Process

Throughout my project, there were multiple things I had to take into account on how to make the project work.  First was choosing my models.  I needed to know who I wanted to draw as well what poses I wanted them to be in.  I needed the models to be different in body type.  I first asked a couple of my female friends, but only one was able to be a model.  I then thought about it, and chose a male candidate for the second.  That way, the comparison between the two would be even more distinct and noticeable to the audience.

After putting them into multiple poses, I chose two due to time, and went off of those.  I then started my drawing!

First thing I always did for my drawings was draw a rough outline of the person’s body or face.  As a visual representation, I will be showing the drawing of the face.  The process for the body was the same, so there is no big difference.

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I then drew small indications of where the mouth, nose, and eyes.  By doing this, I can locate where certain muscles are located around the face.  I know.  Looks a little creepy right now.  But I can assure that it will look better in the end.

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Taking Eliot Goldfinger’s book I used for reference, I looked up where certain muscles are displayed.  For the face, I found a section where he focused only on that area.  By looking at what muscle belongs where, I tried to locate them on the face of my model.  I had to change the muscles a bit since my model was smiling, unlike Goldfinger’s, and used the information he provided about the different muscle movements to figure out which ones moved in my drawing.

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For my drawings, I only drew half of the face with muscles.  The second half I drew the skull.  Or what I thought the skull would look like.

Using my own knowledge as well as Goldfinger’s, I was able to draw the skull a little easier than the first half.

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And that is how I would draw the human anatomy of my models!

Below is a time-lapse video I did of me drawing the body of the male model: