Behind the Shields

 

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Behind the Shields

A look into the perspectives of individuals who participate in role-playing and fantasy-fiction activities

Many individuals search their whole lives to find what their true life’s passion is. Often times, people invest a great deal of their time into school and their careers in hopes that they will find their passion along the way. While this works for some individuals, others chose to partake in activities or begin careers that aren’t exactly “normal” but make them feel alive. An example of this type of activity is role-playing. Whether it is learning how to act and stage fight for a play, or creating a quidditch club at a renowned university, these individuals thoroughly enjoy portraying different characters and partaking in activities that are not exactly real-life.

Today, fantasy clubs with activities such as Quidditch are continuing to grow at universities and various locations throughout the United States and the globe. Muggle Quidditch, as it is officially called, is a sport that evolved after the movie series Harry Potter came out. It involves brooms to portray flying, balls similar to water polo, and goals to throw the balls into. Throughout each game, there is a “golden snitch”, which is represented by a flag that is attached to one individual who is not on either team. When a participant finally captures the flag, the game is over and the team with the greatest amount of points wins. Since the snitch is usually worth 150 points, the team that caught the snitch typically wins. According to International Quidditch Association, there are over 300 registered quidditch teams around the world. At the University of Oregon, a student by the name of Charmaine Ng decided to personally start the school’s quidditch club. When asked about why she started it, Ng mentioned, “I wasn’t fulfilled by my job, internship, or classes at the time. The club gave me something to be passionate about and throw myself into.” Ng was able to spread word about the group quickly and efficiently through social media sites such as Facebook and word of mouth through her vast network of friends at the university. When asked about her proudest moments, Ng said, “My proudest times were getting into the Daily Emerald and holding a tournament at the end of our first year. We had several teams and it was rewarding seeing people who weren’t my friends or acquaintances [become] exposed to Quidditch and get a kick out of it.” Ng has since graduated, but the group is still running and thriving at the school.

Stage-fighting often occurs when dueling or fighting is acted out during a play, movie, show or any other form of entertainment. Certified stage-fighter, Brennan Pickman-Thoon, spoke with us about his experience and what exactly the activity entails. Pickman-Thoon began stage-fighting during his junior year of college at New York University, and has since been certified by the Society of American Fight Directors for the categories of Unarmed, Broadsword, and Rapier and Dagger. After asking what one of his favorite memories with stage-fighting consisted of, Pickman-Thoon mentioned, “I helped a friend with a live-action Legend of Zelda movie… Tourists were confused, but also delighted! This is the element that makes period costume fun and unique.”  When asked about why he enjoyed stage-fighting, Pickman-Thoon explained, “When words fail us and conflict escalates, as it often does in theatre, film, and (sadly) real life, violence occurs. It is important, though, to honor the reality of violence, not just the eye-catching excitement.” Pickman-Thoon says that he continues to learn more about stage-fighting and plans to implement this knowledge into his future endeavors.

Acting continues to be a popular venture for those wanting to entertain and find alternate ways to express themselves. This is true for actress Marissa Ramirez, who is a sophomore in college and has already participated in ten plays as well as other extra-curricular activities. Ramirez is currently studying advertising with English and Theater minors at the University of Oregon. Although she has portrayed many characters, Ramirez claims that her largest role so far has been the female lead in The Merry Wives of Windsor. When asked about what it takes to be a good actor, Ramirez said, “You have to be polite without looking like a “kiss-ass.” And you have to be funny and likable without being obnoxious. You really just have to make people want to work with you.” This is often an issue in the entertainment business, whether it is for movies and television shows, or plays and musicals, and often becomes difficult for other actors, directors, and various cast members to deal with. Fortunately, Ramirez has learned how to handle individuals of these sorts and keeps on acting because of her passion and the enjoyment she gets from being on stage. After asking why she was so passionate about acting, Ramirez quoted, “It’s a chance to say something you need to say with the cover of being another person. Nobody will judge you for being crazy and silly or for being melodramatic because it’s not you, it’s the character.” Ramirez plans to continue her acting career after her time at UO and hopes to take on larger roles that challenge her.

