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Caroline Frick, Saving Cinema: The Politics of Preservation. New York: Oxford University Press, 2011.
Chow, Andrew R. “See The 25 New Additions to the National Film Registry, From Purple Rain to Clerks.” Time Magazine (New York, NY), December 11, 2019.
Curry II, Charles. “Selling The False Narratives of American History.” Color Bloq online, January 22, 2020.
Fossati, Giovanna. “Conclusions to the Third Revised Edition.” In From Grain to Pixel: The Archival Life of Film in Transition, 331-38. Amsterdam: Amsterdam University Press, 2018.
Holson, Laura M. “Which Movies Are the Best? The Library of Congress Has a List.” The New York Times, December 20, 2018.
Melville, Annette, and Scott Simmon. “A Study of the Current State of American Film Preservation: Volume 1.” In Film Preservation 1993: A Study of the Current State of American Film Preservation: Report of the Librarian of Congress. Library of Congress, Washington, D.C., 1993.
Molotsky, Irvin. “25 Films Chosen for the National Registry.” The New York Times (New York, NY), Sep. 20, 1989. 75, 79.
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Sinclair, Ashley Lamb. “When Narrative Matters More Than Fact.” The Atlantic (Boston, MA), Jan. 9, 2017.
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Notes
[1] 100th Congress, “H.R. 4867 — A Bill Making Appropriations for the Department of the Interior and Related Agencies for the Fiscal Year ending September 30, 1989, and for Other Purposes,” (House Appropriations Committee, Senate Appropriations Committee, Washington D.C., Senate Report 100-410, House Report 100-713, House Report 100-862, 1988), accessed October 17, 2020, https://www.congress.gov/bill/100th-congress/house-bill/4867
[2] Ibid.
[3] Caroline Frick, Saving Cinema: The Politics of Preservation (New York: Oxford University Press, 2011), 13-16.
[4] Irvin Molotsky, “25 Films Chosen for the National Registry,” The New York Times (New York, NY) Sep. 20, 1989. 75, 79.
[5] Ibid.
[6] Ibid.
[7] “Complete National Film Registry Listing,” Library of Congress online, accessed November 7, 2020, https://www.loc.gov/programs/national-film-preservation-board/film-registry/complete-national-film-registry-listing/.
[8] “2017 additions to the National Film Registry,” CBS News online, accessed November 9, 2020. https://www.cbsnews.com/pictures/national-film-registry-2017/2/.
[9] “NFR Selections Directed by Persons of Color: 1989-2019,” Library of Congress online, accessed November 14, 2020, https://www.loc.gov/static/programs/national-film-preservation-board/documents/NFR-Films-Directed-by-Persons-of-Color-1989-2019.pdf.
[10] “NFR 1989-2019: Women Directors,” Library of Congress online, accessed November 13, 2020. https://www.loc.gov/static/programs/national-film-preservation-board/documents/women-directors.pdf.
[11] “Quickfacts United States: Population Estimates, July 1, 2019, (V2019),” United States Census Bureau online, accessed November 22, 2020. https://www.census.gov/quickfacts/fact/table/US/PST045219.
[12] Ibid.
[13] Annette Melville and Scott Simmon, “A Study of the Current State of American Film Preservation: Volume 1,” in Film Preservation 1993: A Study of the Current State of American Film Preservation: Report of the Librarian of Congress, (Library of Congress, Washington, D.C., 1993), Library of Congress online, accessed October 17, 2020, https://www.loc.gov/programs/national-film-preservation-board/preservation-research/film-preservation-study/current-state-of-american-film-preservation-study/#acknowledgements.
[14] Andrew R. Chow, “See The 25 New Additions to the National Film Registry, From Purple Rain to Clerks,” Time Magazine, Dec. 11, 2019, https://time.com/5747503/national-film-registry-2019-additions/.
[15] Laura M. Holson, “Which Movies Are the Best? The Library of Congress Has a List,” The New York Times, Dec. 20, 2018.
[16] Michel-Rolph Trouillot, Silencing the Past: Power and the Production of History (Boston: Beacon Press, 1995), 2-3.
[17] Ashley Lamb Sinclair, “When Narrative Matters More Than Fact,” Education, The Atlantic (Boston, MA), Jan. 9, 2017, https://www.theatlantic.com/education/archive/2017/01/when-narrative-matters-more-than-fact/512273/.
[18] Charles Curry II, “Selling The False Narratives of American History,” Color Bloq online, January 22, 2020, https://www.colorbloq.org/white-archives/selling-the-false-narratives-of-american-history.
[19] “Complete National Film Registry Listing,” Library of Congress online, accessed November 7, 2020, https://www.loc.gov/programs/national-film-preservation-board/film-registry/complete-national-film-registry-listing/.
[20] Nick Riganas, “The Searchers (1956),” IMDb online, accessed November 18, 2020, https://www.imdb.com/title/tt0049730/.
[21] Leah Williams, “How Hollywood Whitewashed the Old West,” Culture, The Atlantic (Boston, MA), Oct. 5, 2016, https://www.theatlantic.com/entertainment/archive/2016/10/how-the-west-was-lost/502850/
[22] “How The West Was Spun,” The Guardian online, June 24, 2005, https://www.theguardian.com/books/2005/jun/25/featuresreviews.guardianreview24
[23] Williams, 1-5.
[24] Jeffrey A. Spicer, “The Changing Face of the Western: an Analysis of Hollywood Western Films from Director John Ford and Others During the Years 1939 to 1964,” Master’s Thesis (Cleveland State University, 2012), ETD Archive, 581, https://engagedscholarship.csuohio.edu/cgi/viewcontent.cgi?article=1580&context=etdarchive.
[25] “Complete National Film Registry Listing,” Library of Congress online, accessed November 7, 2020, https://www.loc.gov/programs/national-film-preservation-board/film-registry/complete-national-film-registry-listing/.
[26] Molotsky, 75, 79.
[27] Giovanna Fossati, “Conclusions to the Third Revised Edition,” in From Grain to Pixel: The Archival Life of Film in Transition, (Amsterdam: Amsterdam University Press, 2018), 331-38, accessed December 5, 2020.
[28] “Criteria for Evaluation,” State Historical Society of North Dakota online, accessed November 30, 2020, https://www.history.nd.gov/hp/nreligibility.html.
[29] Michael Patrick Allen and Anne E. Lincoln, “Critical Discourse and the Cultural Consecration of American Films,” Social Forces 82, no. 3 (2004): 871-93, accessed December 5, 2020, http://www.jstor.org/stable/3598360.
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