers, embroiderers, pysanka artists, and doll makers. Iryna wishes to express her deepest gratitude to OFN for offering her the opportunity to reconnect with her homeland’s culture while being so far away from home, and for allowing her to learn first-hand how public folklore organizations such as OFN can help amplify the voices of underrepresented and oppressed communities, and help one find meaning during the darkest of times. Iryna hopes to continue her internship with OFN and her work with Ukrainian artists in the fall term.

Yosser Saidane is a MA student in the folklore program at the University of Oregon. She is interested in areas of vernacular culture in the Maghreb region of North Africa. Her research is focused on the performance of folk religion within a number of Sufi orders in Tunisia. Before turning to folklore, she worked as an instructor of English at the University of Gabès. She holds a B.A. in Anglo-American studies from the Ecole Normale of Tunis and an agrégation degree from the Faculty of Letters, Arts and Humanities of Manouba.

Erin Wai is a first-year M.A. student in Folklore and PublicCulture. She completed her undergraduate degree in Journalism and Humanities with a Minor in Music at Carleton University in Ottawa, Canada. Her research interests center around studying decolonial theory in storytelling, myths, and legends, and how individual experiences influence the collective memory of history. In her free time, Erin likes to ski, paint, and play music.

Gabrielle Miller is a first-year graduate student pursuing her master’s degree in Folklore and Public Culture at UO. She got her bachelor’s degree from Western Oregon University in cultural anthropology and linguistics. As a descendant of the Confederated Tribes of Grand Ronde and Pechanga, she is interested in cultural sustainability and language revitalization within native communities and hopes to work with those native communities in the future. Her work here at OFN has given her inspiration and experience for working with folklife and amplifying indigenous voices. Her interests in folklore are ever-changing and evolving and she looks forward to researching the connection to folklore in our identity and expressions.

Call to Action – Paid Advisory Council for Oregon Folklife Network (OFN)

We are actively seeking funding to establish an advisory council of traditional artists and cultural services administrators to help guide our 3-year strategic plan and 10-year vision of statewide folk and traditional arts programming. Are you interested in serving? Artist council member positions will be paid, and terms of service will be defined by the first year’s council. We envision convening the advisory council quarterly with less than 5 hours of commitment per month (reading and commenting on proposals) in between meetings.

If you are interested, please add your name through this Advisory Council Survey.

2023 Traditional Arts Apprenticeship Program Call for Applications

EUGENE, Ore. – (Sept 8, 2022) – The University of Oregon’s  Oregon Folklife Network has been awarded a $40,000 grant from the National Endowment for the Arts plus $40,000 from Oregon Arts Commission to support Oregon’s Traditional Arts Apprenticeship Program. TAAP is also funded in part by the Oregon Historical Society and University of Oregon.

Oregon Folklife Network is accepting applications until Monday, October 3, 2022 for the Traditional Arts Apprenticeship Program (TAAP) for projects in 2023. The program offers folk and traditional master artists and culture keepers a $3,500 stipend to teach their art form to apprentices from their same communities, Tribes, sacred or occupational groupsThe stipend supports master artists in sharing their knowledge, skills and expertise with apprentices of great promise, empowering them to carry on and strengthen Oregon’s living cultural traditions. Artist may make public presentations through the Museum of Natural and Cultural History at University of Oregon.

Oregon’s 2022 TAAP awards supported hip-hop emcee and educator, Mic Crenshaw (Portland); Hindustani and Rajasthani vocal and instrumental music performer and teacher, Nisha Joshi (Portland); Appalachian old-time musician and scholar, John Meade (Albany), Irish musician, singer and linguist, Brian Ó hAirt (Portland); and Persian Santoor maestro, Hossein Salehi (Beaverton).

Oregon Folklife Network encourages applications from Oregonians practicing cultural traditions emerging from their heritage or Tribes. This program does not fund historic reenactments or cultural appropriation.

To learn more about application procedures and eligibility or to recommend a TAAP applicant, view our guidelines online, email ofn@uoregon.edu, or call 541-346-3820. Oregon Folklife Network staff members are available to provide application advice in English and Spanish, and will provide feedback on draft applications up to two weeks prior to the deadline.

Completed applications are due no later than 5 pm on October 3 at the Oregon Folklife Network, 242 Knight Library, 6204 University of Oregon, Eugene, OR 97403-6204. NOTE: This is NOT a postmark deadline.