surfboard part, wooden wheel, scrap iron, oil barrel, palette, elastic bands, electric motor
Size: 254 x 110 x 115 cm
“So-called immobile objects exist only in movement. Immobile, certain, and permanent things, ideas, works and beliefs change, transform, and disintegrate. Immobile objects are snapshots of a movement whose existence we refuse to accept, because we ourselves are only an instant in the great movement. Movement is the only static, final, permanent, and certain thing. Static means transformation. Let us be static together with movement. Move statically! Be static! Be movement! Believe in movement’s static quality. Believe in change. Do not hold onto anything. Change! Do not pinpoint anything! Everything about us is movement. Everything around us is change. Believe in movement’s static quality. Be static,” as stated by Jean Tinguely.
Kinetic art was an important revival to the tradition of Constructivism. Parts of the movement also revived utopian optimism, the potential for art to spread into new areas of everyday life, and to embrace technology appropriated to the modern world.
The kinetic art movement also borrowed much from Dada, and parts of it were skeptical about the potential of technology to improve human life. Jean Tinguely expressed a more anarchic, satirical attitude to machines and movement. Tinguely suggested that rather than being humanity’s helpmate, the machine might become her master.
Books:
Jean Tinguely: a magic stronger than death / Pontus Hulten
Robert Rauschenberg, Jean Tinguely: collaborations / director and exhibition curator: Ronland Wetzel
Websites:
http://en.wikipedia.org/wiki/Jean_Tinguely
http://www.tinguely.ch/en/museum_sammlung/jean_tinguely.html
http://www.tate.org.uk/art/artists/jean-tinguely-2046
http://www.artnet.com/artists/jean-tinguely/