Auping, Michael. “Edward Kienholz/MATRIX 21.” University of CA, Berkeley Art Museum & Pacific Film Archive. April 1, 1979. Accessed April 25, 2015. bampfa.berkeley.edu.

• The museum’s webpage is a description of the “Edward Kienholz/MATRIX 21” art exhibit of the Spring of 1979. The author offers a synopsis and critique of Kienholz’ body of work.

 

Colosi, David. “Locating the Literary: Reading the work of Ed Kienholz, 1955-1972” The Center for Three-Dimensional Literature. August 11, 2012. Accessed April 25, 2015. 3dlit.org.

• Colosi’s, “The Center for Three-Dimensional Literature” website is dedicated to the development and exploration of his definition of “3D literature” – “the seemingly parallel lines of visual arts and literature that eventually merge into a unified rail”. In this article, the author concentrates on Kienholz’ work before his collaboration with his wife in relation to the author’s theory of art as literature.

 

Couvrette, Shelley. “”Edward Kienholz: The State Hospital”” Cat Sidh. 2007. Accessed April 25, 2015. cat-sidh.net.

• This blog author of Cat Sidh writes about art & culture. In this 2007 contribution to her blog, Ms. Couvrette critiques Kienholz’ work, “The State Hospital”.

 

McEntire, Frank. “In Life and Death, Ed Kienholz Makes Us Participate.” The American Museum of Beat Art. 2003. Accessed April 25, 2015. beatmuseum.org/kienholz/edkienholz.html.

• The website of the American Museum of Beat Art in Alhambra, CA contains numerous articles about the life and works of Beat Generation writers, poets and visual artists from Jack Kerouac to Marcel Duchamp. One such contribution is dedicated to Edward Kienholz’ works by Frank McEntire , himself a sculptor, curator and The Salt Lake Tribune’s art critic.

 

Sewell, Brian. “Truth about the Sex Trade from Edward Kienholz.” London Evening Standard, November 19, 2009. Accessed April 25, 2015. standard.co.uk.

• Sewell contributes as an art critic for the daily paper, the London Evening Standard. He writes here about the 2009 Ed Kienholz art exhibit at The National Gallery and offers some imformation about Kienholz’ importance and placement in the field of modern art.

 

Smith, Roberta. “Edward Kienholz, 66, Sculptor Known for Elaborate Art, Dies.” New York Times, June 13, 1994, Obituaries sec. Accessed April 26, 2015. www.nytimes.com.

 

Wyatt, Edward. “In Sunny Southern California, a Sculpture Finds Its Place in the Shadows.” New York Times, October 2, 2007, Art & Design sec. Accessed April 26, 2015. www.nytimes.com

 

The Beanery by Edward Kienholz: Traces in Time Restoration of an Icon. The Netherlands: Stedelijk Museum, 2012. Film.

• 3-minute video on YouTube depicting people’s reactions to “the Beanery” when exhibited at the Stedelijik Museum in Amsterdam in 2012.

 

Edward Kienholz, The Portable War Memorial, Museum Ludwig Koln. The0Vied0 / YouTube, 2012. Film.

• 3-minute video on YouTube depicting Kienholz’ work, “The Portable War Memorial” while on display at the Museum Ludwig Koln (visual only; no auditory commentary).

 

Ed Kienholz and Nancy Reddin Kienholz, Useful Art #5: The Western Hotel, 1992. USA: Smarthistory, 2011. Film

• 5:42 minute video on YouTube, distributed by Smarthistory, Art History at Khan University. Depicting with audio commentary to Kienholz’ work, “Useful Art #5: The Western Hotel, 1992” when on display at the Portland Museum.

 

Kiehnolz on Exhibit. USA: L.A. Louver, 1966. Film.

• Directed by June Steel and consisting of audience reactions to a Kienholz’s 1966 exhibit at the Los Angeles County Museum of Art (LACMA) which featured such works as “The Birthday”, “Roxy’s” and the “Back Seat Dodge”. Set against a jazz soundtrack.

 

Kienholz. The Signs of the Times. Germany: YouTube, 2011. Film.

• 28 minute video on YouTube , curated by Martina Weinhart and distributed by Schirn Kunsthalle of Frankfurt, Germany. Interviews wife and collaborator, Nancy Reddin Kienholz.

 

PST revisits Ed Kienholz’s “Five Card Stud” at LACMA, 2012. Film.

• 2-minute video on YouTube interviewing LACMA staff and Nancy Reddin Kiehholz as they assemble Edward Kienholz’ 1972 work “Five Car Stud’ for exhibition in 2011-12.

 

Singular Visions: Edward Kienholz, The Wait, 1964-65. USA: Whitney Focus, 2011. Film.

• 5- minute vdeo on YouTube distributed by the Whitney Museum of New York. Curator Dana Miller discusses the museum’s care and handling of Peetie, the live bird included in Edward Kienholz’ installation “The Wait” (1964-65), in the museum’s 2011 exhibition “Singular Visions.”

 

Sollie 17. USA: Wes Clark, 2012. Film.

• under 2-minute YouTube-posted Video by contributor Wes Clark depicting his visit to the Smithsonian American Art Museum and Kienholz’ “Sollie 17”.