Archer, Michael. “Ideology, Identity and Difference.” In Art Since 1960, 110-112. 3rd Ed. New York: Thames & Hudson, 2014. (Covers the key movements and styles of art of the 60s. Includes a quote by Haacke on his opinion of Greenberg’s formalist doctrine.)

English, Travis. “Hans Haacke, or the Museum as Degenerate Utopia.” Kritikos Journal of Postmodern Cultural Sound, Text and Image 4 (2007). http://intertheory.org/english.htm. (Covers Haacke’s works from the 70s that demystified the relationship between museums and corporations. Gives examples of his works as institutional critiques and identifying the true nature of institutions’ relations to one another.)

Flügge, Matthias, and Robert Fleck. Hans Haacke: For Real: Works 1959-2006. Düsseldorf: Richter, 2006. (A catalogue of Haacke’s works for the “Hans Haacke, for real, Works 1959-2006” exhibition in the Deichtorhallen in Hamburg. It offers a survey of Haacke’s works from 1959 to 2006 and includes a selection of his writings.)

Fried, Laura. “Some Alternatives to Institutional Critique | ART21 Magazine.” ART21 Magazine. April 30, 2010. Accessed February 14, 2015. http://blog.art21.org/2010/04/30/some-alternatives-to-institutional-critique-2/#.VOVTf_nF-So. (Discusses the importance of institutional critiques by citing Haacke’s “Solomon R. Guggenheim Museum Board of Trustees.” It also examines how the institutional critique has changes over the past 30 years.)

Fundació Antoni Tàpies. “Obra Social”: Hans Haacke. Barcelona: Fundació Antoni Tàpies, 1995. (A catalogue from the exhibition from June 21- September 3, 1995 at the Fundació Antoni Tàpies in Barcelona. Contains images of his works displayed for the exhibition with Spanish and English text.).

Glahn, Philip. Estrangement and Politicization: Bertolt Brecht and American Art, 1967—1979. City University of New York, 2007. 148-150. (Examines post-war art in America in the 60s and 70s. Includes a section about Haacke’s “Blue Sail” and his reasoning behind it.)

Haacke, Hans. “Museums, Managers of Consciousness.” In Hans Haacke: Unfinished Business. 60-73. New York: The New Museum of Contemporary Art and Cambridge, MA: MIT, 1986. (Haacke elaborates on the institution and how it applies to the arts in a wider system of production, distribution, and consumption. He implicates that museums as manufacturers of aesthetic perception fail to acknowledge their intellectual, political, and moral authority.)

Hoffmann, Gabriele. “Für eine «Kunst mit Folgen».” Neue Zürcher Zeitung. March 13, 2004. Accessed February 13, 2015. http://www.nzz.ch/aktuell/startseite/article9FP30-1.226930. (An interview with Hans Haacke for the “Neue Zürcher Zeitung.” It covers his feelings about being labeled a “political artist.” German text.)

Jarzombek, Mark. “Haacke’s Condensation Cube: The Machine in the Box and the Travails of Architecture.” Threshold. 30. 99-103. Cambridge, Mass.: MIT Press, 2005. (An article about Haacke’s “Condensation Cube.” It gives a brief history of condensation and its importance in the gallery space.)

Kwon, Miwon. “One Place After Another: Notes on Site Specificity.” October Magazine, Spring 1997, 89. (Discusses how the location of an artwork is affected by its location. Uses Haacke’s “Condensation Cube” as an example.)

Luke, Timothy W. “Hans Haacke: Unfinished Business.” In Shows of Force: Power, Politics, and the Ideology in Art Exhibitions, 152-168. Durham: Duke University Press, 1992. (Discusses the politics used in art that provides institutional critiques. Contains a whole chapter devoted to Haacke.)

McQueen, Kathleen. “Shifting Connections: Hans Haacke.” BOMB Magazine. January 19, 2012. http://bombmagazine.org/article/6363. (An analysis of Hans Haacke 1967 exhibited at the MIT List Visual Arts Center from October 21 to December 31, 2011. The exhibition included “Grass Cube” and “Wide White Flow.”)

“Paula Cooper Gallery: Hans Haacke.” Paula Cooper Gallery: Hans Haacke. Accessed February 13, 2015. http://www.paulacoopergallery.com/artists/HH. (Selection of works by Haacke displayed at the Paula Cooper Gallery in NYC. Includes a biography of Haacke and news and publications about him.)