Academic Presentations
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Thursday – April 12, 2018 10:00 a.m. |
“Music in Culture”“Harvey Weinstein and the Beautiful Miller Maid: Examining the Ways in Which Performing Male Fantasy in Romantic Repertoire Influences and Perpetuates Rape Culture in the Modern Day” “Sacralization and Sanctification of Secular Musics: Four Sociological Perspectives” “Musicking, Historical Performance Practice, and Postmodernism” |
UO Collier House |
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Thursday – April 12, 2018 4:00 p.m. |
“In Search Of…”“Aesthetics and the Amateur Keyboardist: Historical Approaches to “The New and the Old: Making Early Music in the Age of Online Archives, Digitization, and the Ubiquitous Internet” “The Division of Taste: Diminution in the Treatises of Leopold Mozart and Giuseppe Tartini” |
UO Collier House |
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Friday – April 13, 2018 10:00 a.m. |
“Medieval Practices”“A Contemporary Pedagogy of Ancient Music: The “Vernacular Medieval” and the Twenty-First-Century Conservatory” “Troping Today: A New Lens for Approaching the Performance of Tropes” “‘Authorized Versions’ and Later Additions: Additional Contratenors in the Posthumous MS E” |
UO Collier House |
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**SCHEDULE CHANGE** This panel moved to 2:00 p.m. Saturday – April 14, 2018 2:00 p.m. |
“Colonial Vistas”“The Sound of Silence: Performance Practice on “Forgotten” Pipe Organs in Peru” “Early Music in Mexico and the Overwhelming Success of a Resurging Patrimony” |
UO Collier House |
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**SCHEDULE CHANGE** This panel moved to 10:00 a.m. Saturday – April 14, 2018 10:00 a.m. |
“Mozart’s Requiem”“Robert Levin’s Fantasy on Themes by W. A. Mozart, October 29, 2012: Music Theory and Analysis in the Study of Historical Improvisation” “‘Not, please note, an orchestration’: Benjamin Britten’s Work on the Score of Mozart’s Requiem” “The Liturgical Mozart Requiem: Complexities of Performance Context and Critical Reception Between the Church and Concert Hall” |
UO Collier House |
*All Musicking Conference Events are Free and Open to the Public
**All events are subject to change