An activity that most individuals may not know still exists during our time period is jousting. Jousting is a martial game that is often between two horsemen who use lances in attempt to strike their opponent and knock them off their horse. The sport was originated during the Middle Ages, but continues to have an active community today. Reality television star and professional jouster, Ripper Moore, has spent the last nineteen years of his life dedicated to the sport. Although Moore explained that there isn’t much theatrics in jousting, he stated, “I’m one of the few people in the world who can say they are a knight in shining armor for a living.” Moore briefly discussed how he became a jouster and the impact it has had on his life, but the passion for the sport was shown when we asked his wife, Carrie Easley, what thoughts go through her head when Moore is about to joust: “I want him to hit. I want him to hit solidly, I want that hit to be perfectly on target, I want his opponent to fly through the air, and I want to be cheering until I am hoarse.” When asked if Moore was truly her “knight in shining armor,” Easley stated, “Oh absolutely. No argument, no question about it. I’m a fortunate woman.”

Although role-playing may not seem like a common activity to most individuals, the recreation clearly comes in all kinds of forms and is more ordinary than one may think. Despite this misconception, role-playing comes in various forms and each activity requires various levels of imagination and commitment. The variety in role-playing demonstrates how many individuals enjoy entertaining, portraying other characters and lifestyles, and expressing their feelings and emotions they can’t usually articulate in real life.  Role-playing is an art, hobby, career, or even lifestyle, and it’s only requirement is passion.

Brittany Pirucki: Actress

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Q: Please introduce yourself and your acting experience.

A: My name is Brittany Pirucki and I am a 26-year-old actress. I would say I’ve been acting all of my life but my first actual experience was at acting camp in 4th grade. My passion originated with music; I started classical voice and piano lessons when I was 5-years-old. Honestly, I loved being on stage and it just continued to grow from there. After my acting camp in 4th grade, I focused more on voice and performance voice until I was in high school when I finally took drama classes as an elective and found my niche with musical theatre. I felt I needed to further develop my acting so, following high school, I auditioned and was accepted into the Foothill Theatre Conservatory. For 2 years, I devoted my life with furthering development in all aspects in theatre and film, especially acting and eventually received my AA in theatre.

 I have performed in over fifteen shows. My last show I was in was a musical called “Damn Yankees.”  I’m currently focusing more on my career in Speech Language Pathology, but I try to find any opportunity to be on stage. In fact for my wedding, my fiancé and I are performing a surprise dance for our guests, which features a lot of musical theatre aspects.

Q: What does expert acting look like (ie. what do you do to be a responsible, successful actress)?

A: I would say an expert actor is one who can manipulate and capture a variety of different characters and personalities. It’s easier to capture a character similar to your personality, but when it comes to a character from a different background, it takes a lot of time and research to connect with the character. A lot of actors such as Johnny Depp, Meryl Streep and Heath Ledger have been successful in their careers due to their willingness and expanding their talents with different characters, meaning they can perform well in a comedy, as they would in a more dramatic piece. I think to be a successful and responsible actress it is very important to continue to challenge yourself with plays and characters you aren’t as comfortable with and to continue to educate yourself. Even though I have decided on majoring in Speech Pathology, I still audition for shows all over to become more and more comfortable with auditioning. I also am minoring in theatre to continue to expand my education further.

Q: Describe your experience (if any) with medieval or “period” costume. What was your favorite costume that was representative of a different age?

A: I actually haven’t done a whole lot of “period” plays. I took a class for Renaissance acting and it was a personal favorite of mine, but unfortunately theaters do not do a whole lot of those types of plays. The humor and eloquence of “period” plays is fascinating. We learned the importance of posture, which is challenging but it’s important to breathe. My costume was a period corset with large skirt; this one was by far one of my favorite costumes but also one of the most uncomfortable. It was very constricting but it also gave the effect of the importance of posture and breath support.

Q: Do you have any experience acting in Shakespearean plays or reciting lines in other than modern English?

A: I have definitely studied a lot of Shakespeare at the Foothill Theatre Conservatory. I was in Much Ado About Nothing in high school. I did a lot of scenes in the Conservatory from Merchant of Venice and Taming of the Shrew. I love Shakespeare. At first I hated it because I didn’t understand it, but then I had amazing professors who showed me how to truly appreciate those types of plays.

