OXIDE is a work of fiction. Its world, like ours, accumulicates on its surfaces a record of human actions, ideas, successes and failures, modified by time and natural forces. You might think of this book as describing the setting for a larger fictional work that hasn’t been written yet. You are welcome to write it.
SUBMITTED LATE [stamped authoritatively on this statement card]
Open the fairy-tale like volume that is OXIDE (UO Digital Arts professor Craig Hickman’s latest literary and photographic endeavor) and, immediately, you are submerged in a flow of words and images, a suspended reality. What appears to be handwritten, minion-like text, line after line, bulletted listings of what are phrases inspired by paint chip color names (plumbago blue diablo winds, yellow green ice fog, eggplant sargasso sea, salmon pink mammatocumulus—words so deliciously descriptive I could go on and on… but I digress) methodically march in precise lines around photographs of cityscapes, open spaces, signage, sides of buildings—spaces author Craig Hickman sees as “open spaces waiting for something.” Into this void of open spaces, Hickman has slipped a sort of handwriting on the wall: a caveat of imposed and introduced (digitally, of course) words and images meant to provoke, inspire, and shift the viewer’s comfort level. It must be noted that the text is curiously peppered with an artistic license in which words like “accumulicates” and “ficticous” are brandished about with confidence. In addition, take, for example, the image of a glass store front that has “Department of Journalism” and the entire store front covered in newsprint. Or the building facade reading “City Hall” and below “School of Art and Pugilism” (pugilism is boxing). Things are not always as they appear, or at least, the addition of very carefully chosen words catapults a relatively lonely, quiet, and solitary image into something slightly odd, humorous, off tilt, perhaps mildly disruptive. And, that is intentional.
Sometimes a certain poignancy is revealed such as in the “College of Hard Knocks”: words superimposed on the driverside door of a rusting, abandoned, leaf-covered car. These are images meant to tell a story but in a quirky and “getting things a little wrong”-type way, says Hickman. OXIDE is a “collection of the misunderstood”, providing a pulchritudinous exploration of how the addition of words to a relatively commonplace image can provoke feelings and compel us to feel shifty, momentarily awkward, unsure or just plain pensive. You will see Hickman’s “Department of English | Classroom in a Box” (Hickman assures us the QR code on this absolutely works!) and you might concur with the author’s assertion that this work “relates to a consistency in the real world…and a level of comfort and recognition.” But at the same time, decidedly, and nostalgically, odd.
College of Hard Knocks from OXIDE
Misunderstood.
The handscripted phrases of color swarm though this book, relentlessly reminding us of what must relate to Hickman’s fascination with color, small bits, dimunitive pieces of information that contain volumes of meaning, digital-like, dare we say, even pixel-like. OXIDE falls in right along with Hickman’s one-book-every-ten-years pattern as this artist continues to delve into the complex and intriguing realm of combining and manipulating text, image, and thought. In OXIDE it is a computer program that hatched up the lines of paint chip fabricated color eloquence presenting it as simple lines of handwriting a deception that encourages us to question what we see, to examine what is put before us.
Small bits of information conveyed in a handwritten-like script.
Thus, the “ficticous” world author | artist Craig Hickman is so fond of exploring is created and we are so provoked as to scrutinize these pages—they are fascinating. Hickman who terms himself the “unreliable narrator”, has given us a murmuration-like experience with words. In OXIDE, Hickman’s fantasy world is as pretty as a picture, but with so much more meaning.
Is Hickman echoing Keats' "Beauty is truth, truth beauty..." Is that all we need to know?
The linear quality here ..... an OXIDE phenomena.
[Quotes in this article are from an interview with the author of this blog piece, Sabina Samiee and OXIDE author, Craig Hickman. Sabina is indebted to Professor Hickman for speaking with her about his new book.]
Craig Hickman is currently the primary professor in situ at the Portland location for the University of Oregon BFA Digital Arts Program at the School of Architecture and Allied Arts | White Stag Block.
He has said he will put a copy of OXIDE on view in the Library ….go check it out.
OXIDE
by Craig Hickman
Copyright 2011 by Craig Hickman
ISBN 0-9675894-0-3
DryReading Press
dryreading.com
Have a look around at some of Professor Hickman’s other projects on the following websites:
The [m] concert is a [m]odern festival of [m]usic curated by members of the Oregon Wind Ensemble. It is a FREE four hour concert event that takes place each Spring at the University of Oregon Frohnmayer Music Building. This year’s concert took place on Saturday April 30 from 4 – 8 p.m.
Summer in the City 2011 is the University of Oregon’s School of Architecture and Allied Arts in Portland offering of special summer courses in the fields of art and digital art, architecture, product design, landscape architecture, and interdisciplinary studies. The summer program is housed at the university’s White Stag Block in Portland, Oregon. Summer in the City offers variable-credit courses and workshops. Courses are taught by guest artists, architects, and creative design professionals from throughout the Northwest region as well as by University of Oregon professors who collaborate during the summer to offer challenging, enlightening, and informative curriculum during the short summer session.
Highlights of the summer courses include architecture courses taught by James Cutler (FAIA of Cutler Anderson Architects) and Lisa Petersen (SERA Architects); video art by Kartz Ucci; Gizmos and digital imaging taught by Craig Hickman; photography courses by Terri Warpinski and Sara Huston; footwear design by NIKE creative designers, D’Wayne Edwards and Matt Rhoades; and Manifest Oregon product design to craft the ultimate “utility bicycle” with creative experts from ZIBA Design; in addition to interdisciplinary courses exploring lasercutting, fabrication, and landscape architecture studies.
Summer in the City courses at the University of Oregon’s School of Architecture and Allied Arts (A&AA) in Portland begin on June 20, 2011 and run on a varying schedule throughout the summer months.
A complete listing of courses and the Summer in the City schedule is available online at Summer in the City.
Courses are open to currently enrolled University of Oregon students and non-enrolled students. Registration begins on May 2, 2011 for currently enrolled students and on May 6, 2011 for non-UO students. Current UO students and Continuing Education Program (CEP) students, and UO faculty and staff members may register on DuckWeb. Community members are asked to contact the UO Academic Extension office to register.
Summer in the City incorporates the University of Oregon’s Portland summer day camp program, Design Camp 2011, a unique, five-day summer camp experience open to high school students and interested members of the community. For more information on Design Camp 2011, go to the Summer in the City online site.
For more information, you are welcome to contact the School of Architecture and Allied Arts in Portland at the White Stag block: 503-412-3718, 70 N.W. Couch St., Floor 4R, Portland, OR 97209, email aaapdx@uoregon.edu
And check out the School’s Viewbook for a glimpse of the programs at Portland’s A&AA.
