Database Revisions

In addition to website restructuring, there have been a number of minor database changes behind the scenes. In order to lay the foundation for future development work, the LSDB team has added constraints to codify the relationship between database tables. In the process of adding these constraints, we identified transcription problems where events were listed without the correct theater code. We revealed thirteen events with incorrect metadata about the theaters they were performed at, which should now be correctly identified in database searches. From a user perspective, these will result in small changes to performance entries, such as the example seen below.

A screenshot of an event before database changes. No theater is listed under the entry.
A screenshot of the same performance after database changes. This performance now contains theatre information.
The top image depicts a performance entry before the database changes, in which no theatre is listed for the event. The bottom image depicts the same event, which now includes information on the theatre. Click here to  view the entry on the website.
Six more events are now listed as having been performed for the Royal Court, as their theater information has been correctly identified.

Screenshot of search for Whitehall or St. James with 203 results.

Screenshot of search for Whitehall or St. James with 209 results.
The search for Whitehall or St.James now produces 209 results, rather than 203. This is a result of 6 additional entries being edited to include the correct theater.

These minor changes were designed to set up a pipeline for larger developments that were in the works. These developments are now being threatened by cuts to our NEH funding. For those who are interested in reading more about these database structural changes, please visit our GitHub repository.

Defunded but Undeterred

It is with a heavy heart that we share the news that NEH grant funding for “Extending the London Stage Database” was terminated abruptly earlier this month, as part of a wave of cancellations that has affected nearly all individuals and organizations whose work is supported by the National Endowment for the Humanities.

The Association for Computers and Humanities has gathered data showing that, since the beginning of this month, NEH has terminated at least 1,434 grants worth $427 million — a number that sounds large, but represents a mere 0.000063% of the federal budget. Multiple news organizations have reported that these terminations are being carried out by operatives of the Department of Government Efficiency, who have placed on leave or fired a majority of NEH staff. 

We received a version of the same form letter that many other grantees have shared with reporters and on social media. It read, in part:

Your grant no longer effectuates the agency’s needs and priorities and conditions of the Grant Agreement and is subject to termination due to several reasonable causes, as outlined in 2CFR§200.340. NEH has reasonable cause to terminate your grant in light of the fact that the NEH is repurposing its funding allocations in a new direction in furtherance of the President’s agenda. The President’s February 19, 2025 executive order mandates that the NEH eliminate all non-statutorily required activities and functions. See Commencing the Reduction of the Federal Bureaucracy, E.O. 14217 (Feb. 19, 2025). Your grant’s immediate termination is necessary to safeguard the interests of the federal government, including its fiscal priorities. The termination of your grant represents an urgent priority for the administration, and due to exceptional circumstances, adherence to the traditional notification process is not possible. Therefore, the NEH hereby terminates your grant in its entirety effective April 2, 2025.

Please remember that your obligations under the Grant Agreement continue to apply. Additionally, an audit may be conducted by the NEH after the termination of your grant. 

Please contact Grant_Notifications@nehemail.onmicrosoft.com with only urgent questions.

Help us defend the London Stage Database!

We are pursuing every avenue available to contest this termination and to seek restoration of the funds. We believe in the importance of this work and will continue to fight to make the records and archives of the London Stage publicly available and accessible for all.

You can help us make the case for the significance of our work:

Learn more and take action

Ours is far from the only important project imperiled by these cuts. We’ve gathered together a few resources for those who wish to read up and get involved. Feel free to share more in the comments!

Website Reorganization

In order to create a more user friendly interface, the London Stage Database team is restructuring the content and pages on the website. Information from the old “About” and “User Guide” pages has been reorganized into shorter, more easily digested subpages, and dropdown menus make it easier for users to navigate to the information they need. Special thanks go out to Michele Pflug, Emma Kaisner, Erin Winter, Franny Gaede, and John Zhao, as well as our Advisory Board for their input as the team worked on these changes.
Read on to learn about the major changes to look out for on the website!

Continue reading Website Reorganization