I am thrilled to connect with you and share some of the highlights during my first few months as the executive director of the University of Oregon Museum of Natural and Cultural History. My transition into this new position has been nothing short of exhilarating, and I am exceptionally proud and excited by all the incredible work of our museum staff, scientists, students, volunteers, and partners.

From the outset, I’ve been fueled by an unwavering belief that museums have the power to save the world. Our institution is not merely a repository of objects and specimens of history; it is a dynamic space that fosters curiosity, preserves cultural heritage, and inspires a profound connection between people and the natural world.

The recent opening of Underwater Forests—Oregon’s Kelp Ecosystems and the powerful programing around Outliers and Outlaws—Stories from the Eugene Lesbian History Project were watershed moments for our museum. The juxtaposition of these exhibits showcases the incredible fusion of cultural and natural history within our walls. Underwater Forests, with its mesmerizing portrayal of marine ecosystems, underscores the delicate balance between humans and the environment and the challenges we face with a rapidly changing climate. Outliers and Outlaws delves into the untold stories of rebels and trailblazers, connecting the dots between cultural narratives and the natural forces that shape them.

One of the highlights over the last few months was the Great Basin Anthropological Conference, where museum scholars, researchers, and enthusiasts converged in Bend to explore and celebrate the rich heritage of the region. The conference was not only co-organized by our incredible museum scientists, but nearly every session featured work conducted by MNCH archaeologists, in collaboration with Indigenous communities. It was a testament to the collaborative spirit that defines our museum—a space where ideas are exchanged, knowledge is deepened, and a sense of shared identity is forged.

Behind the scenes, our collections are not confined to storage shelves and static displays—they are dynamic resources that fuel research, education, and cultural revitalization. Myra Johnson-Orange, a Northern Paiute elder and master weaver, recently spoke at the Many Nations Longhouse, where she shared her wisdom and engaged with Paiute baskets from our collections, exemplifying the living nature of our collections. Oregon Folklife Network’s collaboration with Stephanie Craig, a seventh-generation Indigenous basketweaver, is another testament to how our museum actively contributes to cultural preservation and revitalization.

Looking ahead, I am thrilled about upcoming exhibits that will continue to push the boundaries of knowledge and engagement. National Geographic’s Wolves photography exhibit will explore the intricate dynamics of these charismatic predators, shedding light on their ecological importance and cultural significance. Later in the year, we’ll turn our eyes to the stars and explore the mysteries of the universe with an exhibit featuring photos from the James Webb Space Telescope. Stay tuned for more details.

Thank you for your ongoing support. Together, we can continue to share stories of history, explore the wonders of the present, and inspire a future where the power of knowledge and understanding transforms lives.