MODULE 3 initial questions & response

#169185566 / gettyimages.com   ∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞∞ What drives current aesthetics of art and arts participation? What cultural institutions and structures are involved? What social forces/issues? In what ways do practices, ideas, narratives, or ideologies associated with this aesthetic depend on transmediations?… Continue Reading

Module 2 initial questions and responses

¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶ What are current politics of participation in arts—in making, curating, collecting, critiquing, programming art? How do power and social practice intersect, especially in transmedia environments? What are parameters of diversity or diversifying participation? ¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶¶   Let the commenting begin!… Continue Reading

MODULE 1 question(s) and responses….

•••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• What participatory practices constitute ‘art’, art worlds, or art experiences? What counts as “participation”: curating, collecting, critiquing, teaching, doing, attending, etc.? How do we engage with concepts of diversity across practices and backgrounds? How does the concept of transmedia interact with… Continue Reading