Q: What makes you passionate about the acting? What makes you passionate about acting in costume?

A: I love being on stage. It’s almost an out of body experience. My nervousness and passion create such a high. I love challenging myself, so playing a character that is unlike myself is really rewarding. The costumes just further develop the character you created, which is a part I really enjoy because it is the most creative I can be when I am on stage. The costume shows the audience the character you developed and what you created in your imagination.

Brennan Pickman-Thoon: Staged Combat Fighter

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Q: Please introduce yourself and your experience with stage fighting.

A: My name is Brennan Pickman-Thoon, and I am a New York-based actor, writer, and director. My experience with stage combat is wrapped up in my interest in classical theatre – It’s hard to make it through a Shakespeare play without picking up a sword.

Q: How long have you been interested or involved with stage fighting?

A: While I had known the basics of stage combat for a while, my first in-depth training came in my junior year of college at NYU. I took an Unarmed Stage Combat class with Fight Master J. David Brimmer, and I was hooked. I took another semester of Unarmed, then Broadsword, then Rapier & Dagger. I am certified by the Society of American Fight Directors in all three categories.

Q: What does expert stage fighting look like? ie, what do you do to be a responsible, successful stage fighter?

A: Truly impressive stage combat is, above all, safe. It doesn’t matter how impressive your moves are or how well you can sell the hits, if you aren’t taking care of yourself and your partner, you are a terrible stage combatant. This is why beginner classes place much emphasis on safely mastering the basics before moving on to more complex techniques. After safety, great combat is linked to great acting. A fight is much like a conversation: there is an impulse, an action, a reaction, then a responding impulse. Wash, rinse, repeat. A fight just happens to use physical action instead of words.

Q: Describe your experience with medieval or “period” costume. What was your favorite costume that was representative of a different age?

A: Last spring, I helped a friend and NYU film department alumni with his passion project: A live-action Legend of Zelda movie. For this particular combat scene, we needed to be dressed as guards of the Hyrulian army. The day of shooting was pretty crazy. We were dressed as knights, swinging swords at each other, in the middle of Central Park. Tourists were confused, but also delighted! We had to stop several times because passersby wanted to take photos with us. This is the element that makes period costume fun and unique. It has the power to take us out of our daily lives and make us imagine other worlds.

Q: What makes you passionate about the stage fighting? What makes you passionate about acting in costume?

A: Stage combat is a necessary part of storytelling. When words fail us and conflict escalates, as it often does in theatre, film, and (sadly) real life, violence occurs. It is important, though, to honor the reality of violence, not just the eye-catching excitement. One of the concepts that my combat teacher drilled into our heads was the importance of pain. We have to know how violence causes pain, and be able to realistically portray this pain, in order to honestly depict the consequences of violent action. With this honesty in mind, we can use stage combat to help illustrate the conflict of our stories.

Marissa Ramirez: Stage Actress

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Q: Please introduce yourself and your acting experience

A: My name is Marissa Ramirez. I’m a sophomore at UO majoring in Advertising with English and Theater minors. I have been in about ten plays total, two of which were at UO. Most recently I played Ophelia in Hamlet in the Pocket Playhouse. My largest role was in The Merry Wives of Windsor (generally considered Shakespeare’s worst play) my senior year of high school. I was the female lead. I have taken one acting class at UO.

Q: How long have you been interested or involved with acting?

A: I first started acting my sophomore year of high school. I had a non-speaking role in Much Ado About Nothing. And I have been involved in theater ever since.

Q: What does expert acting look like? ie, what do you do to be a responsible, successful actress?

A: So much of being a successful actress is just being a good person. Theater is all about who you know and how they think of you. The acting has very little to do with it. People get cast because they know the director, or because they are thought highly of for their personality. To be successful you have to be the perfect person at auditions. You have to be a good actor, but you also have to be polite without looking like a kiss-ass. And you have to be funny and likable without being obnoxious. You really just have to make people want to work with you. And once you’re in a play, you have to be the first person to know all your lines, even if you have the most. You have to impress your director at every rehearsal so they will want to work with you again.

Q: Describe your experience (if any) with medieval or “period” costume. What was your favorite costume that was representative of a different age?

