Module 4 essay
Module 4 Essay Take a look at this prior to class today (if possible). And don’t forget to check the guidlines for our “Fieldguide symposium”!
Module 4 Essay Take a look at this prior to class today (if possible). And don’t forget to check the guidlines for our “Fieldguide symposium”!
Please review these guidelines and bring any questions you have to my attention! Remember that these slides will illustrate the short presentation each student gives at our final meeting (12/8/15, 12:30-2:30pm ). Due: Monday 12/7/15, by 5pm What: a digital… Continue Reading
View image | gettyimages.com Components: Essay = 1500 words (inclusive of all elements listed below) Presentation = 20-30 min. Resources, materials, and discussion for Module 4 engaged us in discussion about the future of arts and culture programming, including the… Continue Reading
What do you imagine the future of art and culture to be? How can art and culture participation sustain society in this future? How might transmedia experience/materials figure into this future? So we reach our final set… Continue Reading
Download Module 3 Essay for your reading pleasure…
View image | gettyimages.com Components: Essay = 1200-1500 words Presentation = 25-35 min. exploration of your programming example WHAT COULD INNOVATIVE or ORIGINAL ARTS PROGRAMMING LOOK/SOUND/FEEL LIKE IN THE 21st CENTURY? AND WHAT PLACE MIGHT AESTHETICS HAVE IN SUCH… Continue Reading
What drives current aesthetics of art and arts participation? What cultural institutions and structures are involved? What social forces/issues? In what ways do practices, ideas, narratives, or ideologies associated with this aesthetic depend on transmediations? Append your comments,… Continue Reading
View image | gettyimages.com Module 2 Essay Please take a look at the essay (PDF link above) that the module 2/clubs goup has produced. Additionally, I’d like us all to look at this piece for class today. It is short,… Continue Reading
View image | gettyimages.com Due: 10/27/15, via email or posted to a learning portfolio (send me a link) Details: 1500 words (or so), with accompanying transmedia materials (see below) In the essay by Roberto Bedoya that we discussed in… Continue Reading
What are current politics of participation in arts—in making, curating, collecting, critiquing, programming art? How do power and social practice intersect, especially in transmedia environments? What are parameters of diversity or diversifying participation? ¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶ Append your thoughts, questions, or reflections… Continue Reading