• USSR 1937 Paris pavilion
  • Modernism
  • Boris Iofan and Vera Mukhina
  • Paris, France
  • 1937

Description


The 1937 Paris Pavilion was one of the most contradicting exhibits of the World’s fairs because both German Fascism and Soviet Communism were located across from each other.  The Soviet government wanted to stress the importance of strength against its rival.  This was mainly shown by providing the visitors with modern symbols like a statue at the top of the building.  The statue encapsulates a mythical working class with a hammer and sickle enabled by the Soviet party.  Another critical element was the element of communism as a savior.  This was visually acknowledged at night where imagery of the statue was designed to shine bright as if they were holy.

Another key point about this building was how the Soviet exhibition represented creative freedom of the artists and architects as the “the liberated ones “(Frank Lloyd Wright).  This is because, at the time of this creation, it was assumed that Soviet communism was the freest society.  However, I would argue that it wasn’t free at all because the architects and artists Boris Lofan and Vera Mukhina were only allowed to propagate a dominating or victorious image of communism and not show its flaws.  This might include the positive image of collectivism which we now know caused millions to starve.

  • Contrasting ideologies (i.e. Soviet communism vs German Fascism)
  • Statue propagating Soviet communism as a savior
  • The tension that is present in the space such as the need to present Soviet propaganda

Detail drawing and close up exterior

Exterior of the open of the fair

Cartoon detail drawing

After much searching I couldn’t find any floor plans, sections, and interior images


Detail

Unlike most of the buildings we will likely cover in this class, this building was designed to be temporary, which made it difficult to find photos of this structure.


Diagram

Self made diagram of interior movement

I roughly based it on what was described as there were no plans or images of the interior as the exterior was the more remarkable part of the design.


Google Map

Sources


When Paris Invited both the Nazis and Soviets to its 1937 World Expo

Clash of Ideology at the Paris Expo