A: I’ve never been in medieval costume, but I have been in some interesting costumes for other periods. In Much Ado About Nothing I had to wear an Elizabethan style corset, which was awful. It was uncomfortable, and hot and I hated it. In Tom Stoppard’s On the Razzle I had to wear a Victorian corset, which was equally uncomfortable. Also, all the girls in that play had to wear big crazy hats, and one night on stage my hat got caught in my hair and I couldn’t get it off and the other person on stage with me had to come over and help. It was very embarrassing. My favorite period costume is from a play called The Voice of the Prairie. I was playing a young girl in the 20s so I got to wear a semi-flapper dress. And I cut my hair so I had a bob. And I was in these amazing 1920s style shoes, which I bought from my director after the play because I loved them so much. It was a fun costume.

Q: What makes you passionate about the acting? What makes you passionate about acting in costume?

A: I am passionate about acting because it’s a chance to say something you need to say with the cover of being another person. Nobody will judge you for being crazy and silly or for being melodramatic because it’s not you, it’s the character. So you get this great opportunity to do and say anything without the fear of being judged. And that is AWESOME.

Acting out of costume is really hard actually because nobody is going to believe that you’re a doctor if you’re dressed like a high school nerd (which I always was). You’re not going to believe that you’re a doctor if you’re dressed like yourself. The costume is really the way that you identify with your character. You know that they would sit or walk a certain way because of what they wear. For example, in a Victorian corset, you have to sit perfectly straight all the time, and with a Victorian hat you have to hold your head a certain way. These small physical indications can help you develop your character more.

Jesse Summers: Actor

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Q: Please introduce yourself and your acting experience.

A: My name is Jesse Summers. I have been acting since I was in middle school. I used to hate being on stage. It would literally reduce me to tears and I would often have to be taken off the stage because I was so distressed. But one day my thinking kind of shifted and I loved it. Since then I have been acting off and on. I did a lot in high school. I have also worked with several talent agencies in hopes of working with an agent and a large talent firm.

Q: How long have you been interested or involved with acting?

A: I think it has probably been about 12 years, off and on. It isn’t a consistent passion for me, I suppose. It fluctuates. One day it looks like me acting on a stage, but on another day it’s me reading a book or talking to someone. So, I think it changes from day to day, but I have been interested in it since I was about 8 years old.

Q: What does expert acting look like? ie, what do you do to be a responsible, successful actor?

A: This is a hard question because I think it being successful in acting is very subjective, to an extent. A lot of it has to do with audience preference. You could be a great actor, but if nobody wants to watch you, then I don’t think you would really call yourself successful. So, part of that success has to be knowing your audience and what kind of a message you are telling. Another one of the responsibilities is being true to the work. I think in order to be successful you need to recognize where the truth is in your work and make sure to do it justice. That has a lot to do with how you are portraying a character and how you reflect their emotions. On top of that, you need to take care of yourself. Your body is the ultimate tool in this industry so you need to make sure you are taking care of your emotional and physical health. In a lot of ways it’s being true to yourself. So, I think in order to be successful you need to be true to yourself and true to your work.

Q: Describe your experience (if any) with medieval or “period” costume. What was your favorite costume that was representative of a different age?

A: I really haven’t worked on any productions that had this sort of costume.

Q: What makes you passionate about acting? What makes you passionate about acting in costume?

A: What makes me passionate about acting is the emotion. To me theater is about empathy. It’s about being able to understand another person inside and out so that you can show your audience that person. You have to know and feel everything about them. You have to feel what they feel and know why they feel that way. I think it is one of the greatest experiences that you can have and I think it has a lot to do with why acting is so popular. It speaks to everyone because everyone has emotions in some form and can identify with the struggles of being a human being. I just love that. It energizes me and gives me the greatest feeling of fulfillment that I have ever felt. Being able to connect with a character is awesome. It is so interesting to learn everything about them and what they have been through. And then sharing that connection with an audience and developing another sort of connection is amazing. I can’t justly describe it. I think it’s the greatest thing we can do as people; make a connection with someone else. So, my passion comes from wanting to understand other people and connect with people. I love exploring how emotions are felt and what that looks like in life.

I’m really not that into costuming. I prefer to look at emotion and movement on stage.