Congratulations to Director Chloé Zhao

Chloé ZhaoThe Department of Cinema Studies congratulates Chloé Zhao on her 2021 Academy Award nominations and Golden Globe wins for Nomadland.

As the 2018 Harlan J. Strauss Visiting Filmmaker, Chloé joined our academic community for a two-week residency, guest-lecturing in the course “CINE 408: The Art of Directing” and participating in a series of public talks on our campus. Cinema Studies fondly remembers the generosity with which Chloé mentored our students and all the stimulating conversations she had with faculty during her residency. We are honored to have hosted on our campus such an inspiring filmmaker. In renewing our commitment to the values about cinema and ethical living that Chloé has so graciously shared with us through her work and during her residency, we would like to echo a passage from her acceptance speech at the Golden Globes. Continue reading “Congratulations to Director Chloé Zhao”

From Yes Day to Love Victor, Film Editor is Making the Cuts

Sabrina GiminezSabrina Gimenez loved movies, but she couldn’t imagine a future in film until a light bulb moment during her senior year at the University of Oregon.

For a film studies class, she had created a short, stop-motion animated film about two bicycles that go on a date on campus, culminating in a dorm-room tryst. As she pieced the film together, she found herself completely enthralled. “All of a sudden, I look at my clock on the computer, and six hours had passed right before my very eyes, and I was like, ‘How did this happen?’”

Fast-forward seven years, and the 2013 graduate (English, cinema studies) is now working in Hollywood as an assistant film editor. She has helped produce scripted movies, including director Miguel Arteta’s 2020 comedy Like a Boss, the upcoming Netflix comedy Yes Day, and season two of the critically acclaimed Hulu teen drama series, Love, Victor. Continue reading “From Yes Day to Love Victor, Film Editor is Making the Cuts”

Associate Professor Dong Hoon Kim Publishes New Article on the global reception of recent North Korean films

SituationsAssociate Professor Dong Hoon Kim’s new article, “Comrade Kim Goes Global: Refiguring North Korean Cinema in a Global Context,” was published in the Fall 2020 issue of Situations: Cultural Studies in the Asian Context.

In his article, Kim tracks North Korean cinema’s forays into the global film scene in the past several decades to illustrate and discover a historical trajectory of the global dimension of North Korean film, focusing on the production and reception of two films, A Schoolgirl’s Diary (2006) and Comrade Kim Goes Flying (2012).

The article is available for download on the journal’s website. Continue reading “Associate Professor Dong Hoon Kim Publishes New Article on the global reception of recent North Korean films”

What Our Members Do: Sabrina Gimenez, Assistant Editor

Sabrina GimenezArticle from CINE Montage: Journal of the Motion Picture Editors Guild

Who gave you your first break?

“I was fortunate enough to have a mentor, David Bess, whom I had met in my senior year of college when we connected through the University of Oregon’s Cinema Studies alumni network. David reached out on my behalf to a former colleague who happened to work where I wanted to work, Trailer Park. He passed my name along at an opportune moment when the agency’s satellite office was hiring a coordinator/assistant editor. David has had my back ever since.” Continue reading “What Our Members Do: Sabrina Gimenez, Assistant Editor”

Faculty News: Erin Hanna, Assistant Professor

Only at comic-conCongratulations to Erin Hanna on the publication of Only at Comic-Con: Hollywood, Fans, and the Limits of Exclusivity

In her latest book, Only at Comic-Con: Hollywood, Fans, and the Limits of Exclusivity, Erin Hanna discusses the San Diego Comic-Con and how it became a Hollywood destination, how the industry’s presence at Comic-Con shapes our ideas about what it means to be a fan, and what this event tells us about the relationship between media industries and their fans, past and present. Only at Comic-Con examines the connection between exclusivity and the proliferation of media industry promotion at the longest-running comic convention in North America.

Continue reading “Faculty News: Erin Hanna, Assistant Professor”

Our Commitment to International Students

treesDear Cinema Studies Community: I write to share the department’s absolute support for our international students. Since July 6, 2020, the Cinema Studies team has been tracking and supporting the work of the UO administration and other higher education institutions and associations to advocate on behalf of the many students from outside the U.S. who enrich this country, this city, and this school.

Continue reading “Our Commitment to International Students”

Professor Ovalle talks about leading with kindness and care…

Hello, Cinema Studies Community. As the Cinema Studies team was working night and day to prepare a fall schedule that will keep us safe and healthy on campus amidst a pandemic, a new but sadly familiar crisis shook the world. George Floyd’s death is an important reminder that, for members of our Black community, no day is truly “safe.” As resistance movements march in the streets, we must all carefully revisit the ways in which white power and privilege shape our lives and end others. As a non-Black woman of color, I stand in solidarity with the Black community by listening, learning, and taking action.
 
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Class makes documentaries through remote teaching

person at a laptop“All students have also been granted free access to Adobe Premier and received Zoom tutorials in editing video from cinema studies support instructor Kevin May. He would normally assist the class in-person in a campus media lab, but he has adapted to remote instruction, which students say has been invaluable.”
 
 
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Associate Professor Peter Alilunas Discusses Preparing for Remote Teaching

Peter Alilunas“My home office is being used by my partner, so I’ve carved out space in our guest room and Frankenstein’d it into a makeshift studio. Keep in mind — even though I am a Cinema Studies Professor — I have ZERO production experience! I’ve never made anything, ever. I’m a historian! If you need to know the history of the VCR, I’m your guy! But making a video? Um, what?
 
 
Continue reading “Associate Professor Peter Alilunas Discusses Preparing for Remote Teaching”